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Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95 ≈
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Publishe...
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Piano Solo - Level 4 - SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
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Trois Gymnopedies for Flute and Piano
Trois Gymnopedies for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Trois Gymnopedies for Flute an
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part...
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Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$14.99 ≈
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Gymnopedie No 2 for flute and piano
Gymnopedie No 2 for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Gymnopedie No 2 for flute and
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pa...
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Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
$3.99 ≈
3.66€
Lukas Graham: 7 Years (for Piano Solo) VEVO VERSION
Lukas Graham: 7 Years (for Piano Solo) VEVO VERSION
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Piano Facile
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FACILE
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Pop musique
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Lukas Graham
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Flavio Regis Cunha
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Lukas Graham: 7 Years
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Lukas Graham. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha...
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Piano Solo - Early Intermediate - Digital Download By Lukas Graham. Arranged by Flavio Regis Cunha. Score. 8 pages. Published by Flavio Regis Cunha
"7 Years" is a song by Danish soul-pop band Lukas Graham from their second studio album, Lukas Graham. This arrangement was written for solo piano with chords (VEVO VERSION)
Frontman Lukas Forchhammer described "7 Years" as a song that summarises his life so far and what he hopes to achieve in the future. He continued: "It's a song about growing older. I'm also coming to a realisation that being a father is the most important thing. My biggest dream is not to be some negative old dude, but to have my kids' friends say, 'You're going to visit your dad? Say hi! He's awesome.' I had a perfect father.
$5.99 ≈
5.49€
Romance Sans Paroles Op17 No3 for Alto Flute and Piano
Romance Sans Paroles Op17 No3 for Alto Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Lisa Ochoco
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Romance Sans Paroles Op17 No3
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Lisa L Ochoco
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.559998 Composed by Gabriel Faure. Arranged by Lisa Ochoco. Concert,Romantic Period,Wedding. Score and part. 8 pages. Lis...
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Flute,Piano - Level 3 - SKU: A0.559998 Composed by Gabriel Faure. Arranged by Lisa Ochoco. Concert,Romantic Period,Wedding. Score and part. 8 pages. Lisa L Ochoco #6104561. Published by Lisa L Ochoco (A0.559998). Gabriel Faure wrote absolutely beautiful music, and the Romances Op17 are some of his most popular pieces. Originally written for piano solo, this romance is the 3rd of the 3 romances, and it is wonderful as a solo instrument with piano accompaniment.
$8.00 ≈
7.34€
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
11.01€
Sogno - For Piano Solo
Sogno - For Piano Solo
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Piano seul
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Classique
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Francesco Paolo Tosti
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Christina Pepper
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Sogno - For Piano Solo
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Christina Pepper
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SheetMusicPlus
Piano Solo - SKU: A0.982521 Composed by Francesco Paolo Tosti. Arranged by Christina Pepper. Romantic Period. Score. 4 pages. Christina Pepper #6427135....
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Piano Solo - SKU: A0.982521 Composed by Francesco Paolo Tosti. Arranged by Christina Pepper. Romantic Period. Score. 4 pages. Christina Pepper #6427135. Published by Christina Pepper (A0.982521). Paolo Tosti, composed Sogno in 1886, one of many great Italian 'salon' songs. It was originally written for voice and piano, but has been re-arranged here as a piano solo so that pianists may enjoy playing this masterpiece themselves. The translated Italian text:I dreamt that you were on your knees Like a saint praying to the Lord. You were looking deep into my eyes, With a glowing look of love. You were speaking quietly, Asking me sweetly for forgiveness. That she be allowed just one glance, You begged, curled at my feet. I stayed silent and, with a strong will, Fought the irresistible desire. I had faced martyrdom and death; Still, I forced myself to say no. But then your lips touched my face, And my heart betrayed me. I closed my eyes, reached out to you; But I had been dreaming, and that beautiful dream vanished.
$5.95 ≈
5.46€
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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J.S. Bach: Goldberg Variations
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99 ≈
6.41€
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxi&egra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual p...
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Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55 ≈
10.59€
You're a Grand Old Flag, piano solo
You're a Grand Old Flag, piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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George M
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Amy J
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You're a Grand Old Flag, piano
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by George M. Cohan (1878-1942). Arranged by Amy J. Snyder. Musicals, Movies, Fourth of July,...
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Piano Solo - Advanced Intermediate - Digital Download Composed by George M. Cohan (1878-1942). Arranged by Amy J. Snyder. Musicals, Movies, Fourth of July, Recital, Patriotic. Sheet Music Single. 4 pages. Published by Amy J. Snyder
"You're a Grand Old Flag" is an American standard for patriotic songs.It was featured in the 1942 movie, "Yankee Doodle Dandy" starring James Cagney. This arrangement is for advanced intermediate piano solo, and is sure to get some hands clapping and toes tapping! It includes tremolo, staccato, voicing, helpful fingering, and bouncy bass octaves. Perfect for patriotic events, assisted living entertainment, and recitals. Written by George M. Cohan; arranged by Amy J. Snyder. Visit Amy at: https://www.facebook.com/amyjsnyder7/. God Bless America, America the Beautiful, My Country 'Tis of Thee, Yankee Doodle Dandy, God Bless the U.S.A., O Say Can You See, The Battle Hymn, The Washington Post, and The Stars and Stripes Forever.
$4.25 ≈
3.90€
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Flute and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Flute and piano with chords
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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JESU, JOY OF MAN'S DESIRING by
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Leyandder Trustworthy
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964467 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,East...
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Small Ensemble Flute,Piano,Voice - Level 1 - SKU: A0.964467 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6329921. Published by Leyandder Trustworthy (A0.964467). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Flute, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99 ≈
4.58€
The Stars and Stripes Forever, Intermediate piano solo, C Major
The Stars and Stripes Forever, Intermediate piano solo, C Major
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Piano seul
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INTERMÉDIAIRE
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Patriotique
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John Philip Sousa
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Amy J
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The Stars and Stripes Forever,
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Intermediate - Composed by John Philip Sousa (1854-1932). Arranged by Amy J. Snyder. Repertoire, Fourth of July, Recital, Patriotic, Am...
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Piano Solo - Intermediate - Composed by John Philip Sousa (1854-1932). Arranged by Amy J. Snyder. Repertoire, Fourth of July, Recital, Patriotic, Americana. Sheet Music Single. 7 pages. Published by Amy J. Snyder
The Stars and Stripes Forever, patriotic march written by John Philip Sousa is a must for every 4th of July celebration! This arrangement is for intermediate level piano solo but follows the same style as the original 1897 version. The key has been changed to the key of C Major for easier playing. It is simplified a bit by eliminating the octaves and 4-note chords, but maintaining a satisfying blend of melody and accompaniment. Lots of helpful fingering, and expression marks. Great for patriotic events and recitals. Arranged by Amy J. Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7. If you enjoy this piece, you may also enjoy Amy's intermediate arrangement of America the Beautiful , and slightly more challenging advanced intermediate arrangements of Yankee Doodle Dandy, God Bless the U.S.A., God Bless America, You're a Grand Old Flag, My Country 'Tis of Thee/America the Beautiful, The Battle Hymn of the Republic, O Say Can You See, America the Beautiful, and The Washington Post.
$5.25 ≈
4.82€
You're A Grand Old Flag
You're A Grand Old Flag
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Piano seul
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INTERMÉDIAIRE
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George M
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Amy J
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You're A Grand Old Flag
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1239992 Composed by George M. Cohan. Arranged by Amy J. Snyder. Broadway,Historic,Holiday,Musical/Show,Patriotic,Standard...
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Piano Solo - Level 3 - SKU: A0.1239992 Composed by George M. Cohan. Arranged by Amy J. Snyder. Broadway,Historic,Holiday,Musical/Show,Patriotic,Standards. Score. 3 pages. Amy J. Snyder #835355. Published by Amy J. Snyder (A0.1239992). You're a Grand Old Flag is a standard for American Patriotic music. It was featured in the 1942 movie Yankee Doodle Dandy starring James Cagney as composer George M. Cohan. This arrangement is for intermediate piano solo and is sure to get some hands clapping and toes tapping! Perfect for patriotic events, recitals and assisted living performances. Written by George M. Cohan, arranged by Amy J. Snyder. Visit Amy Jo Music at: https://www.facebook.com/amyjsnyder7. If you like this arrangement, check out Amy's other arrangements such as: God Bless America, America the Beautiful, Battle Hymn of the Republic, My Country 'Tis of Thee, God Bless the U.S.A., The Stars and Stripes Forever, O Say Can You See, The Star Spangled Banner, Yankee Doodle Dandy, Armed FOrces Medley, If My People, This Land Is Your Land, This Is My Country, and The Washington Post.
$4.99 ≈
4.58€
Baby, It's Cold Outside - Piano Solo
Baby, It's Cold Outside - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Various
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Mario Stallbaumer
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Baby, It's Cold Outside - Pian
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer ...
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Piano Solo - Intermediate - By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play ?Baby, It?s Cold Outside? on piano!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn?t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bubl, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
?Baby, It?s Cold Outside? also appeared in an episode of Glee (?A Very Glee Christmas?, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
Here are the full lyrics to ?Baby, It?s Cold Outside?:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.58€
We're All Alone
We're All Alone
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Piano Facile
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FACILE
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Contemporain
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Boz Scaggs
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Ioannis Kalpakis www
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We're All Alone
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Ioannis Kalpakis
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.877171 By Boz Scaggs. By Boz Scaggs. Arranged by Ioannis Kalpakis www.pianistas.gr. Contemporary. Score. 4 pages. Ioannis...
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Easy Piano - Level 2 - SKU: A0.877171 By Boz Scaggs. By Boz Scaggs. Arranged by Ioannis Kalpakis www.pianistas.gr. Contemporary. Score. 4 pages. Ioannis Kalpakis #4837585. Published by Ioannis Kalpakis (A0.877171). We're All Alone is a song written by Boz Scaggs, which became a 1977 top-ten hit for Rita Coolidge in the US and the UK.This is an arrangement for piano solo of the cover version.It's in the key of G Major as in the original song version. Duration: 3:51For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact: giannismusic@gmail.comSkype id: mathimata
$7.49 ≈
6.87€
Queen - Love Of My Life - Piano Solo
Queen - Love Of My Life - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Rock
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Queen
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Mario Stallbaumer
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Queen - Love Of My Life - Pian
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Mario Stallbaumer
#
SheetMusicPlus
Piano Solo - Intermediate - By Queen. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer ...
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Piano Solo - Intermediate - By Queen. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here?s how to play ?Love Of My Life? by Queen / Freddie Mercury on piano!
This is a beautiful and accurate piano transcription of ?Love Of My Life?, including all instrumental piano parts and the full melody.
I also created a sheet version of this arrangement which includes the full lyrics and chords, you can find it here:
https://www.sheetmusicplus.com/title/21145110
There's also an easier version:
https://www.sheetmusicplus.com/title/21145489
With this piano sheet music, you can play ?Love Of My Life? on piano, accompany a singer, or sing along yourself.
Frankly, I was not able to find an arrangement of this fantastic song that sounded the way I wanted it to, so I created one that I believe does justice to this great ballad and the legacy of Freddie Mercury.:)
?Love Of My Life? was, of course, written by Freddie Mercury for Mary Austin, his former fiance and life-long friend.
It was included on Queen?s 1975 album ?A Night at the Opera?, which included some of their most successful hits (such as ?Bohemian Rhapsody? and ?You?re My Best Friend?).
The song also appeared in the 2018 film ?Bohemian Rhapsody? (in which Freddie Mercury is played by Rami Malek).
In any case, ?Love Of My Life? is one of the most beautiful ballads in the history of pop & rock music, and a fantastic song to play on piano. Enjoy!
Here are the song's full lyrics:
"Love of my life, you've hurt me
You've broken my heart
And now you leave me
Love of my life, can't you see?
Bring it back, bring it back
Don't take it away from me
Because you don't know
What it means to me
Love of my life, don't leave me
You've taken my love
You now desert me
Love of my life, can't you see?
Bring it back, bring it back
Don't take it away from me
Because you don't know
What it means to me
You will remember
When this is blown over
And everything's all by the way
When I grow older
I will be there at your side
To remind you
How I still love you
I still love you
Back, hurry back
Please, bring it back home to me
Because you don't know
What it means to me
Love of my life
Love of my life"
$4.99 ≈
4.58€
Trumpet Tune and Air, by Purcell; for solo Flute and Piano
Trumpet Tune and Air, by Purcell; for solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587651 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and ...
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Flute,Piano - Level 3 - SKU: A0.587651 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728537. Published by David McKeown (A0.587651). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Flute and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.22€
Trumpet Voluntary, (Prince of Denmark's March), for Solo Flute and Piano
Trumpet Voluntary, (Prince of Denmark's March), for Solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587593 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score an...
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Flute,Piano - Level 3 - SKU: A0.587593 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367410. Published by David McKeown (A0.587593). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Flute and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.22€
Beyond the SeaLove Of My Life - Easy Piano
Beyond the SeaLove Of My Life - Easy Piano
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Piano Facile
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FACILE
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Rock
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Queen
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Mario Stallbaumer
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Beyond the SeaLove Of My Life
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Easy Piano - Early Intermediate - By Queen. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer...
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Piano Solo, Piano/Vocal/Chords, Easy Piano - Early Intermediate - By Queen. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here?s how to play ?Love of My Life? by Queen / Freddie Mercury on piano!
This is an easy, but nevertheless beautiful piano transcription of ?Love Of My Life?, including all instrumental piano parts, melody, full lyrics and chords.
I also created a more challenging version, which you can find here:
https://www.sheetmusicplus.com/title/21145110
With this piano sheet music, you can play ?Love Of My Life? on piano, accompany a singer, or sing along yourself.
?Love Of My Life? was, of course, written by Freddie Mercury for Mary Austin, his former fiance and life-long friend.
It was included on Queen?s 1975 album ?A Night at the Opera?, which included some of their most successful hits (such as ?Bohemian Rhapsody? and ?You?re My Best Friend?).
The song also appeared in the 2018 film ?Bohemian Rhapsody? (in which Freddie Mercury is played by Rami Malek).
In any case, ?Love Of My Life? is one of the most beautiful ballads in the history of pop & rock music, and a fantastic song to play on piano. Enjoy!
$4.99 ≈
4.58€
At Christmastime ~ piano/vocal/chords in D
At Christmastime ~ piano/vocal/chords in D
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice
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Kieswetter~Rice
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010931 Composed by Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919581. Published by Gregor Rice Publishing (A0.1010931). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture... if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one of the most gifted jazz artists on the planet, continued his dailies teaching, gigging, and studio work. Many beautiful songs fell through the cracks while Gregor, and equally gifted composer~lyri.
$3.99 ≈
3.66€
At Christmastime ~ piano/vocal/chords in Ab
At Christmastime ~ piano/vocal/chords in Ab
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Piano, Voix
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FACILE
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Noël
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Mark Kieswetter, Gregor Rice a
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At Christmastime ~ piano/vocal
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Gregor Rice Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1010930 Composed by Mark Kieswetter, Gregor Rice and Mark Kieswetter, Gregor Rice. Arranged by Kieswetter~Rice and Kieswetter~Rice. Broadway,Christmas,Film/TV,Musical/Show,Pop. Score. 6 pages. Gregor Rice Publishing #2919575. Published by Gregor Rice Publishing (A0.1010930). Kieswetter~Rice: Mark Kieswetter & Gregor Rice have been writing beautiful music since the early 1980s, highly awarded and dearly loved. This is just one of them, finally recorded 2016. We can be contacted via Gregor Rice: ieshea@frontier.com or Mark Kieswetter: mkieswetter@gmail.com and on FaceBook, our PRO is BMI, Published via Gregor Rice Publishing, on the RiceSound label. Get more backing tracks as well as the original song in vocal, instrumental and backing tracks at www.broadjam.com/atchristmastime Like all our work, it's most appropriate for any public performance; stage and screen, TV/film, Broadway, church, schools, universities, military offerings, or solo, this, a holiday selection, warm and cozy. This rendition is in the key of Ab. Music: Kieswetter~Rice, Lyrics: Rice Sheet music by Prof. Mark Kays, Chair/Dept. of Music, Trine University.It most certainly brings at least a few minutes of peace and comfort to all who sing and hear. Encoded with many blessings, it could be at least a temporary solution to the world peace problem, or so we'd sincerely intend it to be. If enough people would jump on the bandwagon, so to speak, it could easily blanket our entire Earth and all Her people with peace and comfort, safety and relief, and feeling a sense of home, whether home... or not. Looking at the big picture, if you're on Earth, you're 'home.' Find all our comforts of home here: www.atchristmastime.tarajories.com So far, we offer the sheet music available here in 2 keys, Ab the original, and easier play, D in both lead/lyric sheet and vocal with piano accompaniment formats. Forthcoming, will be the entire score following the full recording due out holiday season 2016. Additional mp3 renditions and styles in at www.broadjam.com/atchristmastime In 3/4 time at 96 BPM it offers 3:42 minutes of comfort, relaxation, and a serious sense of relief. Notice for yourself. You can also sing along with any of our Karaoke tracks in various styles & keys at broadjam.com/atchirstmastime and post your rendition to YT! What a surprise homecoming gift this would be! Need a new key? RSVP. We'll upload it. Either way, look for a special blessing for yourself or gift it to someone, each time you sing it. Sink into its sense of safety, comfort, peace, and joy, and feel at home wherever you are, whenever you sing or listen to this song. Let's blanket our entire Mother Earth with peace and plenty, safety, love, warmth, and healing for a maxed-out planet and a maxed-out people with this gifted song. Remember to envision et al blanketing Mother Earth, all the people, flora and fauna, in a warm fuzzy blanket of love, peace, and healing every time. In performance practice sessions, take a selfie or groupie before, notice your state, and your aura if you see them, and again after your practice session, just for grins. Notice what you notice, and see as well as feel the difference. Post your extraordinary results to FB & YT. It isn't just music anymore, Toto.Historical content? Actually written in 1984 in Maumee, OH, this song was officially copyrighted in 1986. 1987 Gregor was whisked out of state to a new locale where attendance to making a living else wise became the mode o' day like most compose/lyricists. Mark, one.
$3.99 ≈
3.66€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.01€
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re written for Piano Solo
