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Why We Fall
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Vous avez sélectionné:
Why We Fall
Partitions à imprimer
31 partitions trouvées
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26
Why Don't We_Fallin' (adrenaline) Arranged by iSheetMusic
Why Don't We_Fallin' (adrenaline) Arranged by iSheetMusic
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Piano Facile
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FACILE
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Pop musique
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Why Don'T We
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iSheetMusic
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Why Don't We_Fallin'
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iSheetmusic
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SheetMusicPlus
By Why Don'T We. Arranged by iSheetMusic. 4 pages. Published by iSheetmusic...
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By Why Don'T We. Arranged by iSheetMusic. 4 pages. Published by iSheetmusic
$4.99 ≈
4.63€
Why do we Fall?
Why do we Fall?
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Drew Morris
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Why do we Fall?
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1272785 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 70 pages. Yello...
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Concert Band - Level 3 - SKU: A0.1272785 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 70 pages. Yellow Envelope Publications #864982. Published by Yellow Envelope Publications (A0.1272785). This piece is a slow, reflective piece, meant to capture the feeling of Autumn. I wrote it while watching the leaves change color and eventually fall from the trees through my office window, after all. (I miss that view).It has several solos and soli opportunities sprinkled throughout, especially in the flute. And because I always felt sad that percussionists often got left out of the slow emotional pieces, I did my best to write parts to include a few more of them than you see in typical slow band pieces.Instrumentation2 Flute, Oboe, 2 Bassoon (splits are doubled elsewhere), 3 Clarinet, Bass Clarinet, 2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 3 Trumpet, 4 French Horn, 3 Trombone, Euphonium, Treble Clef Euphonium, TubaString BassTimpani, Bass drum, Suspended Cymbal, Tam-tamGlockenspiel, Vibraphone, Chimes, Marimba
$65.00 ≈
60.25€
We Fall Down
We Fall Down
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Piano grosses notes
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DÉBUTANT
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Musique Sacrée
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Chris Tomlin
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We Fall Down
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.458382 By Chris Tomlin. Christian,Sacred. E-Z Play Today. 1 pages. Published by Hal Leonard - Digital (HX.458382). Abo...
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SKU: HX.458382 By Chris Tomlin. Christian,Sacred. E-Z Play Today. 1 pages. Published by Hal Leonard - Digital (HX.458382). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.77€
Why Did We Two People Fall In Love? (Vocal Track)
Why Did We Two People Fall In Love? (Vocal Track)
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Stephen DeCesare
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Why Did We Two People Fall In
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Exultet Music
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SheetMusicPlus
Piano,Soprano voice,Tenor Voice - SKU: A0.1052843 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Full Performance. Duration 100. E...
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Piano,Soprano voice,Tenor Voice - SKU: A0.1052843 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Full Performance. Duration 100. Exultet Music #6327939. Published by Exultet Music (A0.1052843). Charming love duet about people wondering why they fell in love, and they are glad they did. Sheet music is available on this site. Sung by: Stephen DeCesare and Lisa Barter.
$3.99 ≈
3.70€
Why We Fall
Why We Fall
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Nathan Chambers
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Why We Fall
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Nathan Chambers
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SheetMusicPlus
Trombone Quartet - Level 4 - SKU: A0.1141431 Composed by Nathan Chambers. 20th Century,Chamber,Contemporary,Sacred. 19 pages. Nathan Chambers #741756. P...
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Trombone Quartet - Level 4 - SKU: A0.1141431 Composed by Nathan Chambers. 20th Century,Chamber,Contemporary,Sacred. 19 pages. Nathan Chambers #741756. Published by Nathan Chambers (A0.1141431). A warm, uplifting piece written for four trombones. This will sonorously take you through the natural progression of life, from its innocent dawn to the righteous prevailing over its grueling trials. Enjoy the meaningful melodies accompanied by simple, yet powerful harmonies.
$3.99 ≈
3.70€
That We Might Have Joy - an original hymn
That We Might Have Joy - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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That We Might Have Joy - an or
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701776 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...
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Choral Choir (SATB) - Level 4 - SKU: A0.701776 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3427009. Published by Kevin G. Pace (A0.701776). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/AlfoG-rvqsAPondering the purpose of each mortal birth, Why has man been planted here upon the earth? Left alone to wander, aimless as a toy? No, our God has formed us, that we might have joy. Opposition haunts us, darkness duels with light. As we seek the Spirit, we shall win the fight. Following our Savior, He who died for all, We shall be delivered from this mortal fall. One day we'll be lifted up to join the throng, With The Father's children who chose right from wrong. Through the Lord's Atonement, cleansed from every sin, With celestial glory, born to live like Him.
$1.99 ≈
1.84€
Can't Help Falling In Love
Can't Help Falling In Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Mariage/Ballade
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Rock
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Elvis Presley
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Danut Muresan
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Can't Help Falling In Love
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Sunset Strings, LLC
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290319 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1290319 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Danut Muresan. Jazz,Pop,Standards,Traditional,Wedding. 2 pages. Sunset Strings, LLC #881027. Published by Sunset Strings, LLC (A0.1290319). Can't Help Falling in Love – A Timeless Arrangement for Any Ensemble🎶 Versatile & AdaptableOur arrangement of Can't Help Falling in Love is designed to be incredibly flexible, suitable for quartets, trios, duos, and even solo performances. This ensures you can adapt the piece to your specific event needs without sacrificing the musical richness that the original is famous for.🎼 Two Pages, No FussEfficiency meets elegance in this compact 2-page score. We’ve carefully condensed the arrangement to make it manageable without losing any of its original charm. Easy to read, easy to perform, and a joy to hear.🎵 A Touch of ChallengeWhile the arrangement is accessible, there are sections designed to challenge and engage performers. It keeps musicians interested, enabling them to deliver a heartfelt and dynamic performance that resonates with audiences.💖 Perfect for Special MomentsThere's something timeless about Can't Help Falling in Love that makes it an ideal choice for weddings, anniversaries, and other special events. Its melody is both romantic and nostalgic, capturing the essence of love in a way that few other songs can. With this arrangement, you’ll effortlessly bring that magical touch to any occasion.🎹 Lush & Lovely to Listen ToCrafted with both the musician and the audience in mind, this arrangement offers a lush and emotive musical experience. The harmonies are rich, the dynamics are well-balanced, and the resulting sound is simply captivating.🌟 Why Choose This Arrangement?In a sea of musical choices, our Can't Help Falling in Love arrangement stands out for its perfect blend of versatility, manageability, and emotional depth. Whether you are a professional ensemble or a passionate musician looking to elevate a special event, this arrangement won't just meet your expectations—it will exceed them.🛒 So Why Wait?Make your next performance unforgettable. Add our versatile Can't Help Falling in Love arrangement to your repertoire today!Â
$24.99 ≈
23.16€
Fallin (Solo Guitar Score)
Fallin (Solo Guitar Score)
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Guitare
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INTERMÉDIAIRE
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Pop musique
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Why Don'T We
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Antonius Agung Setiawan
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Fallin
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Antonius Agung Setiawan
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SheetMusicPlus
By Why Don'T We. Arranged by Antonius Agung Setiawan. Score. 6 pages. Published by Antonius Agung Setiawan...
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By Why Don'T We. Arranged by Antonius Agung Setiawan. Score. 6 pages. Published by Antonius Agung Setiawan
$5.50 ≈
5.10€
Fallin (Duet Guitar Tablature)
Fallin (Duet Guitar Tablature)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Pop musique
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Why Don'T We
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Antonius Agung Setiawan
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Fallin
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Antonius Agung Setiawan
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SheetMusicPlus
By Why Don'T We. Arranged by Antonius Agung Setiawan. Tablature. 14 pages. Published by Antonius Agung Setiawan...
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By Why Don'T We. Arranged by Antonius Agung Setiawan. Tablature. 14 pages. Published by Antonius Agung Setiawan
$5.50 ≈
5.10€
Fallin (Duet Guitar Score)
Fallin (Duet Guitar Score)
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2 Guitares (duo)
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INTERMÉDIAIRE
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Pop musique
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Why Don'T We
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Antonius Agung Setiawan
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Fallin
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Antonius Agung Setiawan
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SheetMusicPlus
By Why Don'T We. Arranged by Antonius Agung Setiawan. Score. 11 pages. Published by Antonius Agung Setiawan...
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By Why Don'T We. Arranged by Antonius Agung Setiawan. Score. 11 pages. Published by Antonius Agung Setiawan
$5.50 ≈
5.10€
Fallin (Solo Guitar Tablature)
Fallin (Solo Guitar Tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Pop musique
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Why Don'T We
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Antonius Agung Setiawan
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Fallin
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Antonius Agung Setiawan
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SheetMusicPlus
By Why Don'T We. Arranged by Antonius Agung Setiawan. Tablature. 10 pages. Published by Antonius Agung Setiawan...
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By Why Don'T We. Arranged by Antonius Agung Setiawan. Tablature. 10 pages. Published by Antonius Agung Setiawan
$5.50 ≈
5.10€
Stompin' Jam - Trumpet Trombone Duet
Stompin' Jam - Trumpet Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE/AVANCÉ
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99 ≈
4.63€
Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
4.63€
That's Christmas To Me
That's Christmas To Me
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Pentatonix
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Daniel Roberts
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That's Christmas To Me
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Daniel P Roberts
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scott Hoying. Arrang...
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Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scott Hoying. Arranged by Daniel Roberts. A Cappella,Christmas,Holiday. Score and parts. 10 pages. Daniel P Roberts #740017. Published by Daniel P Roberts (A0.1139744). Arranged for 2 guitars with TAB. The fireplace is burning bright, shining all on me I see the presents underneath the good old Christmas tree And I wait all night 'til Santa comes to wake me from my dreams Oh, why? 'Cause that's Christmas to me I see the children play outside, like angels in the snow While mom and daddy share a kiss under the mistletoe And we'll cherish all these simple things wherever we may be Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me I listen for the thud of reindeer walking on the roof As I fall asleep to lullabies, the morning's coming soon The only gift I'll ever need is the joy of family Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me Oh, the joy that fills our hearts and makes us see Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart I've got the candles glowing in the dark And then for years to come we'll always know one thing That's the love that Christmas can bring Oh, why? 'Cause that's Christmas to me.
$4.99 ≈
4.63€
Nature, Nature
Nature, Nature
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Piano, Voix
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DÉBUTANT
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Enfant
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Connie Boss
Refrain: Natu
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Connie Boss
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Nature, Nature
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Connie Boss
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SheetMusicPlus
Piano,Voice - Level 1 - SKU: A0.1175816 Composed by Connie Boss. Children. Full Performance. Duration 182. Connie Boss #775937. Published by Connie Boss...
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Piano,Voice - Level 1 - SKU: A0.1175816 Composed by Connie Boss. Children. Full Performance. Duration 182. Connie Boss #775937. Published by Connie Boss (A0.1175816). This is a cute song for kids about some of the different creatures in nature - some we love, some we fear and some we don't know they they're here.....Purchase at https://www.sheetmusicdirect.com/en-U... Questions or requests, email cdboss@cvalley.net see lyrics below: Nature Nature By Connie Boss Refrain: Nature, Nature Some we love, some we fear Some we wonder Why they’re here. Verse 1: Bees, Bees, don’t sting me Spread your pollen to the trees Spider, Spider spin your web You lie in wait to be fed Refrain: Verse 2: Bird, Bird, fly through the air You can fly most anywhere Cricket, Cricket, why so loud Chirping is your only sound Refrain: Verse 3: Owl, Owl, is very wise You have such enormous eyes Eagle, Eagle, soar above You look for prey for your food Refrain: Verse 4: Deer, Deer, what do you fear? Hunters in the Fall each year? Bears, Bears, great big paws Please don’t hurt me with your claws Refrain:.
$1.99 ≈
1.84€
Clair de Lune (with piano fingering as needed)
Clair de Lune (with piano fingering as needed)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Scott Camp
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Clair de Lune
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Scott Camp
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...
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Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99 ≈
1.84€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.70€
Too Early For Christmas
Too Early For Christmas
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Orchestre
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INTERMÉDIAIRE
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Noël
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
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Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00 ≈
46.34€
PANTOMANIA (an original Summer Pantomime)
PANTOMANIA (an original Summer Pantomime)
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Chorale SATB
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INTERMÉDIAIRE
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Dennis A
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PANTOMANIA
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Ty...
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Choral Choir (Mixed) - Level 3 - SKU: A0.999348 Composed by Dennis A. Westgate. Children,Christmas,Contemporary,Musical/Show,World. Octavo. 75 pages. Tyne Music #5884499. Published by Tyne Music (A0.999348). PANTOMANIA: A modern pantomime in the TYNE ONSTAGE series of family orientated musicals. We’re all familiar with the U.K.s traditional pantomime. An extravaganza of costume, song and comedy acting, always presented during the autumn & winter months, especially over the Christmas holiday period. They’re extremely popular in the U.K. and draw in big family audiences, indeed the finance generated, helps most theatres over the more leaner summer months. So I thought Why not write a ‘Pantomime for Summer’ and this is it!PANTOMANIA takes you on a journey into the mystical world of fairy tale and fantasy, where words on a page become real-life characters when our heroine, Victoria falls into a wishing well and on climbing out, finds herself in the ‘Children’s Section’ on a library bookshelf. We follow her as she moves from page to page trying to find a way back home, assisted by the ‘Scarecrow’ plus an odd assortment of picture book characters. A great fun-musical for all of the family with plenty laughs and a few screams along with foot-tapping songs. It can be performed by any mixed age group age from 12 - 60. Perfect for seat-filling by any school, college, youth theatre or dramatic society.Note: Of course it could also be performed in the Winter and would be a great way to end the Autumn Term!This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/pantomaniaP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation, but this would be an excellent opportunity for any up and coming student arranger to add to their C.V.
$37.00 ≈
34.29€
Chasing Cars
Chasing Cars
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Piano, Voix et Guitare
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DÉBUTANT
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Snow Patrol
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RIS
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Chasing Cars
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RISsounds
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1474118 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. A...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1474118 By Snow Patrol. By Gary Lightbody, Jonathan Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by RIS. Contemporary,Film/TV,Pop,Rock,Singer/Songwriter. Score. 3 pages. RISsounds #1051751. Published by RISsounds (A0.1474118). 🎹 New Piano Tutorial: Chasing Cars by Snow Patrol 🎹We're excited to share the lead sheet music for our latest piano tutorial, Chasing Cars by Snow Patrol! This sheet music is perfect for both beginners and more advanced players. Here's why:👉 Beginners: The right hand is clearly written out on the staff, guiding you through the melody with ease. Simply follow along with the notes and use the visual cues from our video to master the song in no time!👉 Advanced Players: Challenge yourself by improvising with the left hand while keeping the melody steady with the right hand. This approach helps you develop your creativity and enhances your playing skills.Pair the lead sheet music with our video tutorial, featuring a moving cursor and falling lights to make learning even easier. We post new tutorials every week, so be sure to subscribe and stay tuned for more!👍 If you find this sheet music helpful, please give it a thumbs up and leave a comment below. We’d love to hear your thoughts and song requests!Happy playing!#howtoplay, #easypianotutorial, #pianotutorialeasyslowbeginner, #pianotutorialeasybeginner, #ChasingCars, #SnowPatrol, #BeginnerPiano, #LearnPiano, #PianoForBeginners, #EasyPiano, #PianoCover, #PianoLesson, #PianoTeacher, #PianoSongs, #MusicTutorial, #PianoTips, #EasySongs, #PlayPiano, #SimplePiano, #PianoMusic, #PianoChords, #SheetMusic, #PianoPractice, #PianoNotes, #PianoEducation, #PianoSkills, #TutorialForBeginners, #PianoLovers, #MusicEducation, #OnlinePianoLessons, #DigitalPiano, #PianoTutorials.
$4.99 ≈
4.63€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25 ≈
2.09€
Do You Hear How Many You Are?
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00 ≈
78.78€
Fallin' (Adrenaline) by Why Don't We - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Why Don't We
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Fallin' (Adrenaline)
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Musicnotes
Sheet Music for Fallin' (Adrenaline) by Why Don't We arranged for Piano/Vocal/Chords;Singer Pro in A Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Fallin' (Adrenaline) by Why Don't We arranged for Piano/Vocal/Chords;Singer Pro in A Minor. Digital sheet music from Musicnotes.
$5.99 ≈
5.55€
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00 ≈
4.63€
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Why We Fall
