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You Are My Sunshine Drums
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Vous avez sélectionné:
You Are My Sunshine Drums
Partitions à imprimer
12 partitions trouvées
<
1
You Are My Sunshine
You Are My Sunshine
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Duane Eddy
#
Rob Weisenbarger
#
You Are My Sunshine
#
Why Zen Productions
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1184016 By Duane Eddy. By Jimmie Davis. Arranged by Rob Weisenbarger. Jazz,Traditional. Score and Parts....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1184016 By Duane Eddy. By Jimmie Davis. Arranged by Rob Weisenbarger. Jazz,Traditional. Score and Parts. 64 pages. Why Zen Productions #783717. Published by Why Zen Productions (A0.1184016). A medium-advanced big band arrangement of the classic tune You Are My Sunshine. This arrangement first has trombones leading the melody with muted trumpets and saxophone atmosphere. A tricky saxophone soli and open solo section are sure to give you and your players room to express yourselves. You Are My Sunshine is such a timeless piece and this arrangement hopes to capture that moment of reflection with grace. Please enjoy!Includes:Full Score (9x12)Alto 1Alto 2Tenor 1Tenor 2Bari SaxTrumpet 1Trumpet 2Trumpet 3Trumpet 4Trombone 1Trombone 2Trombone 3Bass TromboneGuitarBassPianoDrums.
$55.00 ≈
50.81€
You Are My Sunshine - Drums
You Are My Sunshine - Drums
#
Batterie (partie séparée)
#
Duane Eddy, Jimmie Davis, and
#
Kirby Shaw
#
You Are My Sunshine - Drums
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.343112 By Duane Eddy, Jimmie Davis, and Ray Charles. Arranged by Kirby Shaw. This edition: scorch. American,Folk,Standards,Traditional. Choral I...
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SKU: HX.343112 By Duane Eddy, Jimmie Davis, and Ray Charles. Arranged by Kirby Shaw. This edition: scorch. American,Folk,Standards,Traditional. Choral Instrumental Pak. 2 pages. Hal Leonard - Digital #959690. Published by Hal Leonard - Digital (HX.343112).
$7.00 ≈
6.47€
You Are The Sunshine Of My Life
You Are The Sunshine Of My Life
#
Stevie Wonder
#
Pete Desmond
#
You Are The Sunshine Of My Lif
#
Pedro del Mondo
#
SheetMusicPlus
Strings Bass Guitar,Drums,Flugelhorn,Medium Voice,Piano - Level 5 - SKU: A0.1093133 By Stevie Wonder. By Stevie Wonder. Arranged by Pete Desmond. Jazz,L...
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Strings Bass Guitar,Drums,Flugelhorn,Medium Voice,Piano - Level 5 - SKU: A0.1093133 By Stevie Wonder. By Stevie Wonder. Arranged by Pete Desmond. Jazz,Latin,Pop,Standards. 40 pages. Pedro del Mondo #697232. Published by Pedro del Mondo (A0.1093133). Vocal with rhythm section, string quartet and flugelhorn.
$12.99 ≈
12.00€
You Are The Sunshine Of My Life
You Are The Sunshine Of My Life
#
Pop musique
#
Stevie Wonder
#
Zeller-Elsässer Dieter
#
You Are The Sunshine Of My Lif
#
Ndm-Noten
#
SheetMusicPlus
Large Ensemble B-Flat Trumpet,Drums,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Electric Bass Guitar,Electric Guitar,Keyboard,Medium-High Voice,Soprano Saxo...
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Large Ensemble B-Flat Trumpet,Drums,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,Electric Bass Guitar,Electric Guitar,Keyboard,Medium-High Voice,Soprano Saxophone,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1132556 By Stevie Wonder. By Stevie Wonder. Arranged by Zeller-Elsässer Dieter. Pop. Score and parts. 14 pages. Ndm-Noten #732755. Published by Ndm-Noten (A0.1132556). Tutti-Arrangement.
$12.99 ≈
12.00€
Almost May Score and Parts
Almost May Score and Parts
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Score and Parts
#
Heidi Savoie
#
SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.09€
Almost May for Piano Solo
Almost May for Piano Solo
#
Piano seul
#
FACILE
#
Heidi Savoie
#
Heidi Savoie
#
Almost May for Piano Solo
#
Heidi Savoie
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.69€
Almost May Lead Sheet
Almost May Lead Sheet
#
Instruments en Do
#
FACILE
#
Heidi Savoie
#
Heidi Savoie
#
Almost May Lead Sheet
#
Heidi Savoie
#
SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.76€
Hey! Baby!
Hey! Baby!
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Ensemble Jazz
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INTERMÉDIAIRE
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Bruce Channel
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Bandroom
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Hey! Baby!
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Cont...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 16 pages. Bandroom.com Publications #3906637. Published by Bandroom.com Publications (A0.859770). __________________________HEY! BABY! - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Add some energy to your pre/post-game tunes, or even for half-time. The band gets to shout on this one! Easy keys with multiple courtesy accidentals and well-marked rehearsal numbers reduce the amount of time needed in rehearsal and improve performance.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders.__________________________The highly-flexible BcP-Flex scoring* imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, TrumpetsRhythm: Trombone, Horn, TC Baritone, Tenor Sax,Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer topick-up the tune by listening to the chart.__________________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$18.00 ≈
16.63€
You Are the Sunshine of My Life - Drums
You Are the Sunshine of My Life - Drums
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Batterie (partie séparée)
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Stevie Wonder
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Paul Murtha
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Pop
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You Are the Sunshine of My Lif
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stevie Wonder. Arranged by Paul Murtha. Jazz Band. Love; Pop; Rock; Soul. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Stevie Wonder. Arranged by Paul Murtha. Jazz Band. Love; Pop; Rock; Soul. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.54€
You Are the Sunshine of My Life (Key: C) - Drums
You Are the Sunshine of My Life (Key: C) - Drums
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Batterie (partie séparée)
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Pop musique
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Soul/R&B
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Stevie Wonder
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Mark Taylor
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You Are the Sunshine of My Lif
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stevie Wonder. Arranged by Mark Taylor. Pop; Soul. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Stevie Wonder. Arranged by Mark Taylor. Pop; Soul. Jazz Band. 2 pages. Published by Hal Leonard - Digital Sheet Music
$6.00 ≈
5.54€
Last Night
Last Night
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Ensemble Jazz
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FACILE
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Charles Axton, Chips Moman, Fl
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Bandroom
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Last Night
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00 ≈
12.93€
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You Are My Sunshine Drums
