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49 partitions trouvées
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26
Wexford Carol - Harp (lever or pedal) solo
Wexford Carol - Harp (lever or pedal) solo
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Harpe
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FACILE
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Noël
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Traditional Irish
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Marilyn Rummel
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no pedal markings
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Wexford Carol - Harp
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Demand Music
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SheetMusicPlus
Harp - Level 2 - SKU: A0.849941 Composed by Traditional Irish. Arranged by Marilyn Rummel. Christian,Christmas,Classical,Sacred,World. Score. 3 pages. D...
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Harp - Level 2 - SKU: A0.849941 Composed by Traditional Irish. Arranged by Marilyn Rummel. Christian,Christmas,Classical,Sacred,World. Score. 3 pages. Demand Music #4265313. Published by Demand Music (A0.849941). Medieval carol from Ireland in a solo lever or pedal harp arrangement. First verse is suitable for advanced beginner, 2nd verse is intermediate level. Lever markings are easy to follow between staves; no pedal markings. Marilyn is known for her innovative arrangements for lever harps that help performers to smoothly play accidentals.
$3.99 ≈
¥28.93
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
¥14.43
Sonatina in C Op 20 No 1 (Kuhlau)
Sonatina in C Op 20 No 1 (Kuhlau)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Friedrich Kuhlau
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Michela A
#
Sonatina in C Op 20 No 1
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Michela A. Pinner
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.899518 Composed by Friedrich Kuhlau. Arranged by Michela A. Pinner. Classical. Score. 4 pages. Michela A. Pinner #3541197...
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Piano Solo - Level 4 - SKU: A0.899518 Composed by Friedrich Kuhlau. Arranged by Michela A. Pinner. Classical. Score. 4 pages. Michela A. Pinner #3541197. Published by Michela A. Pinner (A0.899518). The first movement of Kuhlau's Opus 20 Sonatina in C Major (No. 1).Clear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Late intermediate level (Grade 5 UK and Australia).
$2.99 ≈
¥21.68
The Avalanche (Study in Am, Op 45, No 2) by Heller
The Avalanche (Study in Am, Op 45, No 2) by Heller
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Piano seul
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INTERMÉDIAIRE
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Classique
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Stephen Heller
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Michela A
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The Avalanche
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Michela A. Pinner
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.899519 Composed by Stephen Heller. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #354...
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Piano Solo - Level 3 - SKU: A0.899519 Composed by Stephen Heller. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #3541199. Published by Michela A. Pinner (A0.899519). Heller's brilliant study in A minor The AvalancheClear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Intermediate level (Grade 4 UK and Australia).Revised October 2020 with fingering etc.
$2.99 ≈
¥21.68
Spinning Song (Op 24, No 5) by Ellmenreich
Spinning Song (Op 24, No 5) by Ellmenreich
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Piano seul
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INTERMÉDIAIRE
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Classique
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Albert Ellmenreich
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Michela A
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Spinning Song
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Michela A. Pinner
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.899520 Composed by Albert Ellmenreich. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner ...
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Piano Solo - Level 3 - SKU: A0.899520 Composed by Albert Ellmenreich. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #3541203. Published by Michela A. Pinner (A0.899520). The ever popular Spinning Song by Albert Ellmenreich.Clear type-setting by Michela A Pinner . Editorial fingering and pedal markings included. Early intermediate/intermediate level (Grade 3 UK and Australia).
$2.99 ≈
¥21.68
Meditation Op. 42 No. 1 - transcription for violin & harp
Meditation Op. 42 No. 1 - transcription for violin & harp
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Harpe, Violon (duo)
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AVANCÉ
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Classique
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P
#
N
#
Meditation Op. 42 No. 1 - tran
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iStrings
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Romantic Period. S...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866767. Published by iStrings (A0.875784). This beautiful piece by Tchaikovsky is one of a set of three for violin and piano. It is the original violin part edited with fingerings / bowings with the piano part transcribed to a lovely harp accompaniment. Very much like his ballet music, played some times even as an extra part for the ballet Swan Lake. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, in collaboration with his duo partner/daughter who took care of the pedal markings of the harp part.
$15.00 ≈
¥108.77
Adagietto from symphony No 5; transcription for string quartet & harp
Adagietto from symphony No 5; transcription for string quartet & harp
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Harpe, Quatuor à cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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G
#
N
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Adagietto from symphony No 5;
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iStrings
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.875785 Composed by G. Mahler. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #38...
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Chamber Orchestra - Level 4 - SKU: A0.875785 Composed by G. Mahler. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866763. Published by iStrings (A0.875785). One of the most beautiful moments of Mahler; the slow movement of his fifth Symphony with the main part given to the harp. String quartet version of the orchestra parts and original harp part with some additions in the orchestral sections.Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, the harp part with all pedal markings.
$10.00 ≈
¥72.51
Sweet Dream from "Album for the Young", Op. 39, No. 21 (Tchaikovsky)
Sweet Dream from "Album for the Young", Op. 39, No. 21 (Tchaikovsky)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Pyotr Tchaikovsky
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Michela A
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Sweet Dream from "Album f
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Michela A. Pinner
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.899529 Composed by Pyotr Tchaikovsky. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #...
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Piano Solo - Level 3 - SKU: A0.899529 Composed by Pyotr Tchaikovsky. Arranged by Michela A. Pinner. Romantic Period. Score. 3 pages. Michela A. Pinner #6090265. Published by Michela A. Pinner (A0.899529). Clear typesetting of Tchaikovsky's Sweet Dream, No 21 from Op 39 (Album for the Young). Includes fingering and editorial pedal and expression markings to enhance interpretation.
$2.99 ≈
¥21.68
Fantasy No.2 in C minor K 396
Fantasy No.2 in C minor K 396
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Michael Bomier
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Fantasy No.2 in C minor K 396
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Michael Butkus-Bomier
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classi...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classical,Concert,Standards. Score and parts. 9 pages. Michael Butkus-Bomier #3667951. Published by Michael Butkus-Bomier (A0.862671). This Mozart piece was a favorite of Alfred Brendel. It has more sweep and scope than most of his other piano music and most of the sonatas as well. Thus, it was favored as a showpiece. Our setting uses all the trademarks of our house style: no clef changes in the middle of ANY measure, labeled notes above three ledger lines, written-out ornamentation, the re-distribution of various notes into the opposite hand to facilitate a gesture, and a minimum of interpretive markings and multiple voices, so as to make sure you know where each New Note Begins, and less attention paid to how long it lasts. This piece has a repeat at the three-minute mark, which requires a turnback from the top of pg. 3 to the beginning, a bit outside of our usual practice, but unavoidable here, UNLESS one considers that repeat as optional, and avoids it, which Brendel does indeed do. Full running time at our conservative tempo is 13 mins+. Pedal this deeply for a resonant effect on all the sweeping arpeggios, or use it sparingly for a dryer, more early Classical Period sort of effect. MBB
$4.99 ≈
¥36.18
Gymnopodie No. 1 for Flute and Lever Harp (pour flûte & harpe celtique à leviers)
Gymnopodie No. 1 for Flute and Lever Harp (pour flûte & harpe celtique à leviers)
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Harpe, Flûte (duo)
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Classique
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Contemporain
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Erik Satie
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Marilyn Rummel
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Gymnopodie No. 1 for Flute and
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Demand Music
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - SKU: A0.849970 Composed by Erik Satie. Arranged by Marilyn Rummel. 20th Century,Contemporary,Film/TV,St...
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Instrumental Duet Flute,Harp,Instrumental Duet - SKU: A0.849970 Composed by Erik Satie. Arranged by Marilyn Rummel. 20th Century,Contemporary,Film/TV,Standards. Score and parts. 6 pages. Demand Music #5206521. Published by Demand Music (A0.849970). A very popular tune for harp solo, it also is gorgeous with flute and harp. This is a transcription of the original, with the melody taken throughout by the flute, with harp playing the luscious accompaniment in 2 hands. The harp has markings for lever harps only, but can also be played on pedal harp.
$6.99 ≈
¥50.69
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
¥14.43
Heartened (Meditation no. 7 for Solo Piano)
Heartened (Meditation no. 7 for Solo Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Contemporain
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Ben Dockery
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Heartened
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.693016 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #3425817. Published...
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Piano Solo - Level 4 - SKU: A0.693016 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 3 pages. Ben Dockery #3425817. Published by Ben Dockery (A0.693016). This late intermediate solo piano meditation (3 min) belongs to a set of twelve meditations and is reminiscent of Ravel or Poulenc but with a more contemporary harmonic sensibility. Sweet, tender, and triumphant--this piece has heart through and through. This may be my personal favorite of the entire set.The performer should use pedal throughout and take careful notice of the tenuto markings which, in this arrangement, represent tones which should be brought out. The tempo is flexible and rubato should be employed to maximum effect. Although not too technically difficult, some pianists may need to practice the jumps in the left-hand accompaniment during the coda section. .
$3.99 ≈
¥28.93
Puttin' On The Ritz
Puttin' On The Ritz
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1 Piano, 4 mains
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FACILE
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Jazz
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Taco
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Paul Taylor
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Puttin' On The Ritz
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Paul Taylor
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1309247 By Taco. By Irving Berlin. Arranged by Paul Taylor. Broadway,Film/TV,Jazz,Musical/Show,Ragtime,Si...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1309247 By Taco. By Irving Berlin. Arranged by Paul Taylor. Broadway,Film/TV,Jazz,Musical/Show,Ragtime,Singer/Songwriter. Score. 12 pages. Paul Taylor #898429. Published by Paul Taylor (A0.1309247). This piano duet is truly a fun arrangement of this jazz standard. Both parts have interesting parts and care has been taken toinsure that the hands do not bump into one another:)Â There are no pedal markings, but this is the challenge of primo/secondo playing, finding a pedallingthat works for both parts.
$4.99 ≈
¥36.18
Pure Imagination - 3 versions for lever & pedal harps
Pure Imagination - 3 versions for lever & pedal harps
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Harpe
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INTERMÉDIAIRE
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Rock
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Leslie Bricusse
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Pure Imagination - 3 versions
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Astute Music
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SheetMusicPlus
Harp - Intermediate - Digital Download By Leslie Bricusse. 6 pages. Published by Astute Music ...
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Harp - Intermediate - Digital Download By Leslie Bricusse. 6 pages. Published by Astute Music
THREE VERSIONS of Pure Imagination - perfect for teaching all levels of harpists.
Arranged for lever & pedal harps.
Easy lever harp - with no lever changes
Intermediate lever harp - with lever changes
Intermediate pedal harp
For Beginner to Intermediate standard harpists, complete with lever markings and pedalling.
This version has been expertly arranged for lever and pedal harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.
$5.99 ≈
¥43.44
Waltz in C# Minor, Op. 1
Waltz in C# Minor, Op. 1
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Piano seul
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INTERMÉDIAIRE
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Alex Tierney
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Waltz in C# Minor, Op. 1
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Alex Tierney
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1253748 Composed by Alex Tierney. 19th Century,20th Century,21st Century,Contemporary,Romantic Period. Score. 5 pages. Al...
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Piano Solo - Level 3 - SKU: A0.1253748 Composed by Alex Tierney. 19th Century,20th Century,21st Century,Contemporary,Romantic Period. Score. 5 pages. Alex Tierney #847360. Published by Alex Tierney (A0.1253748). My first piece I'm publishing! I'm really excited to have completed this piece, and I hope you all like it. As is of my playing style, take as much interpretation with this piece as you would like, add emotion, use rubato, do not just play come è scritto. There are no pedal markings indicated, so you may play with as much or as little pedal as you want. Tempo for the first section should be around 80-100 BPM, but you can go faster if you would like, and the middle section should be about 50% faster. In the last section, take very heavy rubato. If you have any feedback, i would love to hear it, but please keep it to errors and ideas that could make it better, not just what you would have done or would like. Thank you, and I hope you enjoy this piece!This piece was notated using MuseScore 4 and the MP3 recording is from MuseScore. Please note that the recording DOES NOT have rubato and plays without emotion, so please use the recording to decide whether you would like to play this piece or not, not as a referene recording for an interpretation.To purchase this piece, please send me an Email.Email: alextierney3141@gmail.com.
$10.00 ≈
¥72.51
Of The Rose- solo harp
Of The Rose- solo harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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John Hoesly
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Of The Rose- solo harp
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PRS&B
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SheetMusicPlus
Harp - Level 4 - SKU: A0.753587 Composed by John Hoesly. 21st Century,Classical,Contemporary. Score. 15 pages. PRS&B #2926329. Published by PRS&B (A0.75...
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Harp - Level 4 - SKU: A0.753587 Composed by John Hoesly. 21st Century,Classical,Contemporary. Score. 15 pages. PRS&B #2926329. Published by PRS&B (A0.753587). OF THE ROSE for solo harp- Of The Rose is a work in three movements for solo harp. Movement I begins in a pensive mood using stark, bare interconnecting melodic lines which occasionally coalesce to form a harmonic high points. Movement II starts out with a ground bass which states the melody, which then is transformed into several joyful variations. Movement III is a wistful setting of JOHNNY HAS GONE FOR A SOLDIER, a song from the revolutionary war era. The piece was written for harpist Elaine Christy of Princeton University. The Princeton area saw a decisive battle during the revolution, therefore the use of JOHNNY HAS GONE FOR A SOLDIER. Grade Level 6. There are no pedal markings so that the player can mark-up the part as they see fit.
$10.00 ≈
¥72.51
Drivers License
Drivers License
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Piano Facile
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DÉBUTANT
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Pop musique
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Olivia Rodrigo
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Christina Fordham
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Drivers License
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Christina Fordham Vera
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.870550 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Christina Fordham. Pop. Score. 6 pages. Christi...
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Easy Piano - Level 1 - SKU: A0.870550 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Christina Fordham. Pop. Score. 6 pages. Christina Fordham Vera #6246353. Published by Christina Fordham Vera (A0.870550). This is an early elementary solo piano arrangement of Olivia Rodrigo's drivers license. This arrangement has been simplified to C major (originally in Bb major), meaning there are no black keys throughout!Performance Time: 3-4 minutes6 pages longIncludes full lyrics (edited to be kid-friendly) Key Signature: C Major (NO sharps or flats)Pedal markings and fingerings shown throughoutBy changing the key signature to C major, students studying in the earlier levels will be able to master this popular 2021 hit song! The sheet music includes all of the lyrics so you can sing along. All of the pedaling suggestions are marked in the music and fingerings are given throughout to help students find reaches and moves more easily. I hope you enjoy!
$5.99 ≈
¥43.44
What Was I Made For?
What Was I Made For?
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Piano seul
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FACILE
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Film/TV
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Billie Eilish
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Thomas Gunther
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What Was I Made For?
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Thomas Gunther Music Productions
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,C...
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Instrumental Solo - Level 2 - SKU: A0.1271184 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Thomas Gunther. Children,Contemporary,Film/TV. Individual part. 4 pages. Thomas Gunther Music Productions #863576. Published by Thomas Gunther Music Productions (A0.1271184). About the arrangement This is pianist/arranger Thomas Gunther's beautiful and highly accurate piano solo arrangement of the 2023 Barbie Movie features Billie Eilish's song WHAT I WAS MADE FOR.  It includes even Billie's quiet humming passages.This solo piano version can be played all by itself, or with Billie's recording of the song.It is easy enough to learn for pianists that have no amazing techniqual skills, but can be challanging in different ways, as explained below. From the Arranger Thomas Gunther  The most challenging task when writing this solo piano arrangement of What I Was Made For was to notate Billie's rhythm accurately. Her melodic rhythm is very important as it supports the flow of the lyrics perfectly. Notating a singer's rhythm can unfortunately never be 100% perfect (notation is by definition quantized), but I think I got very close. An other challenge was to get the accompaniment sound like the original without stepping on the melody notes. Looking at my final version I think it is as good as it gets for a piano adaption of this highly emotional song.I really hope all you Billie Eilish fans out there will enjoy playing this arrangement! How difficult is it As mentioned earlier, the song looks simple, but to play it well there is a lot of things the pianist has to take care of. The most challenging aspect is to sustain some notes by either using clever fingering or employing the sustain pedal. Also, dynamics are really important, especially when ballancing the accompaniment against the melody. Fingering I included fingering numbers to give the pianist a starting point. But fingering is a highly subjective affaire. Every pianist should feel free to adapt her/his own fingering as see fit. Sustain pedal usage The sustain pedal usage is very important in this arrangement (I included sustain pedal markings for this very reason). For one, it helps sustaining some notes that can't be held otherwise, and of course to make the sound fuller (more cinematic). It is important to use the pedal to create a sense of space (distance). After all, the original recording uses a lot of reverb to achieve that. Chord Symbols I did not include pop chord symbols because the harmony to the the song is very simple and based around 4 diatonic chords. It would just cludder up the score. At PopJazzKeys.com/Barbie I talk a little bit about the chords.
$5.99 ≈
¥43.44
Interstellar
Interstellar
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alex Gibson, Hans Florian Zimm
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Christina Vera [Corda Music]
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no black keys).
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Interstellar
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Christina Fordham Vera
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1077110 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Christina Vera [Corda Music]. Co...
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Piano Solo - Level 4 - SKU: A0.1077110 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Christina Vera [Corda Music]. Contemporary,Film/TV. Score. 6 pages. Christina Fordham Vera #681263. Published by Christina Fordham Vera (A0.1077110). Interstellar (Main Theme) - First Step This is a late intermediate solo piano arrangement of the main theme from the 2014 film Interstellar. Pedal markings and frequent fingerings are added to aid in the learning process. Enjoy mastering this haunting theme on the piano! Song Length: 6 pages + title page Level: Late Intermediate Key Signature: A Minor (no sharps or flats; no black keys).
$4.99 ≈
¥36.18
Daniel
Daniel
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Elton John
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Daniel
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Martyn Johnson
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1428166 By Elton John. By Bernie Taupin and Elton John. Arranged by Martyn Clive Johnson (aka Martycli Pian...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1428166 By Elton John. By Bernie Taupin and Elton John. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Contemporary,Jazz,Pop,Ragtime. Score. 9 pages. Martyn Johnson #1008995. Published by Martyn Johnson (A0.1428166). This is one of my favourite Elton John tunes. I'm also a big fan of the music of Scott Joplin and thought it would be interesting to play Elton John's 'Daniel' in a ragtime style. I have actually used techniques that were post Joplin but it still has a strong ragtime feel and is a lot of fun to play.I have taken it through the keys of C major and Db major. There are a number of tenths in the left hand. These may be difficult for those with smaller hands but they can be rolled or replaced with a single root note or octave.I don't include dynamics, fingering or pedal markings and prefer to leave these to the discretion of the individual pianist as no two piano teachers can agree on this. I like to give the notes to the reader as simply as possible and another shortcut I often use is to write for example quavers/eight notes even when the notes should be longer. This makes it easier to read than so many voicings, rests and different note durations. The player can instinctively tell which notes should be held longer. You should therefore find my music very accessible.I hope you have as much fun learning and playing this tune as I had arranging it!
$4.99 ≈
¥36.18
Smoke Gets In Your Eyes
Smoke Gets In Your Eyes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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The Platters
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Smoke Gets In Your Eyes
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th...
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Piano Solo - Level 4 - SKU: A0.1398326 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Film/TV,Jazz,Pop,Standards. Score. 7 pages. Martyn Johnson #981602. Published by Martyn Johnson (A0.1398326). This tune was written in 1933 by Jerome Kern with words by Otto Harbach for the musical 'Robera'. It has been recorded by so many great artists but perhaps most famously by 'The Platters'. I have arranged it for piano in the key of F which and then modulated into Ab second time round. It has further key changes within the tune during the bridge. I have reharmonised it significantly to give it a jazz feel. I have given it a semi-quaver/sixteenth note feel rather than a swing beat which I felt suited it as a ballad.Please note it is a piano solo and doesn't include the bass line that is on my YouTube recording. I write all my arrangements as piano solos first so it sounds perfect as such. I don't include pedal markings, fingerings or dynamics and prefer to leave this to the discretion of the individual pianist as you will get no two piano teachers to agree on these issues.It's a wonderful tune and I hope you have as much fun playing my arrangement as I had writing it.
$4.99 ≈
¥36.18
The Way You Look Tonight
The Way You Look Tonight
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Various
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The Way You Look Tonight
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Martyn Johnson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1391271 By Various. By Dorothy Fields and Jerome Kern. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Ce...
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Piano Solo - Level 4 - SKU: A0.1391271 By Various. By Dorothy Fields and Jerome Kern. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. Score. 10 pages. Martyn Johnson #974799. Published by Martyn Johnson (A0.1391271). This is my version of Jerome Kern's classic 'The Way You Look Tonight'. One of the most popular jazz standards ever written, Dorothy Fields providing the lyrics. First sung in the film 'Swing Time' by Fred Astaire to Ginger Rogers but covered by such legends as Frank Sinatra and Tony Bennet and more recently by Michael Buble and Phil Collins.My version is a Stride Piano version but owes the tempo and the right hand just a little bit to Erroll Garner and I take it through the 2 keys of Eb major and F major.I haven't included fingering, dynamics or pedal markings as I prefer to leave these to the discretion of the individual pianist as no two piano teachers would ever agree on such things. Please note this is a piano solo and doesn't include notation for the other instruments that feature on my YouTube video. It was written, however, like all my compositions and arrangements, as a piano solo and sounds perfect as such. The left hand, being stride has a very full sound. Any tenths in the left hand can easily be converted to single notes or octaves for those with smaller hands.I hope you enjoy playing it as much as I enjoyed arranging it.
$4.99 ≈
¥36.18
The Winter of 19
The Winter of 19
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Piano seul
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FACILE
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Keith Gehle
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The Winter of 19
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Keith Gehle
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1385457 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 3 pages. Keith Gehle #969438. Published by Keith ...
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Piano Solo - Level 2 - SKU: A0.1385457 By Keith Gehle. By Keith W. Gehle. 21st Century,New Age. Score. 3 pages. Keith Gehle #969438. Published by Keith Gehle (A0.1385457). Keith Gehle's solo piano composition, “The Winter of 19â€, was written for a family member braving a very difficult health crisis in 2019 and released as a single on various streaming platforms in 2021. The music is very simple and manageable for a student in their first or second year of piano study. It expresses sincerely the pain experienced at that time and the additional instruments midway through the recording (cello, oboe and synth pad) enhance the depth of emotion. This PDF includes detailed fingerings, pedal markings, and interpretation. There’s also a version available on this site with the parts for cello, oboe, and synth pad at no additional cost.
$1.99 ≈
¥14.43
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