Duo G Major

Par MOZART WOLFGANG AMADEUS. Composed at the end of 1785, Mozart ’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart ’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. G. Henle Publishers is issuing this concerto, undeservedly overshadowed by its famous siblings, in a handy study edition in full score; a Piano reduction is in preparation./ Répertoire / Piano

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Romances for Violin and Orchestra op. 40 & 50 in G and F major pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Partition

Par GRIEG EDVARD. Of Grieg ’s three Violin sonatas, the great C-minor Sonata op. 45 is the best known today. And unjustly so, because the two early sonatas are captivating in their joy to play and their fresh, youthful tone. And what is more, they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg ’s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance. ” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm wasalso consulted for this edition, thus offering an optimally ascertained musical text. / Heinemann, Ernst-Günter / Steen-Nökleberg, Einar / Répertoire / Violon et Piano

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Bassoon and Orchestra Bb major K. 191 tout le talent de Mozart. Cette partition a été composée pour Basson Et Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Basson Et Piano / 16 + 3 P.S. pages / niveau : 3 / Editions Instrumentales - Format: 21 X 29.7

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Horn and Orchestra No. 1 D major K. 412/514 tout le talent de Mozart. Cette partition a été composée pour Cor Et Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Cor Et Piano / 8 pages / niveau : 1 / Editions Instrumentales - Format: 21 X 29.7

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Concerto for Piano (Harpsichord) and Orchestra G major Hob. XVIII:4 écrite et composée pour Tuba, Euphonium et Saxhorn et plus précisément pour Basse Partie Séparée vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Basse Partie Séparée / Chanson En Séparée

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Piano Sonata no. 12 in A flat major op. 26 pour Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Piano / Chanson En Séparée