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Winds Out Of The East Piano
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Vous avez sélectionné:
Winds Out Of The East Piano
Partitions à imprimer
12 partitions trouvées
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1
We Three Kings of Orient Are
We Three Kings of Orient Are
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Piano seul
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AVANCÉ
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Noël
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Michael Swedberg
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Terrence Niska
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We Three Kings of Orient Are
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1125807 By Michael Swedberg. By John Henry Hopkins Jr. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score....
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Piano Solo - Level 5 - SKU: A0.1125807 By Michael Swedberg. By John Henry Hopkins Jr. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726547. Published by Niska Music Publishing (A0.1125807). The travels of the three wise men as they followed a star to see the newborn King was the inspiration for this arrangement. It starts with the right hand representing the twinkling of the stars in the vastness of the heavens, while the left hand provides the feeling of winds blowing across the desert sands as the magi set out on their journey. Soon the melody is heard in the right hand, though in a more stately rhythm than the traditional, more pastoral original. The left hand continues its sweeping motion unabated and drives the piece ever onward as the wise men draw ever nearer to their destination. The minor mood of the song is replaced in the chorus as the star of wonder shines down upon them, filling their souls with hope. Eventually they arrive at the stable and offer their gifts to the babe lying in a manger: gold, frankincense and myrrh. It is the last of these gifts which foreshadow the death of Christ and his burial in the stone-cold tomb. After they have spent some time praising their new-found king, the three wise men return to their homeland as the music follows them back across the desert sands to their homes in the East.
$3.99 ≈
3.68€
Vivaldi: The Four Seasons Complete for Euphonium & Piano
Vivaldi: The Four Seasons Complete for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Sco...
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Composed by Antonio Vivaldi (1678-1741). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 188 pages. Published by jmsgu3
Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4
Contents:
SPRING
Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42
I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.
FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.
THUNDER: The skies are dark; lightning flashes and thunder roars.
SONG OF THE BIRDS: After the storm, the birds return with their song.
II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking Dogs
III. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
SUMMER
Vivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
I. Allegro non molto
LANGUISHING IN THE HEAT
Man and beast wilt in the burning sun; even the evergreens feel the heat.
THE CUCKOO
The Cuckoo sings loudly.
THE DOVE
And the songs of the turtledove and goldfinch are ardent.
THE GOLDFINCH
The gentle breezes sigh.
CHANGING WINDS.
but the north wind suddenly appears and starts to quarrel.
THE NORTH WIND
A frightened shepherd weeps in fear and bemoans his fate.
II. Adagio
The fierce lightning and terrible thunder makes the shepherd unable to rest his weary body.
BLUE-BOTTLE FLIES
III. Presto
TEMPESTUOUS SUMMERTIME
The shepherd is right to be afraid. The sky flashes and the thunder is awesome.
Grain and fruit are destroyed by the storm.
AUTUMN
Vivaldi: Autumn from the Four Seasons, Op. 8 No. 3 (RV316) Score: 27 pages, Duration: 10:37, 3 movements.
I. Allegro. The peasants dance and sing, hailing the fruits of the harvest.
The drunkard drinks deeply from the cup of Bacchus.
The Drunks. A Drunk.
The drunkards fall into a deep slumber.
II. Adagio molto. The drunkards sleep soundly; the season is mild; peace and rest overtake all the joyous peasants.
III. Allegro. The Hunt.
As dawn breaks the hunter appears with his horn, hound, and gun.
The prey appears; the chase is on.
The prey is bewildered by the clamorous dogs and the noise of the guns.
Fatigued and wounded, the prey falls and dies.
WINTER
Vivaldi: Winter from The Four Seasons, Op. 8 (RV297) Score: 23 Pages, Duration: ca. 8:30, 3 movements.
I. Allegro non molto. We shiver in the snow and are pierced by the cruel winds.
We run and stamp our feet at every step.
Our teeth chatter with the cold.
II. Largo. We pass the day contented by the fireside; outside it is raining very hard.
III. Allegro. We carefully walk on the ice. We are afraid we may fall.
We Slip and fall. We get up and bravely try again.
The ice is breaking, the cracks are wide.
The shrieking winds are at war.
Such is winter, but it has its joys.
$49.95 ≈
46.13€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
9.23€
Dawn
Dawn
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Sydney Stevens
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Dawn
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Sydney Stevens, Water Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Musi...
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Piano Solo - Level 3 - SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686). Contact: sydneystevenspianostudio@gmail.comDawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP). Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham HillFrom Album: Seasons Theme: Music that portrays the peaceful hour of dawn.Mood: Peaceful, romantic, meditative.Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 6:42Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons CD by Kathy Parsons (mainlypiano.com):Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano. Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.
$4.95 ≈
4.57€
Our Flag is There. A Patriotic Song
Our Flag is There. A Patriotic Song
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Piano, Voix
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J
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Our Flag is There. A Patriotic
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.13744 Composed by J. H. Hewitt. Patriotism, Campaigns & battles, Flags, Symbols--Liberty. Lester S. Levy Collection. 4 pages. ...
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Piano and voice - SKU: LV.13744 Composed by J. H. Hewitt. Patriotism, Campaigns & battles, Flags, Symbols--Liberty. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13744). Our Flag is There. A Patriotic Song. Written and Composed by J.H. Hewitt. Published 1841 by Saml. Carusi in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Patriotism, Campaigns & battles, Flags, Symbols--Liberty. First line reads Where spicy winds kiss eastern shores, And fervid sunbeams glare.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Master, the Tempest is Raging (SATB)
Master, the Tempest is Raging (SATB)
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Chorale SATB
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DÉBUTANT
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Mary Ann Baker, H
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Garrett Breeze
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiri...
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Choral Choir (SATB) - Level 1 - SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25 ≈
2.08€
Winds Out Of The East - Piano
Winds Out Of The East - Piano
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Piano (partie séparée)
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Latin/Musique du monde
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Michael Philip Mossman
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Winds Out Of The East - Piano
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Michael Philip Mossman. Latin. Jazz Band. 8 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Michael Philip Mossman. Latin. Jazz Band. 8 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.54€
Medioevo By Jannes Jacobs
Medioevo By Jannes Jacobs
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Orchestre d'harmonie
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Contemporain
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (...
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Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00 ≈
13.85€
Der fliegende Holländer
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99 ≈
44.32€
SAFFRON WALDEN
SAFFRON WALDEN
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Musique Sacrée
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Arthur Henry Brown
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John R
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SAFFRON WALDEN
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.823701 Composed by Arthur Henry Brown (1830-1926). Arranged by John R. Knox & Richard Giszczak. Easter,Pr...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823701 Composed by Arthur Henry Brown (1830-1926). Arranged by John R. Knox & Richard Giszczak. Easter,Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #6345255. Published by Singing Winds Music Company (A0.823701). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 3 variations.The hymn tune name is SAFFRON WALDEN. The words Just As I Am, Without One Plea are associated with Lent. The arrangement is by John R. Knox with introduction and transposition by Richard Giszczak.
$2.00 ≈
1.85€
ARIRANG for 5-part flex ensemble - Score Only
ARIRANG for 5-part flex ensemble - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Traditional Korean
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Steven Paxton
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ARIRANG for 5-part flex ensemb
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Creative Spirit
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1401872 Composed by Traditional Korean. Arranged by Steven Paxton. Contest,Festival,Folk,Multicultural,World. 28 pages....
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Concert Band - Level 3 - SKU: A0.1401872 Composed by Traditional Korean. Arranged by Steven Paxton. Contest,Festival,Folk,Multicultural,World. 28 pages. Creative Spirit #985065. Published by Creative Spirit (A0.1401872). Parts available from Creative Spirit.This 5-part flexible instrumentation arrangement will work well with combinations of woodwinds, brass, and strings (a string orchestra version is also being published). Optional parts for percussion, guitar, and piano are included.Arirang is a collective name for hundreds of Korean folk songs; many are ancient traditional songs, and others are newer. The Gangwondo Arirang is from Gangwon Province in northeastern South Korea and the adjacent North Korean KangwÅn Province, which were a single province before the 1945 division of Korea. Its distinctive rhythm of two unequal beats (3 subdivisions + 2 subdivisions: a long beat followed by a short  beat) will be a exciting challenge for young players.The familiar Bonjo Arirang was actually composed for a 1926 Korean film, and soon became a symbol for the nation and the people of Korea. It is sung today in both North and South Korea, and represents a symbol of unity in the region that was divided by the Korean War.DURATION: 5:00.
$15.00 ≈
13.85€
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Winds Out Of The East Piano
