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Vous avez sélectionné:
Words of the Master
Partitions à imprimer
354 partitions trouvées
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351
The Master Singers of Nuremberg
The Master Singers of Nuremberg
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Piano, Voix
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Opera
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Richard Wagner
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The Master Singers of Nurember
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SheetMusicPlus
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal ...
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner?s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NRNBERG ?Die Meistersinger von Nrnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera?s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche?s publication \"Jenseits von Gut und Bse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ?magnificent, ornate and ponderous art? and Wagner?s music in general as being ?rough and coarse?. This music according to Nietzsche possesses ?no trace of the fine southern clarity of the sky and nothing of grace?, but instead ?a cumbersome garb, with a touch of licentious barbarism and solemnity? and ?even a certain degree of ungainliness?. Nietzsche?s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Smtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott?s Shne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. [?] When the saying ?the music sets the tone? is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.? (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99 ≈
55.09€
Wonderful Words of Life
Wonderful Words of Life
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Wonderful Words of Life
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SheetMusicPlus
Large Print Hymnal Large P...
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List
: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95 ≈
18.32€
The Journey (Downloadable Piano/Vocal Score)
The Journey (Downloadable Piano/Vocal Score)
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David Conte
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Antoinette Kuhry, producer
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The Journey
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SA...
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6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SATB Chorus) - SKU: MQ.5969-E Composed by David Conte. Instrument part. 47 pages. E. C. Schirmer Music Company - Digital #5969-E. Published by E. C. Schirmer Music Company - Digital (MQ.5969-E). The Journey is a twenty-minute cantata extracted from the opera The Dreamers. The opera was commissioned and produced by the Sonoma City Opera in 1996; Antoinette Kuhry, producer; musical direction by John Miner; stage direction by Sanrda Bernhard. The Dreamers captures a formative moment in American history where characters are separated by their cultural and racial differences, and brought together by their dreams and their longing for a new home. The Journey was commissioned by the Oakland East Bay Symphony, Michael Morgan, conductor, and was premiered at the Paramount Theater in Oakland, CA on May 18th, 2001. To set the scene for the excerpt here entitled The Journey: The entire town of Sonoma is gathered at The Collonade Theater to watch an amateur production of Shakespeare's Othello. An unpleasant racial incident occurs which brings the performance to a halt. To smooth thingsover, a sing-a-long is proposed. The song chosen is My Old Kentucky Home by Stephen Foster. After a brief statement of that tune in the orchestra, the entire company enters a dream-state, as six characters from the opera, with commentary by the chorus, sing arias about home. Johnny Rowe, an American soldier stationed in Sonoma, serves as a kind of master-of-ceremonies. Black Sam is a freed slave working as a gambler in Sonoma to earn money to buy his wife out of slavery. Indian Princess Isadora is the last of her tribe. Jim and Mary Eastin have migrated to California from Kentucky. Lizzy Fine is a widow who sings a farewell to her departed husband. The finale of this sequence is an Octet, where all six characters and the men and women of the chorus sing their various texts together, ending with the words from Stephen Foster: Weep no more.
$16.00 ≈
14.69€
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
#
Clarinette
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
#
Trombone et Piano
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
#
Trompette
#
INTERMÉDIAIRE
#
Felix Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
Mendelssohn: Song Without Words Op. 109 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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English Horn,Piano - Level 3 - SKU: A0.549496 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501027. Published by jmsgu3 (A0.549496). ENGLISH HORN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 3 - SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
#
Felix Mendelssohn
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James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
30.26€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.55€
Masters In This Hall (SATB)
Masters In This Hall (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Marin Marais, Willia Morris
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Carol Troutman Wiggins
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Masters In This Hall
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Carol Troutman Wiggins
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.727459 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christmas,Early M...
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Choral Choir (SATB) - Level 3 - SKU: A0.727459 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christmas,Early Music,Religious,Sacred. Octavo. 9 pages. Carol Troutman Wiggins #3868983. Published by Carol Troutman Wiggins (A0.727459). MASTERS IN THIS HALLSATB or AcappellaAn old French carol, Marche pour les Matelots by Marin Marais (1706), this tune is a favorite at Christmas and is popular with carolers. The words were written by Willia Morris (1860)In a 16th century style, Masters in This Hall refers back to a simpler society when the poor, bringing news of Christ's birth to the Masters in this Hall was a warning to the proud.This song explains raising up the poor and casting down the proud is also contained in the song of the Virgin Mary as in Luke 1:51. This carol describes a poor man who wished to draw his master's attention to the birth of Christ by telling how he had met shepherds travelling to Bethlehem. He joined them and saw the Christ child in his Mother Mary's arms. The chorus reveals how the birth of Christ has raised up the poor and cast down the proud.SATB, but may be sung acappellaChorus, men's section, ladies section, then all repeat on the chorusComfortable vocal rangePiano Accompaniment track available on this site
$2.50 ≈
2.30€
Masters In This Hall (Piano Accompaniment Track)
Masters In This Hall (Piano Accompaniment Track)
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Accompagnement Piano
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Marin Marais, Willia Morris
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Carol Troutman Wiggins
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Masters In This Hall
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Carol Troutman Wiggins
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SheetMusicPlus
Piano - SKU: A0.1065647 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christian,Christmas,Sacred,Standards. Ac...
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Piano - SKU: A0.1065647 Composed by Marin Marais, Willia Morris. Arranged by Carol Troutman Wiggins. A Cappella,Christian,Christmas,Sacred,Standards. Accompaniment. Duration 134. Carol Troutman Wiggins #3868987. Published by Carol Troutman Wiggins (A0.1065647). MASTERS IN THIS HALL (Piano Accompaniment Track)SATB or AcappellaAn old French carol, Marche pour les Matelots by Marin Marais (1706), this tune is a favorite at Christmas and is popular with carolers. The words were written by Willia Morris (1860)In a 16th century style, Masters in This Hall refers back to a simpler society when the poor, bringing news of Christ's birth to the Masters in this Hall was a warning to the proud.This song explains raising up the poor and casting down the proud is also contained in the song of the Virgin Mary as in Luke 1:51. This carol describes a poor man who wished to draw his master's attention to the birth of Christ by telling how he had met shepherds travelling to Bethlehem. He joined them and saw the Christ child in his Mother Mary's arms. The chorus reveals how the birth of Christ has raised up the poor and cast down the proud.SATB, but may be sung acappellaChorus, men's section, ladies section, then all repeat on the chorusComfortable vocal range
$3.99 ≈
3.66€
America (My Country ‘Tis of Thee)
America (My Country ‘Tis of Thee)
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Guitare notes et tablatures
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FACILE
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Rock
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The Candlelight Guitarist
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Bradley Powell
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America
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Geofonica Artistworks
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SheetMusicPlus
Guitar,Voice - Level 2 - SKU: A0.1042566 By The Candlelight Guitarist. By Words by Samuel Francis Smith, Music: traditional. Arranged by Bradley Powell....
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Guitar,Voice - Level 2 - SKU: A0.1042566 By The Candlelight Guitarist. By Words by Samuel Francis Smith, Music: traditional. Arranged by Bradley Powell. Patriotic,Sacred,Traditional. Guitar Tab with Voice. 2 pages. Geofonica Artistworks #647335. Published by Geofonica Artistworks (A0.1042566). Beloved American patriotic hymn arranged for Guitar solo, in both standard notation an TAB (instrumental finger-style, also suitable for accompanying singers, with lyrics included), arranged by Bradley Powell, who has recorded many albums as The Candlelight Guitarist. Level: beginning to Intermediate classical guitar, written in standard notation. (NOTE: This same arrangement in standard notation only, without TAB, is also available.) Arrangement features a short serene introduction, which serves as a transition motif within arrangement. Harmony is a subtle blend of traditional, folk-jazz and classical. Suitable for patriotic occasions, memorials, celebrations and religious services. ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$2.99 ≈
2.75€
Variations on When the Roll is called up yonder for flute quartet (mp3)
Variations on When the Roll is called up yonder for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring
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David Warin Solomons
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Variations on When the Roll is
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Performance. Duration ...
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Level 4 - SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Performance. Duration 245. David Warin Solomons #738444. Published by David Warin Solomons (A0.1138178). Variations on this famous gospel song by James Milton Black, in which, in various verses, each instrument has a turn at the tune and at the descant accompaniment. One of the verses goes into the minor mode for a bit more variety. The words of the original hymn are: 1 When the trumpet of the Lord shall sound, and time shall be no more, and the morning breaks, eternal, bright and fair; when the saved of earth shall gather over on the other shore, and the roll is called up yonder, I'll be there. Refrain: When the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, I'll be there. 2 On that bright and cloudless morning when the dead in Christ shall rise, and the glory of His resurrection share; ahen His chosen ones shall gather to their home beyond the skies, and the roll is called up yonder, I'll be there. [Refrain] 3 Let us labor for the Master from the dawn till setting sun; let us talk of all His wondrous love and care; then when all of life is over, and our work on earth is done, and the roll is called up yonder, I'll be there. [Refrain] Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50 ≈
4.13€
Turkish March from The Ruins of Athens (EASY PIANO) Op. 113, No. 4 [Ludwig van Beethoven]
Turkish March from The Ruins of Athens (EASY PIANO) Op. 113, No. 4 [Ludwig van Beethoven]
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Piano Facile
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FACILE
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Classique
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Ludwig van Beethoven
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Darek
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Turkish March from The Ruins o
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1262885 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 4 pages. Dare...
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Easy Piano - Level 2 - SKU: A0.1262885 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 4 pages. Darek #855894. Published by Darek (A0.1262885). Turkish March from The Ruins of Athens (EASY PIANO) Op. 113, No. 4 [Ludwig van Beethoven]Simplified arrangement for pianists of Turkish March from The Ruins of Athens Op. 113, No. 4 by Ludwig van Beethoven. Easy version for pianists | Easy piano arrangement | Beginner Version | Best Classical Music Pieces. Included: Fingering, Dynamics, Articulations and video Youtube tutorial. Embark on a captivating musical journey with my meticulously curated easy-level piano sheet music featuring Ludwig van Beethoven's energetic Turkish March from The Ruins of Athens Op. 113, No. 4. Tailored specifically for beginner pianists, this sheet music allows you to experience the lively and spirited melodies of Beethoven's era. Follow the expertly marked fingering, articulation, and dynamics in the sheet music as you bring the vibrant Turkish March to life on the piano. These essential notations provide guidance, enabling you to express the rhythmic drive and cultural flair of the piece. To enhance your learning experience, my sheet music package includes an engaging video YouTube tutorial. This tutorial serves as your personal guide, offering valuable insights, techniques, and interpretations, allowing you to master the piece with confidence and musicality. Immerse yourself in the beauty of classical music as you explore the captivating melodies of Beethoven's Turkish March. With my sheet music, you'll embark on a musical adventure that nurtures your skills, transports you to another era, and allows you to create captivating harmonies. Keywords: sheet music, piano, pianist, beginner, easy level, Turkish March, The Ruins of Athens, Op. 113, No. 4, Beethoven, classical era, fingering, articulation, dynamics, video tutorial, energetic, lively, spirited, cultural flair. Additional keywords: Beethoven sheet music, piano sheet music, beginner piano, easy piano, classical piano, music education, piano lessons, musical interpretation, sheet music tutorial, piano technique, rhythmic drive, confidence, musicality, captivating, melodies, cultural heritage, vibrant, harmonies.
$4.00 ≈
3.67€
Master, the Tempest is Raging!
Master, the Tempest is Raging!
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Voix Mezzo-Soprano, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Words by Mary Ann Baker, Music
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Master, the Tempest is Raging!
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Julie Jacobson
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SheetMusicPlus
Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.932675 Composed by Words by Mary Ann Baker, Music by H. R. Palmer. Arranged by Julie Jaco...
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Piano,Voice Duet Mezzo-Soprano Voice,Piano - Level 3 - SKU: A0.932675 Composed by Words by Mary Ann Baker, Music by H. R. Palmer. Arranged by Julie Jacobson, Nellie Hodges, and Noelle Sueldo. Praise & Worship,Sacred. 6 pages. Julie Jacobson #6613003. Published by Julie Jacobson (A0.932675). This hauntingly beautiful arrangement of the hymn Master, the Tempest is Raging! has been arranged for piano and 2 female singers. The vocal lines weave in and out and overlap with each other, creating a beautiful tapestry of sound. The piano accompaniment comes together with the vocal parts in a way that the listener really feels like they are in the rain and the storm, and then warmed by the sun when it comes out at the end.
$1.99 ≈
1.83€
Songs Without Words: Sweet Remembrance (Classical Music for Tablet Series)
Songs Without Words: Sweet Remembrance (Classical Music for Tablet Series)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Songs Without Words: Sweet Rem
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.818284 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by edited by Stephen R Dalrymple (Dalrymple Desig...
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Piano Solo - Level 3 - SKU: A0.818284 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 17 pages. Stephen R Dalrymple #4967141. Published by Stephen R Dalrymple (A0.818284). Songs Without Words: Sweet Remembrance by Felix Mendelssohn Bartholdy for piano solo (Opus 19:1) (Classical Music for Tablet Series) ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Jakob Ludwig Felix Mendelssohn Bartholdy wrote a series of 49 lyrical compositions for piano solo between 1829 and 1845 within the structure of the art song form. These “Songs Without Words†spanned almost all his productive life as a composer (age 20-35 (2 years before his death.)) Mendelssohn discouraged his followers from attempting to find text to fit these pieces. He wanted the melodies to speak for themselves. Only a few of them were titled by Mendelssohn; most of the titles came from publishers of later editions. ♫The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.66€
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Words of the Master
