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Vous avez sélectionné:
Why Can't You Stay
Partitions à imprimer
15 partitions trouvées
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1
Why Can't You Stay
Why Can't You Stay
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Paroles et Accords
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INTERMÉDIAIRE
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Rick Moose
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Richard Mousseau
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Why Can't You Stay
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Moose Hide Music Publishing
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1365018 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 3 - SKU: A0.1365018 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Singer/Songwriter. Chords/Lyrics. 4 pages. Moose Hide Music Publishing #949320. Published by Moose Hide Music Publishing (A0.1365018). Contemory/Folk/Pop. New release by Canadian Songwriter. Full score available from publisher. MP3. down load available on sheetmusicplus. Song available on major streaming services.
$3.99 ≈
$5.51
I Can't Tell You Why
I Can't Tell You Why
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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The Eagles
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Don Henley, Glenn Frey, Timoth
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Lorenzo Bocci
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I Can't Tell You Why
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1444708 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop,Rock. 93 pages....
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Concert Band - Level 3 - SKU: A0.1444708 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop,Rock. 93 pages. Lorenzo Bocci #1024606. Published by Lorenzo Bocci (A0.1444708). I CAN'T TELL YOU WHY As recorded by The Eaglesfor Concert Band - Grade 3 - Composed by Don Henley, Glenn Frey, Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Can't Tell You Why is a song by the American rock band Eagles that appeared on their 1979 album The Long Run. It was written by band members Timothy B. Schmit, Glenn Frey and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. Released as a single in February 1980, it became a Billboard top 10 hit in April, reaching number eight on the Billboard Hot 100 and number three on the Adult Contemporary chart. It was the group's last top ten hit on the Billboard Hot 100. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
$123.00
Can't Help Falling In Love
Can't Help Falling In Love
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Ukulele
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DÉBUTANT
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Mariage/Ballade
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Rock
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Elvis Presley
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Andre D Tuffo
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Can't Help Falling In Love
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Andre D. Tuffo
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SheetMusicPlus
Ukulele - Level 1 - SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,S...
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Ukulele - Level 1 - SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,Spiritual,Standards,Wedding. Score. 1 pages. Andre D. Tuffo #789416. Published by Andre D. Tuffo (A0.1189818). https://linktr.ee/andredtuffoCan't Help Falling in Love is a timeless classic that has been beloved by generations of music lovers. The song was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and was made famous by Elvis Presley in 1961.The lyrics of Can't Help Falling in Love express the feeling of falling deeply in love and the sense of helplessness that comes with it. The song has been interpreted in many different ways, from a message of romantic love to a more universal message of the power of love to overcome all obstacles.The melody of Can't Help Falling in Love is simple and beautiful, and has been covered by many artists in a variety of styles. The song has been used in countless films, television shows, and other media, and has become a cultural touchstone for people all over the world.One of the reasons why Can't Help Falling in Love is such a beloved song is because of its universality. The feeling of falling in love is something that is experienced by people of all ages, races, and backgrounds, and the song captures that feeling perfectly.In conclusion, Can't Help Falling in Love is a beautiful and timeless song that continues to captivate and move people all over the world. Whether you're a fan of Elvis Presley, or simply appreciate the beauty of a classic love song, Can't Help Falling in Love is a song that is sure to touch your heart and stay with you for a lifetime.
$10.00 ≈
$13.82
Don't You Wanna Stay
Don't You Wanna Stay
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Orgue
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Country
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Jason Aldean with Kelly Clarks
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Don't You Wanna Stay
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.720939 By Jason Aldean with Kelly Clarkson. This edition: scorch. E-Z Play Today. Country. Score....
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.720939 By Jason Aldean with Kelly Clarkson. This edition: scorch. E-Z Play Today. Country. Score. 5 pages. Hal Leonard - Digital #215551. Published by Hal Leonard - Digital (HX.720939). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
$4.13
I Love To Stay At Home
I Love To Stay At Home
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Piano, Voix
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Irving Berlin
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Irving Berlin
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I Love To Stay At Home
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.21802 Composed by Irving Berlin. Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentm...
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Piano and voice - SKU: LV.21802 Composed by Irving Berlin. Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21802). I Love To Stay At Home. Words and Music By Irving Berlin. Published 1915 by Waterson, Berlin & Snyder Co., Strand Theatre Bldg., Broadway at 47th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Fireplaces, Mothers & children, Windows, Moonlight, Domestic life, Singing, Contentment. First line reads I don't go out nights, I'm not about nights, I'll tell you why I never roam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.28
Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
$6.90
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
$5.51
Say Something
Say Something
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Instruments en Do
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FACILE
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A Great Big World
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B
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Say Something
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B. McCormick
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1417312 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Song...
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C Instrument - Level 2 - SKU: A0.1417312 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. B. McCormick #998860. Published by B. McCormick (A0.1417312). About the Song “Say Something†is an emotional piano ballad that tugs at the heartstrings. Originally penned by indie band A Great Big World, it gained widespread recognition when powerhouse vocalist Christina Aguilera lent her voice to a haunting duet version. Here’s what you need to know: Origins: Written by duo members Ian Axel and Chad King, alongside Mike Campbell, the song was initially recorded by Axel for his solo album This Is the New Year (2011). Later, A Great Big World reimagined it for their debut album Is There Anybody Out There? (2013) .After Aguilera performed the song on The Voice, it skyrocketed to fame. The struggle of giving up on a relationship is beautifully encapsulated in the plea to “say something†and salvage what’s slipping away .At the 57th Annual Grammy Awards, “Say Something†clinched the coveted Best Pop Duo/Group Performance award, showcasing its impact and emotional resonance .Why Choose This Sheet Music? Authentic Arrangement: Our lead sheet and guitar chord sheet faithfully capture the essence of the original recording. Whether you’re a solo performer or part of a band, you’ll find the arrangement true to the song’s soulful vibe. Easy to Play: Guitarists will appreciate the clear chord diagrams and strumming patterns provided. Even beginners can master this heartfelt tune. Teaching Tool: If you’re an educator, use this sheet music to teach your students about song structure, dynamics, and emotional expression. Perfect for Covers: Whether you’re performing at a coffee shop, a virtual concert, or a cozy gathering, “Say Something†resonates with audiences. It’s a timeless choice for covers and live performances. Potential Uses Weddings: Picture a tender moment during the wedding ceremony or first dance. “Say Something†sets the mood beautifully. YouTube Covers: Create captivating content by recording your own rendition. Share it with the world! Music Classes: Use it as a teaching aid in vocal or instrumental lessons. Emotional Film Scenes: Filmmakers, take note—this song adds depth to poignant scenes. Get Your Copy Today Don’t miss out on this heartfelt piece. Download your “Say Something†lead sheet and guitar chord sheet now. Let the music speak for itself. Connect with Us! Follow us on social media to stay updated on new releases, musical tips, and exclusive content: You can connect on most social media through our handle: @ResourcefulArrangementsÂ
$4.99 ≈
$6.90
The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013)
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Trompette
#
INTERMÉDIAIRE/AVANCÉ
#
Methodes
#
Eric Bolvin
#
The Arban Manual
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Reper...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95 ≈
$23.43
The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition
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Trompette
#
INTERMÉDIAIRE/AVANCÉ
#
Methodes
#
Eric Bolvin
#
The Arban Manual - Hooten Edit
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SheetMusicPlus
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire,...
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95 ≈
$23.43
Kitaran ABC Vol.1
Kitaran ABC Vol.1
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Piano Facile
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DÉBUTANT
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Prof
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José Lucas
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Kitaran ABC Vol.1
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José Lucas
#
SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contemporary,Folk,Traditi...
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C Instrument - Level 1 - SKU: A0.1346062 By Prof. Pöllö. By José Lucas. Arranged by José Lucas. Children,Classical,Contemporary,Folk,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #930915. Published by José Lucas (A0.1346062). ABC For Guitar Beginners Vol.1Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.1. Learn how to read notes, chords, music theory and interaction with the teacher2. Simple exercises to practice before the kids tackle the pieces/songs3. Rules for how to train a difficult part4. Learn to read left vs. right hand in music5. Learn the differences between strings and frets6. Famous children's songs from around the world7. Visually appealing pages for kids8. Famous pieces from classical music9. Audio to all music in the book on Spotify10. Diploma“This method guides students in mastering the 1st, 2nd, and 3rd strings with whole, half, and quarter notes. Before progressing to the next step, they hone these skills on the 3rd string, 2nd fret, using the long finger (2nd, left hand). For kids, pressing on the 3rd string is made easier. Transitioning to the A note, students can also use the 1st and 3rd fingers (left hand), to prepare themselves for C and D notes on the 2nd string. Mastering C & D paves the way for playing F and G notes. Crucial exercises on each note develop strength in both hands. The book includes helpful audio, ensuring students stay in rhythm and practice independently at home. Along the way, students learn music theory at the right time.†- José Lucas, 2023CONTENTMary had a little lamb (US)The spring song (Hungary)Playful dialogue (Germany)Old MacDonald (US)Björnen sover (Sweden)Au clair de la lune (France)Hänschen klein (Germany)Andantino Op. 59 (Carcassi)Russian theme (Russia)Dog waltz (Germany)Savez-vous planter les choux? (France)Sonata no.11 K331 (Mozart)Brandenburg dance (Germany)Gran vals (Tarrega)Carnevale di Venezia (Italy)Andantino (Küffner)Go to sleep (Germany)The silly song (Irland)El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!
$17.50 ≈
$24.19
Skyfall
Skyfall
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Piano Facile
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INTERMÉDIAIRE
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Pop musique
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Adele
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Angela Marshall
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Skyfall
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Avanell Publishing
#
SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.843824 By Adele. By Adele Adkins and Paul Epworth. Arranged by Angela Marshall. Pop,R & B. Score. 3 pages. Avanell Publis...
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Easy Piano - Level 3 - SKU: A0.843824 By Adele. By Adele Adkins and Paul Epworth. Arranged by Angela Marshall. Pop,R & B. Score. 3 pages. Avanell Publishing #3880287. Published by Avanell Publishing (A0.843824). Tired of searching for a pianistic arrangement of Skyfall? Look no further! This arrangement has been carefully adapted from the original recording to suit pianists who want music that stays true to Adele's version while also being fun to play. Listen to the recording to see how good you can sound with this intermediate level arrangement!A Note from the ArrangerAs a piano teacher, I love using music my students already know and love. It is my favorite way to keep them motivated and develop their skills. But it is difficult to find arrangements that are suitable for all levels! Much of the music is either too hard or doesn’t sound like the original tune. That’s why I started creating my own arrangements of popular favorites!Each of my arrangements has been meticulously created with beginning pianists in mind. I have transposed the melody to minimize accidentals and keep students in familiar hand positions. I have simplified rhythms where necessary while still maintaining the original feel of the piece.Most importantly, these arrangements have been used in the real world! Every piece I publish has been tested and approved by independent piano teachers, college professors, and music students of various ages and levels. I use their feedback to ensure each arrangement provides an enjoyable experience for pianists and their teachers. Now students can play their favorite music with confidence!Angela Marshall
$5.99 ≈
$8.28
The Beatles - Yesterday
The Beatles - Yesterday
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Piano, Voix
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INTERMÉDIAIRE
#
Rock
#
The Beatles
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Mario Stallbaumer
#
The Beatles - Yesterday
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By The Beatles. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!
It's a beautiful piano ballad arrangement with an intermediate difficulty level.
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords.
Written by Paul McCartney (and officially credited to Lennon?McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.
The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.
In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.
It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.
Time for you to play it, too!
Here are the full lyrics to "Yesterday" by the Beatles:
Yesterday
All my troubles seemed so far away
Now it looks as though they're here to stay
Oh, I believe in yesterday
Suddenly
I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly
Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday
Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday
Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday
Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday
$4.99 ≈
$6.90
The Beatles - Yesterday - Piano Solo
The Beatles - Yesterday - Piano Solo
#
Piano seul
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INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Mario Stallbaumer
#
The Beatles - Yesterday - Pian
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Intermediate - By The Beatles. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - By The Beatles. Arranged by Mario Stallbaumer. 2 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Yesterday" by The Beatles on piano!
It's a beautiful piano ballad arrangement with an intermediate difficulty level.
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Written by Paul McCartney (and officially credited to Lennon?McCartney), "Yesterday" was included on the Beatles' 1965 album "Help!" in the UK, and on their 1966 album "Yesterday and Today" in the US.
The melancholic ballad became one of their biggest hits, topped the charts in the US, and was later inducted into the Grammy Hall of Fame.
In 1999, it was voted the best song of the 20th century in a BBC poll, and the No. 1 pop song of all time by both MTV and the Rolling Stone magazine in 2000.
It's also one of the most covered songs ever written, with over 2,000 recorded cover versions.
Time for you to play it, too!
Here are the full lyrics to "Yesterday" by the Beatles:
Yesterday
All my troubles seemed so far away
Now it looks as though they're here to stay
Oh, I believe in yesterday
Suddenly
I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly
Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday
Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday
Why she had to go
I don't know, she wouldn't say
I said something wrong
Now I long for yesterday
Yesterday
Love was such an easy game to play
Now I need a place to hide away
Oh, I believe in yesterday
$4.99 ≈
$6.90
<
1
Why Can't You Stay
