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You Don't Know What I'm Thinking
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Vous avez sélectionné:
You Don't Know What I'm Thinking
Partitions à imprimer
7 partitions trouvées
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1
You Don't Know What I'm Thinking
You Don't Know What I'm Thinking
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Clarinette et Piano
#
INTERMÉDIAIRE
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Ohcat
#
Ellie Yoon
#
You Don't Know What I'm Thinki
#
Ellie Yoon
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1385761 By Ohcat. By Ellie Yoon. Arranged by Ellie Yoon. Classical,Contemporary,Film/TV,Multicultural,World. S...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1385761 By Ohcat. By Ellie Yoon. Arranged by Ellie Yoon. Classical,Contemporary,Film/TV,Multicultural,World. Score and part. 8 pages. Ellie Yoon #969696. Published by Ellie Yoon (A0.1385761). This music, arranged for clarinet and piano, is featured in Ohcat's 3rd music album, titled 'Sonatine of Ohcat'.
$1.99 ≈
1.86€
You Don't Know What I'm Thinking
You Don't Know What I'm Thinking
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Contemporain
#
Ellie Yoon
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You Don't Know What I'm Thinki
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Ellie Yoon
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1000434 Composed by Ellie Yoon. Contemporary. Score and part. 5 pages. Ellie Yoon #6201651. Published by Ellie Yoon (A0....
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Flute,Piano - Level 3 - SKU: A0.1000434 Composed by Ellie Yoon. Contemporary. Score and part. 5 pages. Ellie Yoon #6201651. Published by Ellie Yoon (A0.1000434).
$1.99 ≈
1.86€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.73€
Poker Face
Poker Face
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Lady Gaga
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Jason Howard
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Poker Face
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Jason Howard
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard...
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Piano,Vocal,Voice - Level 3 - SKU: A0.918797 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by Jason Howard. Pop. Score. 6 pages. Jason Howard #5301707. Published by Jason Howard (A0.918797). This arrangement of Poker Face came to me suddenly while I was sitting at my piano. I was bored and looking through a collection of pop songs, when I accidentally created the opening lick of this piece. It got me thinking, What would happen if this piece had a little bit of a jazz flair? So I sat there, whirled some ideas around in my head, and this arrangement was the outcome. This arrangement is a piano/vocal solo with some optional back up vocals written as well. I hope you guys enjoy it, and leave a comment!I hope that you enjoy my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$4.99 ≈
4.67€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
#
SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.81€
Marshmello - Happier
Marshmello - Happier
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Marshmello & Bastille, M
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Mario Stallbaumer
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Bastille, Marshmello (Feat
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Marshmello - Happier
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stall...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Happier" by Marshmello (feat. Bastille) on piano!
With this piano sheet music, you can play "Happier" on piano.
It's an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic!
The whole melody is included in the piano part, so it sounds great when played as an instrumental version. However, you can also use these piano sheets to accompany singers, or sing along yourself!
This sheet music comes with a seperate system for the singer, and includes the song's full lyris.
"Happier" is a follow-up to Marshmello's super-hit "Friends" (feat. Anne-Marie), and it's a beautiful collaboration with British indie-band Bastille.
Here are the full lyrics to "Happier":
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
When the morning comes
When we see what we've become
In the cold light of day we're a flame in the wind
Not the fire that we've begun
Every argument, every word we can't take back
'Cause with the all that has happened
I think that we both know the way that the story ends
Then only for a minute
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
When the evening falls
And I'm left there with my thoughts
And the image of you being with someone else
Well, that's eating me up inside
But we run our course, we pretend that we're okay
Now if we jump together at least we can swim
Far away from the wreck we made
Then only for a minute
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
So I'll go, I'll go
I will go, go, go
So I'll go, I'll go
I will go, go, go
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
Even though I might not like this
I think that you'll be happier, I want you to be happier
Then only for a minute (only for a minute)
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
So I'll go, I'll go
I will go, go, go
$4.99 ≈
4.67€
Ariana Grande - Needy
Ariana Grande - Needy
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Piano, Voix
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INTERMÉDIAIRE
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Pop musique
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Ariana Grande
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Mario Stallbaumer
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Ariana Grande - Needy
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Mario Stallbaumer
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SheetMusicPlus
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer...
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!
With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".
"Needy" is a beautiful, calm piece which makes for a great piano ballad!
It's an accurate piano arrangement of the full song, including the beautiful string outro.
These piano sheets come with a seperate system for the singer, including the song's full lyrics.
"needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).
It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.
Here are the full lyrics to "needy" by Ariana Grande:
If you take too long to hit me back
I can't promise you how I?ll react
But all I can say
Is at least I'll wait for you
Lately I've been on a roller coaster
Tryna get a hold of my emotions
But all that I know, is I need you close
And I'ma scream and shout for what I love
Passionate but I don't give no fucks
I admit that I'm a lil' messed up
But I can hide it when I'm all dressed up
I'm obsessive and I love too hard
Good at overthinking with my heart
How you even think it got this far?
This far
And I can be needy, way too damn needy
I can be needy, tell me how good it feels to be needed
I can be needy, so hard to please me
I know it feels so good to be needed
Sorry if I'm up and down a lot (Yeah)
Sorry that I think I'm not enough
And sorry if I say sorry way too much
You can go ahead and call me selfish (Selfish)
But after all this damage I can't help it (Help it)
But what you can trust, is I need your touch
I'ma scream and shout for what I love
Passionate but I don?t give no fucks
I admit that I'm a lil' messed up
But I can hide it when I'm all dressed up
I?m obsessive and I love too hard
Good at overthinking with my heart
How you even think it got this far?
This far
And I can be needy, way too damn needy
I can be needy, tell me how good it feels to be needed
I can be needy, so hard to please me
I know it feels so good to be needed
$4.99 ≈
4.67€
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You Don't Know What I'm Thinking
