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Wild Animal Rag
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Vous avez sélectionné:
Wild Animal Rag
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RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
46.10€
Wild Animal Rag
Wild Animal Rag
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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John T
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Wild Animal Rag
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John T. Carney
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SheetMusicPlus
By John T. Carney. For Piano. Jazz. Advanced Intermediate. Score. Published by John T. Carney ...
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By John T. Carney. For Piano. Jazz. Advanced Intermediate. Score. Published by John T. Carney
$3.99 ≈
3.68€
15. Aye Aye the Lemur
15. Aye Aye the Lemur
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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15. Aye Aye the Lemur
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1138913 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #7...
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Piano Solo - Level 4 - SKU: A0.1138913 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #739208. Published by Louise du Toit (A0.1138913). Aye Aye the Lemur is the fifteenth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Aye Aye the lemur is creeping through the branches of a forest on the island of Madagascar, a ghost-like figure in the light of the silver moon. He stops to tap the claw on his middle finger against a tree trunk, pressing his large ears to it to pick up the sounds of movements from a grub inside. Mimicking the habits of a woodpecker, he slips the middle digit into a hole in the trunk and harpoons a wood-boring insect larva, seizing his prey and devouring it with great enjoyment. Occasionally resting, he spends the rest of the night foraging in the dense canopy of trees and finally, just before the sun is about to rise, he retracts to his comfortable, spherical nest high up among the vines and branches, where he naps all day long..
$4.99 ≈
4.61€
13. Inkawu the Monkey
13. Inkawu the Monkey
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Piano seul
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AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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13. Inkawu the Monkey
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1138763 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 7 pages. Louise du Toit #7...
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Piano Solo - Level 5 - SKU: A0.1138763 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 7 pages. Louise du Toit #739065. Published by Louise du Toit (A0.1138763). Inkawu the Monkey is the thirteenth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inkawu the monkey is very naughty and mischievous. Having spent the morning sitting in the sun while some females searched his fur for fleas, he is now in a hilariously expressive mood. Swinging from the branches of a huge African tree, he mocks everything and everybody around him, mimicking a scornful dance with his weird movements and giving the impression of being a funny clown in a circus. When he comes across a car loaded with passengers on a narrow road between the trees, he jumps straight onto the bonnet of the vehicle, pressing his face on the front window and pulling faces to amuse the surprised audience inside. He grins when they feed him oranges through a small opening of a nearly closed window and refusing to leave, he sits on the bonnet for almost an hour, filling up his tummy and satisfying his taste buds with the juicy citrus fruits. When he finally leaps off the car, he continues his merry ragtime dance until he disappears between the trees..
$4.99 ≈
4.61€
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Wild Animal Rag
