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Workin' for a Livin': Electric Bass
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Vous avez sélectionné:
Workin' for a Livin': Electric Bass
Partitions à imprimer
4 partitions trouvées
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1
Workin' for a Livin': Electric Bass
Workin' for a Livin': Electric Bass
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Basse électrique (partie séparée)
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Methodes
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Bill Gibson, Chris Hayes, John
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Workin' for a Livin': Electric
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016510_EB Electric Bass. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instr...
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Marching Band - SKU: AX.00-PC-0016510_EB Electric Bass. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_EB). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00 ≈
2.76€
Heavy Metal for Balinese gamelan and chamber ensemble
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00 ≈
23.04€
You're My Best Friend for Guitar Ensemble
You're My Best Friend for Guitar Ensemble
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4 Guitares (Quatuor)
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INTERMÉDIAIRE
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Folk Rock
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Queen
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Dan Jones (www
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You're My Best Friend for Guit
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danjonesguitarist.com
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SheetMusicPlus
Guitar Quartet with Optional Chords - Intermediate - By Queen. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts. 18 pages. P...
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Guitar Quartet with Optional Chords - Intermediate - By Queen. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts. 18 pages. Published by danjonesguitarist.com
You?reMy Best Friend
composed by John Deacon as played by Queen
Arranged for Guitar Quartet with optional Chords andoptional bass guitar
by DanJones
Thisarrangement of You?re My Best Friend hasbeen made for intermediate-levelguitarists
Guitar1 is the main vocal line, as sung by Freddie Mercury
Guitars2 & 3 contain many of the backing-vocal figures plus the electric guitarriffs and solo as played by Brian May
Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. Chord symbols are given in this part allowingchords to be added should the ensemble want these.
Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).
A film of this arrangement will be available by the end of January 2020
It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:
www.danjonesguitarist.com
Readabout my life as a guitarist working and living in rural France here:
www.danjonesauthor.com
Thankyou! Please be in touch.
$6.95 ≈
6.40€
Apache as played by Hank Marvin & The Shadows
Apache as played by Hank Marvin & The Shadows
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4 Guitares (Quatuor)
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INTERMÉDIAIRE
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Contemporain
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The Shadows
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Dam Jones (www
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Apache as played by Hank Marvi
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danjonesguitarist.com
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SheetMusicPlus
Guitar Quartet - Intermediate - By The Shadows (written by Jerry Lordan). Arranged by Dam Jones (www.danjonesguitarist.com). Score, Set of Parts, ...
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Guitar Quartet - Intermediate - By The Shadows (written by Jerry Lordan). Arranged by Dam Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 22 pages. Published by danjonesguitarist.com
Apachecomposed by Jerry Lordan, as playedby The Shadows
Arranged for Guitar Quartet by Dan Jones
Thisarrangement of Apache has been madewith real-world guitar teachers and ensembles in mind.
Perhapsour instrument?s greatest joy is the fact that it exists in so many forms andstyles of music. Some players prefer the electric guitar and read from TAB,others have a classical background and are therefore more familiar with notes;others still prefer reading from chord charts with fretboard diagrams.
Thisdownload considers all of these musicians.
Guitar1 is the main tune, as played by Hank Marvin in The iconic recording made byThe Shadows. The music is provided in both notes and TAB.
Guitar 2is a part with chords. This is given with chord symbols, fretboard diagrams andrhythm patterns.
Guitar3 is designed to include the less-experienced player. It is in open positionand the part, being easy to read, is given in notes. This is an optional part.
Guitar 4is a transcription of the bass line. It is an interesting andrhythmically-exciting part. It is in simple positions and is given in notesonly.
Guitar4 can also be played by a bass guitar. The part is also given in bass clef(sounding an octave lower).
It is myintention to provide arrangements which are exciting, original, stimulating,flexible and which people want to play. Films of all of my arrangements forboth guitar solo and guitar ensemble can be found at:
www.danjonesguitarist.com
Readabout my life as a guitarist working and living in rural France here:
www.danjonesauthor.com
A split screen video showing all of the parts of the arrangement being performed can be viewed anytime at www.danjonesguitarist.com.
$5.95 ≈
5.48€
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Workin' for a Livin': Electric Bass
