Romance G Major

SKU: HL.48187242

UPC: 888680990206. 9.0x12.0x0.079 inches.

Composed by Reynaldo Hahn, Romance in A major is a chamber piece for Violin and Piano, for upper-intermediate players. This melodious piece is written in one main movement and is perfect for a recital. Starting Tres modere with the main theme, the piece later become quieter calme with some variations of this main theme. Really romantic, it is sometimes indicated which string to play and the Piano accompanies the Violin with some flawless arpeggiated semiquavers. Reynaldo Hahn was a naturalised French composer, conductor, theatre director and singer. Best known as a composer of songs, he also wrote many pieces and melodies for different instruments..

SKU: HL.14041762

9.0x12.0x0.071 inches.

'Romanc e for violin and piano is a short, reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist, Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing, numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece, the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'
< em>   &nbs p;     ;     - Helen Grime



Born in 1981, Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07, Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto, and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison, Michael Gandolfi, Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO, London Symphony Orchestra, BCMG, Britten Sinfonia, BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding, Oliver Knussen, Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Halle from the.

SKU: HL.48188888

UPC: 888680873424. 9.0x12.0x0.079 inches.

Reynaldo Hahn: Romance in A major (Flute & Piano).

SKU: BR.EB-8521

ISBN 9790004178133. 9 x 12 inches.

Max Reger's well-known Romance in G major WoO II/10 was written as a supplement for the Neue Musik-Zeitung, which was the recipient of works - particularly songs and piano pieces - by Reger in the years 1900 and 1901. Reger himself designated his Romance shortly after its publication as an occasional piece of the worst kind - for me! The work was published in 1910 both in its original scoring for violin (and piano) as well as in its first arrangements for other solo instruments.

Reger designated his Romance shortly after its publication as an occasional piece of the worst kind - for me!.

SKU: BR.EB-4762

Reger designated his Romance shortly after its publication as an occasional piece of the worst kind - for me!

ISBN 9790004163160. 9 x 12 inches.

Max Reger's well-known Romance in G major WoO II/10 was written as a supplement for the Neue Musik-Zeitung, which was the recipient of works - particularly songs and piano pieces - by Reger in the years 1900 and 1901. Reger himself designated his Romance shortly after its publication as an occasional piece of the worst kind - for me! The work was published in 1910 both in its original scoring for violin (and piano) as well as in its first arrangements for other solo instruments.

Reger designated his Romance shortly after its publication as an occasional piece of the worst kind - for me!.

SKU: BR.OB-4953-16

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-16. Published by Breitkopf and Haertel (BR.OB-4953-16).

ISBN 9790004326473. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

SKU: BR.OB-4953-23

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-23. Published by Breitkopf and Haertel (BR.OB-4953-23).

ISBN 9790004326497. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

SKU: BR.OB-4953-27

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-27. Published by Breitkopf and Haertel (BR.OB-4953-27).

ISBN 9790004326503. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

SKU: BR.OB-4953-15

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-15. Published by Breitkopf and Haertel (BR.OB-4953-15).

ISBN 9790004326466. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

SKU: BR.PB-4879-07

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Study Score. 8 pages. Duration 5'. Breitkopf and Haertel #PB 4879-07. Published by Breitkopf and Haertel (BR.PB-4879-07).

ISBN 9790004206768. 5.5 x 7.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Fast alle Orchesterbearbeitungen sind Jahre nach den Originalkompositionen fur Singstimme und Klavier entstanden.

Trotz der Tatsache dass sie rasch hingeworfen sind zeigt sich in allen Liedern Sibelius' Meisterschaft als Orchesterliederkomponist. Manchmal vermag er eine dustere dramatische Atmosphare (in ,,Pa verandan vid havet) zu erzeugen manchmal gelingen ihm leuchtend farbige Impressionen (in ,,Soluppgang) oder zart transparente Gewebe (in ,,Varen flyktar hastigt) - immer jedoch sind die Lieder ganz aus deren poetischer Idee heraus gestaltet und differenziert nachgezeichnet. In den meisten Fallen beschrankte sich Sibelius auf ein relativ kleines Orchester. In ,,Varen flyktar hastigt sind neben den Streichern nur zwei Floten und vier Horner besetzt. Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano.

Yet even though the arrangements were made in a very short period of time Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet) sometimes radiant colorful impressions (in Soluppgang) or light-colored transparent textures (in Varen flyktar hastigt) and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.

SKU: AP.6-411621

ISBN 9780486411620. English.

This unique compilation of the best of Sibelius's piano music features a carefully chosen selection of unjustly neglected compositions for piano, including Sonata in F, Op. 12; Three Sonatinas, Op. 67; Kyllikki (Three Lyric Pieces), Op. 41; Two Rondinos, Op. 68; Five Flower Pieces, Op. 88; Romance in D-flat; and many more. 160 pgs.

SKU: IS.BCP7332EM

ISBN 9790365073320.

Cami lle Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a more comfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a simple melody into something extraordinary.