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Vous avez sélectionné:
You Are the Reason Bass Clef Instrument
Partitions à imprimer
6 partitions trouvées
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You Are the Reason - Bass Clef Instrument by Calum Scott - Instrumental Solo
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Bass Clef Instruments
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Calum Scott
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You Are the Reason - Bass Clef
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Musicnotes
Performed by: Calum Scott: You Are the Reason - Bass Clef Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable d...
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Performed by: Calum Scott: You Are the Reason - Bass Clef Instrument Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: Bass Clef Instrument;Baritone Horn;Bassoon;Trombone;Cello;Double Bass; 2 pages -- Pop~~Adult Contemporary~~Singer-Songwriter
$2.99 ≈
$4.08
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
$13.63
Jazzy scales & patterns in 12 keys - Bass clef
Jazzy scales & patterns in 12 keys - Bass clef
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Bass Clef Instruments
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INTERMÉDIAIRE
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Jazz
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Darren Lloyd
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Jazzy scales & patterns in 12
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Pott Shrigley Press
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SheetMusicPlus
Composed by Darren Lloyd. Jazz, Etudes and Exercises. Individual Part. 64 pages. Published by Pott Shrigley Press...
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Composed by Darren Lloyd. Jazz, Etudes and Exercises. Individual Part. 64 pages. Published by Pott Shrigley Press
Jazzy scales & patterns in all 12 keys - jazz etudes
Have you ever found yourself struggling to play in certain 'tricky keys'? Why are these keys so tricky? Simply because we've not played them as much as the easy ones! That's it, no other reason. By practicing enough in ALL keys we can really take our playing and improvising to the next level, always executing what ever ideas we hear or come up with, perfectly.
Jazzy scales & patterns in all 12 keys is aimed at intermediate players to develop their jazz technique in all 12 keys. The scales and patterns are written in such a way, that you could use parts of them within your solos. By developing your playing in the key centers and in a jazzy way, we can develop our technique along with our listening skills. The book culminates with a section on playing II-V-I's in the key centre. An etude of the famous standard 'Cherokee' has also been added as a bonus to show how you can use many of the exercises in the book in real life playing situations!
Check out the testimonials -
$9.99 ≈
$13.62
The Crystal Spring - Brass Quintet
The Crystal Spring - Brass Quintet
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Hannah Hawken
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Garfunkel)
H0
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The Crystal Spring - Brass Qui
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Hannah Hawken
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - SKU: A0.752513 Arranged by Hannah Hawken. Folk,Romantic Period. Score and parts. 12 pages. Hanna...
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Brass Ensemble Euphonium,Horn,Trombone,Tuba - Level 3 - SKU: A0.752513 Arranged by Hannah Hawken. Folk,Romantic Period. Score and parts. 12 pages. Hannah Hawken #2846305. Published by Hannah Hawken (A0.752513). The Crystal Spring is one of the many English Folksongs collected by Cecil Sharp. This one comes from Somerset and this arrangement for brass quintet is inspired by Cecil Sharp's piano arrangement. It begins with an unaccompanied 2nd cornet/trumpet solo (this part is also very effective on flugelhorn), the lower ensemble then joins before the 1st cornet/trumpet takes over the melody. The 2nd cornet/trumpet part is popular for GCSE ensemble performances as it is in reasonable range and showcases the player's ensemble skills in both solo and accompanying roles. This is scored for standard quintet instrumentation but the trombone part would work really well on euphonium or baritone.This piece works well in any concert setting, formal or informal.This arrangement is scored for:2 Cornets/TrumpetsTenor Horn or Horn in FTrombone/Euphonium (treble/bass clef)Tuba/Eb Bass/Bb BassOther Pieces for Brass Quintet H0.357089-SC000006972 – Alfie (Bacharach) S0.591177 - All Things Bright and Beautiful (Monk) H0.150157-58600 – The Bare Necessities H0.242587-97800 – Bridge Over Troubled Water (Simon & Garfunkel) H0.400415-213093 – Forget You (Cee Lo Green) H0.149485-313201 – Have Yourself a Merry Little Christmas H0.211829-257029 – How Long Will I Love You (Ellie Goulding) H0.215151-440420 – Just the Way You Are (Billy Joel) H0.148981-51407 – Make You Feel My Love (Adele) H0.496915-SC001312175 – One Day Like This (Elbow) S0.149515 – Pavane (Faure) H0.149325-215540 – Rolling in the Deep (Adele)
$9.95 ≈
$13.57
South African National Anthem: Nkosi Sikelel' iAfrika
South African National Anthem: Nkosi Sikelel' iAfrika
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Orchestre d'harmonie
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FACILE
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Patriotique
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Marthinus Lourens de Villiers
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Colin Kirkpatrick
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South African National Anthem:
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522206 Composed by Marthinus Lourens de Villiers (1885 and Music by Enoch Mankayi Sontonga (1873-1905). Arranged by Col...
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Concert Band - Level 2 - SKU: A0.522206 Composed by Marthinus Lourens de Villiers (1885 and Music by Enoch Mankayi Sontonga (1873-1905). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 39 pages. Colin Kirkpatrick Publications #3452121. Published by Colin Kirkpatrick Publications (A0.522206). This is your opportunity to get Colin Kirkpatrick’s acclaimed band arrangement of the South African National Anthem. It’s an ideal arrangement to use if your band is touring in that country or you have South African guests at one of your official functions. All the instrumental parts are written well within the playing range of reasonably competent high school band members. Instrumentation 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, 1st Clarinet in B flat, 2nd Clarinet in B flat, 3rd Clarinet in Bflat, Alto Clarinet in E flat, Bass Clarinet in B flat, 1st Alto Saxophone in E flat, 2nd Alto Saxophone in E flat, Tenor Saxophone in B flat, Baritone Saxophone in E flat, 1st Trumpet in B flat, 2nd Trumpet in B flat, 3rd Trumpet in B flat, 1st Horn in F, 2nd Horn in F, 1st Horn in E flat, 2nd Horn in E flat, 1st Trombone, 2nd Trombone, 3rd (Bass) Trombone, Baritone in B flat (Treble clef), Euphonium (Bass clef), Tuba, Double Bass, Timpani, Percussion requires three players: cymbals, snare drum, bass drum. 
$19.99 ≈
$27.25
Salvation Army Time - 27 CHRISTMAS BRASS TRIOS - Score Only
Salvation Army Time - 27 CHRISTMAS BRASS TRIOS - Score Only
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Noël
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Traditional
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Peter A
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Salvation Army Time - 27 CHRIS
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MusicPAD Music Publications
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SheetMusicPlus
Brass Trio - Level 2 - SKU: A0.1310293 Composed by Traditional. Arranged by Peter A. Drahozal. Advent,Christmas,Sacred,Standards,Traditional. 13 pages. ...
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Brass Trio - Level 2 - SKU: A0.1310293 Composed by Traditional. Arranged by Peter A. Drahozal. Advent,Christmas,Sacred,Standards,Traditional. 13 pages. MusicPAD Music Publications #899377. Published by MusicPAD Music Publications (A0.1310293). Deck the halls with instrumental carols!  Nothing adds the perfect traditional touch to Christmas events like a few instruments playing wonderful arrangements of those great, traditional Christmas carols!  This is a collection of 27 traditional Christmas carols (placed in alphabetical order) set for two or three instruments.  The arrangements are intended for one trumpet (Bb score), one trombone (C score) and one tuba (C score).  The third, tuba part is optional and “fleshes out†harmonies for a fuller sound.  Other possibilities include three saxophones (Bb soprano, Eb alto reading bass clef trombone and Eb baritone reading tuba).  Arrangements are well harmonized with logical progressions, reasonable ranges and lush harmonies. Settings are easiliy learned by younger musicians and can be sight-read by seasoned players. These arrangements are perfect for Christmas shows, parties, school programs and gatherings around the red kettle.  So dust off your horn and let’s have some Christmas fun!
$14.97 ≈
$20.41
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You Are the Reason Bass Clef Instrument
