| L'art de préluder sur
l'Orgue (SCHMITT GEORG) Orgue [Partition] Dohr
Par SCHMITT GEORG. / Date parution : 2022-06-14/ Etude / Orgue
56.45 EUR - vendu par LMI-partitions Délais: Sur commande |
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| 12 Studi Seriali (DANESIN
ARTURO) Flûte traversière [Partition] Vigormusic
Par DANESIN ARTURO. / Date parution : 2022-06-14/ Etude / Flûte Traversière
30.29 EUR - vendu par LMI-partitions Délais: Sur commande |
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| 12 Studi Ritmici (DANESIN
ARTURO) Flûte traversière [Partition] Vigormusic
Par DANESIN ARTURO. / Date parution : 2022-06-14/ Etude / Flûte Traversière
30.29 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Electric Guitar Keyring
Bottle Opener Aucune valeur
Par . / Date parution : 2022-06-14/ Accessoire / Porte-clé
3.66 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Colores (VAN DER ROOST
JAN) Concert Band/Harmonie De Haske Publications
Par VAN DER ROOST JAN. En espagnol, Colores signifie « couleurs », un mot que ...(+)
Par VAN DER ROOST JAN. En espagnol, Colores signifie « couleurs », un mot que cette composition cherche à refléter et exploiter. Couleurs, timbres et sons musicaux, teintes douces et vives, effets sonores… Tous sont présents dans cette œuvre. Il s’agit d’une composition abstraite : elle ne s’appuie pas sur une histoire, un scénario ou une inspiration programmatique pour guider les notes. La musique parle d’elle-même. Tous les pupitres sont mis en lumière dans une œuvre extrêmement variée et très exigeante pour les musiciens. Mettez le paquet pour produire le meilleur résultat possible ! / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
295.78 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Klavierkonzert a-moll Op
(GRIEG EDVARD) Orchestre et Piano Breitkopf & Härtel
Par GRIEG EDVARD. The piano concerto in a minor stands out in Edvard Grieg’s o...(+)
Par GRIEG EDVARD. The piano concerto in a minor stands out in Edvard Grieg’s oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg’s lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto’s size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Günter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. / Date parution : 2022-07-20/ Répertoire / Orchestre et Piano
19.87 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ighigénie en
Aulide (GLUCK CHRISTOPH
WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy ...(+)
Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridiculous distinction” between national styles of music. Although the première was coolly received at first by the contemporary press, “Iphigénie” developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opéra considered placing guards in front of the theatre. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. - Revised and newly engraved - Detailed foreword (Ger/Fr/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, straight-forward piano reduction - Performance material available for hire (BA5849-72) / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
90.48 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ighigenie auf Tauris
(GLUCK CHRISTOPH
WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (...(+)
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet current standards. - Revised and newly engraved - Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, easy-to-play piano reduction - Performance material available for hire BA05843-72 - Full Score, hardback, available for sale BA02281 / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
57.94 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Requiem (MOZART WOLFGANG
AMADEUS) Choeur Mixte SATB et Piano Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal...(+)
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano
17.34 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Requiem (MOZART WOLFGANG
AMADEUS) Chœur Mixte SATB et Orchestre [Conducteur] Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full ...(+)
Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Full Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Chœur Mixte SATB et Orchestre
80.04 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Sinfonie In C (HAYDN
JOSEPH) Orchestre [Conducteur] Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...(+)
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
50.98 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Song For St. Cecilia?s
Day (HAENDEL GEORG
FRIEDRICH) Soli, choeur mixte et accompagnement Barenreiter
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal S...(+)
Par HAENDEL GEORG FRIEDRICH. Handel Song for St Cecilia´s Day (HWV 76) (Vocal Score) Following ?Alexander?s Feast? (1736), in 1739 Handel produced a second setting of the ?Ode to St Cecilia? (?Song for St Cecilia?s Day?). At its première it was combined with ?Alexander?s Feast?. Rather than a dramatic plot presentable in the theatre, the Ode, in its seven sections, offers a general hymn of praise to music and its impact. Accordingly, it largely consists of emotion-laden arias and festive orchestration. This edition, based on the Urtext from the ?Halle Handel Edition?, offers the version heard at the first performance ? the version preferred in today?s concert life. The foreword (Ger/Eng) provides many detailed notes on performance practice with regard to orchestration. - Urtext from the ?Halle Handel Edition? - Detailed notes on performance practice in the text section (Ger/Eng) - Straightforward piano reduction - Full Score (BA10722), vocal score (BA10722-90) and parts (BA10722) available for sale / Date parution : 2022-07-20/ Répertoire / Solistes, SATB et Orchestre
20.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Theme De Levantine
Symphony N°1 (MAALOUF
IBRAHIM) En Français Saxophone et Piano [Partition] Martin, Robert
Par MAALOUF IBRAHIM. / Date parution : 2022-07-20/ Répertoire / Saxophone et P...(+)
Par MAALOUF IBRAHIM. / Date parution : 2022-07-20/ Répertoire / Saxophone et Piano
17.18 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Blue Suite (MUTO
GIORDANO) En Français Saxophone et Piano [Partition] Martin, Robert
Par MUTO GIORDANO. / Date parution : 2022-07-20/ Répertoire / Saxophone et Pia...(+)
Par MUTO GIORDANO. / Date parution : 2022-07-20/ Répertoire / Saxophone et Piano
28.53 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ghibli Songs for Trumpet
Ensemble (HISAISHI JOE) Ensemble de Trompettes [Set de Parties séparées] Yamaha
Par HISAISHI JOE. / Date parution : 2022-07-20/ Recueil / Ensemble de Trompette...(+)
Par HISAISHI JOE. / Date parution : 2022-07-20/ Recueil / Ensemble de Trompettes
26.69 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Studio Ghibli Selections
for Clarinet and Piano
(HISAISHI JOE) Clarinette et Piano [Partition + CD] Yamaha
Par HISAISHI JOE. / Date parution : 2022-07-20/ Recueil / Clarinette et Piano
36.30 EUR - vendu par LMI-partitions Délais: En Stock |
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| Der Schatz des
Käpt'n
Krauskopf (SCHINDLER
PETER) Chorale Carus Verlag
Par SCHINDLER PETER. / Date parution : 2022-07-20/ Recueil / Choeur
16.32 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Der Schatz des
Käpt'n
Krauskopf (SCHINDLER
PETER) Piano, Voix Carus Verlag
Par SCHINDLER PETER. / Date parution : 2022-07-20/ Recueil / Chant et Piano
44.04 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Flight (PORTMAN RACHEL) Violon et Piano [Partition] St Rose Music Publishing
Par PORTMAN RACHEL. Flight for violin and piano from the album 'ask the river' r...(+)
Par PORTMAN RACHEL. Flight for violin and piano from the album 'ask the river' released on Node Records. / Date parution : 2022-07-20/ Répertoire / Violon et Piano
6.86 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Der Schatz des
Käpt'n
Krauskopf (SCHINDLER
PETER) Chant [Conducteur] Carus Verlag
Par SCHINDLER PETER. / Date parution : 2022-07-20/ Recueil / Chant
75.54 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Otto pezzi da salotto
(BONELLI ETTORE) Violon et Piano [Partition] Armelin Musica
Par BONELLI ETTORE. / Date parution : 2022-07-20/ Recueil / Violon et Piano
33.46 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Outside Playing For
Guitar (LO IACONO
OSVALDO) Guitare [Partition + Accès audio] Volonte and Co
Par LO IACONO OSVALDO. / Date parution : 2022-07-20/ Recueil / Guitare
21.08 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Little Sphinx ·
Little Elf (GANZ RUDOLPH) 2 Hautbois et Cor Anglais Schott
Par GANZ RUDOLPH. / Date parution : 2022-07-20/ Recueil / 2 Hautbois et Cor Ang...(+)
Par GANZ RUDOLPH. / Date parution : 2022-07-20/ Recueil / 2 Hautbois et Cor Anglais
21.09 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Die schönsten Volks- und
Kinderlieder Trompette [Partition + Accès audio] - Débutant Schott
Par . / Niveau : Très facile / Date parution : 2022-07-20/ Recueil / 1-2 Tro...(+)
Par . / Niveau : Très facile / Date parution : 2022-07-20/ Recueil / 1-2 Trompettes
19.42 EUR - vendu par LMI-partitions Délais: Sur commande |
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