| Latin Standards Flûte traversière [Partition + CD] Schott
The 14 Most Passionate Latin Songs. Par . Welcome to the Copacabana! Latin Ameri...(+)
The 14 Most Passionate Latin Songs. Par . Welcome to the Copacabana! Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying audio tracks (full and playalong versions) recorded by the author himself are available for download and streaming. / Niveau : facile - moyen / Date parution : 2023-10-31/ Recueil / Flûte Traversière
27.20 EUR - vendu par LMI-partitions Délais: Sur commande | |
| LATIN STANDARDS - FLUTE Schott
Welcome to the Copacabana! Latin American music with its rousing rhythms and gro...(+)
Welcome to the Copacabana! Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying audio tracks (full and playalong versions) recorded by the author himself are available for download and streaming.Pages : 96Niveau : facile - moyen Besame MuchoGirl From IpanemaDon‘t You Worry About A ThingLibertangoGuantanameraSamba de OrfeuPor Una CabezaOne Note SambaDesafi nadoVolareEl ChocloCopacabanaTico TicoCantaro / Flûte traversière / Schott
24.50 EUR - vendu par Woodbrass Délais: Sur commande | |
| Latin Standards Flûte traversière et
Piano [Partition + CD] Schott
Latin American music with its rousing rhythms and grooves, catchy melodies and e...(+)
Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying CD recorded by the author himself contains all pieces in full and playback versions and guarantees a lot of fun and joie de vivre. / Flûte
27.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| 100 Ultimate Jazz Riffs:
Flute: Instrumental Album Flûte traversière [Partition + Accès audio] - Intermédiaire ADG productions
100 Ultimate Jazz Riffs for Flute by Andrew D. Gordon consists of as the title ...(+)
100 Ultimate Jazz Riffs for Flute by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing Jazz Ballad Jazz Funk Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard Blue Moon; showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this techniqueyou can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the flute playing the melody line along with a rhythm section of piano bass and drums. All the examples are recorded with the flute and the rhythm section as well as the rhythm section without the flute and with the more difficult examples the rhythm section is recorded at a slowed down tempo. An absolute must for musicians learning and playing various jazz styles.
14.95 GBP - vendu par Musicroom GB | |
| Rik Elings: Moments of
Swing: Flute:
Instrumental Work
Flûte traversière [Partition + CD] De Haske Publications
10 Original Songs in Jazz Latin and Swing-Moments of Swing vous fait swinguer s...(+)
10 Original Songs in Jazz Latin and Swing-Moments of Swing vous fait swinguer sur différents styles ! Les dix titres basés sur les grilles d'accords de standards du jazz vous permettront de mieux comprendre la façon dont les jazzmen improvisent. Moments of Swing apporte un regard nouveau sur le jazz !
15.99 GBP - vendu par Musicroom GB | |
| 24 Play Along Standards
With A Live Rhythm
Section Flûte traversière [Partition + CD] - Intermédiaire/avancé Amsco Wise Publications
Take centre stage and play along with a live rhythm section featuring Bass, Drum...(+)
Take centre stage and play along with a live rhythm section featuring Bass, Drums and Piano This collection features 24 great songs, from Jazz and Blues standards through Soul and Gospel favourites and lively Swing and Latin numbers. The authentic CD backing tracks will help you achieve a more professional performance. What's included: Printed music - 24 pieces in melody line arrangements Two audio CDs - Professional 'soundalike' performances of every piece featuring a live band on CD 1, plus backing tracks to play along with on CD 2. / Flûte Traversière
20.57 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Guest Spot 21 Classic
Hits Blue Book 2Cd's Flûte traversière [Partition + CD] - Intermédiaire Amsco Wise Publications
21 morceaux : tubes pop/rock standards de jazz et latin arrangés pour flûte. C...(+)
21 morceaux : tubes pop/rock standards de jazz et latin arrangés pour flûte. Ce livre de partition est accompagné de 2 CD audio. Sur le premier CD vous pouvez écouter une version complète de chaque titres, sur le second CD l'enregistrement de la flûte a été supprimé pour vous permettre de jouer accompagné. / Flûte Traversière
27.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jazz Sessions (L'ESTRANGE
ALEXANDER / PILLING T) Flûte traversière et
Piano [Partition + CD] - Facile Faber Music Limited
Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous ...(+)
Par L'ESTRANGE ALEXANDER / PILLING T.. The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians. / Niveau : Assez Facile / Recueil / Flûte Traversière et Piano
11.79 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Andrew D. Gordon: 100
Ultimate Jazz Riffs for
Clarinet: Clarinet Solo: Clarinette [Partition + Accès audio] ADG productions
100 Ultimate Jazz Riffs for Clarinet. 100 Ultimate Jazz Riffs for Clarinet. by A...(+)
100 Ultimate Jazz Riffs for Clarinet. 100 Ultimate Jazz Riffs for Clarinet. by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the clarinet and the rhythm section, as well as the rhythm section without the clarinet. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Violin
22.30 GBP - vendu par Musicroom GB Délais: En Stock | |
| Andrew D. Gordon: 100
Ultimate Jazz Riffs for
Violin: Violin Solo:
Instrumental Violon [Partition + Accès audio] ADG productions
100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew...(+)
100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity
22.30 GBP - vendu par Musicroom GB | |
| Andrew D. Gordon: 100
Ultimate Jazz Riffs for
Trombone: Trombone Solo: Trombone [Partition + Accès audio] ADG productions
100 Ultimate Jazz Riffs for Trombone. 100 Ultimate Jazz Riffs for Trombone by An...(+)
100 Ultimate Jazz Riffs for Trombone. 100 Ultimate Jazz Riffs for Trombone by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the Trombone playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the Trombone and the rhythm section, as well as the rhythm section without the Trombone. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Clarinet, Trumpet and Violin. Facebook Twitter Pinterest Google Quantity
22.30 GBP - vendu par Musicroom GB Délais: En Stock | |
|
|
| 100 Ultimate Jazz Riffs for Flute Flûte traversière [Partition + Accès audio] - Intermédiaire ADG productions
Composed by Andrew D. Gordon. Saddle stitch. Jazz/Flute Instruction. Play along ...(+)
Composed by Andrew D.
Gordon. Saddle stitch.
Jazz/Flute Instruction.
Play along book and
online audio. Duration 75
minutes. Published by ADG
Productions
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mel Bay's Complete Jazz Flute Book
Flûte traversière [Partition] - Intermédiaire Mel Bay
by William Bay. For flute. Complete. Jazz. Level: Intermediate. Book. Method. Si...(+)
by William Bay. For
flute. Complete. Jazz.
Level: Intermediate.
Book. Method. Size
8.75x11.75. 144 pages.
Published by Mel Bay
Pub., Inc.
(3)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blaeser Mix Latin Standards C-st - Facile Schott
C-instruments (flute or oboe) (C-INSTR+CD) - easy SKU: HL.49033164 Lat...(+)
C-instruments (flute or
oboe) (C-INSTR+CD) - easy
SKU: HL.49033164
Latin Standards.
Composed by Blaeser. This
edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Edition with CD. 32
pages. Schott Music #ED
9556. Published by Schott
Music (HL.49033164).
ISBN
9790001133791. Leic
hte, gut klingende
Arrangements
Profi-Begleit-CD:
Vollplayback mit 1. und
2. Stimme / Halbplayback
zum Mitspielen und
Improvisieren einstimmig
oder zweistimmig spielbar
C-, B- und Es-Stimmen
konnen zusammen gespielt
werden mit Akkordangaben
fur Klavier, Keyboard,
Gitarre oder BassDie
beiliegende CD mit
professionellen Playbacks
ist ein musikalisches
Feuerwerk und garantiert
optimales Band-Feeling.
Die Melodiefassungen
wurden eingespielt von
Jochen Brauer (Saxofon)
und Sonny Koop (Trompete/
Flugelhorn). $24.95 - Voir plus => Acheter | | |
| Do It! Play Flute - Book 2 and CD Flûte traversière [CD] GIA Publications
By James Froseth. Band Method. Instructional Sacred. Text language: English. 48 ...(+)
By James Froseth. Band
Method. Instructional
Sacred. Text language:
English. 48 pages.
Published by GIA
Publications.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068809
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. 1x
40.688/21 flute 1, 1x
40.688/22 flute 2, 1x
40.688/23 oboe 1, 1x
40.688/24 oboe 2, 1x
40.688/25 clarinet 1, 1x
40.688/26 clarinet 2, 1x
40.688/27 bassoon 1, 1x
40.688/28 bassoon 2, 1x
40.688/31 horn 1, 1x
40.688/32 horn 2, 1x
40.688/33 trumpet 1, 1x
40. Carus sheet music
series: Vocal scores XL.
Messe In C Op. 86.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
120 pages. Duration 50
minutes. Carus Verlag #CV
40.688/09. Published by
Carus Verlag
(CA.4068809). ISBN
9790007220327. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Gong, Horn 1,
Horn 2, Mallet Percussion
1, Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe and more. -
Grade 3 SKU:
CF.CPS251F Composed
by Patrick Glenn Harper.
Full score. 25 pages.
Carl Fischer Music
#CPS251F. Published by
Carl Fischer Music
(CF.CPS251F). ISBN
9781491159880. UPC:
680160918478. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Semper Gratus - Intermédiaire Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Mallet Percussion 3,
Marimba, Oboe, Percussion
1, Percussion 2 and more.
- Grade 3 SKU:
CF.CPS251 Composed by
Patrick Glenn Harper. Set
of Score and Parts.
28+8+8+4+8+8+8+4+4+4+4+4+
4+8+8+8+4+4+6+6+6+4+8+1+4
+2+2+12+2+8 pages.
Duration 4 minutes, 27
seconds. Carl Fischer
Music #CPS251. Published
by Carl Fischer Music
(CF.CPS251). ISBN
9781491159873. UPC:
680160918461. About
the Music Semper Gratus
is Latin for always
grateful. The piece was
written in honor of James
E. Champion, who taught
band for thirty-eight
years, twenty-five of
which were spent in
Florence, Alabama, where
he was my elementary
school and high school
band director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in doing
so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a career.
And for that, I will
always be grateful.
Performance Notes
Measures 1-12: The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind cues
should only be used if
absolutely needed during
this section. Measures
41-58: The concert toms
should establish a
presence, but not
overpower the winds. The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A higher
pitched woodblock should
be used for this section.
(A set of claves could be
used in place of the
woodblock if desired.)
Measures 59-94: The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections. The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70. The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm. 92-94,
depending on the size of
the ensemble, you may
want to limit the number
of players (or put one
per part) to achieve the
most delicate sound
possible. Measures
95-End: In mm. 99-107, be
sure that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114-115, the accents
on beats 2 and 4 in the
lower winds should be
exaggerated to contrast
the feel of the previous
four measures. In m. 118,
all winds should cut off
and breathe on beat two
for maximum impact on the
next three
measures. About the
MusicSemper Gratus is
Latin for “always
grateful.†The
piece was written in
honor of James E.
Champion, who taught band
for thirty-eight years,
twenty-five of which were
spent in Florence,
Alabama, where he was my
elementary school and
high school band
director. His bands
consistently achieved
superior ratings
throughout his career. He
holds
multi-decade-spanning
memberships in
professional music
education organizations,
continues to serve in
helping with Alabama
Bandmasters Association
events, and conducts and
performs in various
community bands and
ensembles. As my band
director at Bradshaw High
School, Mr. Champion
encouraged me to perform
one of my first
compositions, a clarinet
quartet, at solo/ensemble
festival. He taught his
students the fundamentals
of music, the technical
aspects of performance,
and exposed them to the
great standards of band
literature. But in
doing so, he also modeled
leadership, work-ethic,
good character, and
fostered the love of the
activity of band that led
me to choose music
education as a
career. And for that,
I will always be
grateful.Performance
NotesMeasures
1-12:Â Â The
beginning of the piece
should be performed in a
majestic, fanfare-like
style. The woodwind
cues should only be used
if absolutely needed
during this
section.Measures
41-58:Â Â The
concert toms should
establish a presence, but
not overpower the
winds.  The
triangle and woodblock
parts should be heard
distinctly over the
concert toms. A
higher pitched woodblock
should be used for this
section. (A set of
claves could be used in
place of the woodblock if
desired.)Â Measures
59-94:Â Â The
entirety of the middle
section should be played
in a rubato style to
maximize musical
expression, exaggerating
dynamics and ritardando
sections.  The
quarter-note triplets in
the middle and low winds
should be emphasized at
m. 70.  The molto
ritardando that begins at
m. 70 should be allowed
to build as long as
possible in m. 71 before
reaching the musical apex
of the middle section at
m. 72. At mm.
92–94, depending
on the size of the
ensemble, you may want to
limit the number of
players (or put one per
part) to achieve the most
delicate sound
possible.Measures
95-End:Â Â In mm.
99–107, be sure
that the eighth-note
running mallet parts are
heard as a background
texture, but do not
overpower the winds. In
mm. 114–115, the
accents on beats 2 and 4
in the lower winds should
be exaggerated to
contrast the feel of the
previous four measures.
 In m. 118, all winds
should cut off and
breathe on beat two for
maximum impact on the
next three measures. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Recorda Me Ensemble Jazz - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.47513 (Remember Me). Composed by...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.47513
(Remember Me).
Composed by Joe
Henderson. Arranged by
Mike Kamuf. Jazz
Ensemble; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Form: Ballade. Jazz;
Latin; Standard. Score
and Part(s). 98 pages.
Duration 4:48. Alfred
Music #00-47513.
Published by Alfred Music
(AP.47513). UPC:
038081548609.
English. One of the
best jazz standards
arranged in a Latin
groove played at 156 BPM.
The melody is handled by
tenor, trumpet, and
guitar with written solos
provided for tenor and
trumpet. Lead trumpet
range is to written G on
top of the staff.
Optional parts provided
for vibraphone, flute,
and clarinet. This title
is available in MakeMusic
Cloud. (4:48). $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Recorda Me Ensemble Jazz - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.47513S (Remember Me). Composed b...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.47513S
(Remember Me).
Composed by Joe
Henderson. Arranged by
Mike Kamuf. Jazz
Ensemble; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Form: Ballade. Jazz;
Latin; Standard. Score.
16 pages. Alfred Music
#00-47513S. Published by
Alfred Music (AP.47513S).
UPC: 038081548616.
English. One of the
best jazz standards
arranged in a Latin
groove played at 156 BPM.
The melody is handled by
tenor, trumpet, and
guitar with written solos
provided for tenor and
trumpet. Lead trumpet
range is to written G on
top of the staff.
Optional parts provided
for vibraphone, flute,
and clarinet. This title
available in MakeMusic
Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068814
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Cello. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/14. Published by
Carus Verlag
(CA.4068814). ISBN
9790007220365. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068813
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Viola. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/13. Published by
Carus Verlag
(CA.4068813). ISBN
9790007220358. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068815
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Double Bass. Op.
86. 16 pages. Duration 50
minutes. Carus Verlag #CV
40.688/15. Published by
Carus Verlag
(CA.4068815). ISBN
9790007220372. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068819
Messe in C op. 86.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
Duration 50 minutes.
Carus Verlag #CV
40.688/19. Published by
Carus Verlag
(CA.4068819). ISBN
9790007097219. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800. $233.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in C Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, basso (cello,
double bass, organ)
SKU: CA.4068805
Messe in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Choral
Score. Op. 86. Duration
50 minutes. Carus Verlag
#CV 40.688/05. Published
by Carus Verlag
(CA.4068805). ISBN
9790007131012. Language:
Latin. With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score
available separately -
see item CA.4068800. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jazz Sessions Clarinet/CD Clarinette et Piano [Partition + CD] Faber Music Limited
Clarinet, Piano, Play-Along CD SKU: HU.F0571523013 For Trumpet and Piano/CD. Co...(+)
Clarinet, Piano,
Play-Along CD
SKU: HU.F0571523013
For Trumpet and Piano/CD.
Composed by Alexander
L'Estrange and Tom
Pilling. Woodwind,
Repertoire, Collections.
Jazz Sessions. Softcover
Book and CD. 24 pages.
Faber Music #F0571523013.
Published by Faber Music
$17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mass in F minor - Avancé Carus Verlag
Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 ...(+)
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709422
Individual part, flute
2. Composed by Anton
Bruckner. Edited by Felix
Loy. Individual part.
Composed 1893. WAB 28. 16
pages. Duration 60
minutes. Carus Verlag
#2709422. Published by
Carus Verlag
(CA.2709422). Key: F
minor.
Latin. Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024! $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass in F minor - Avancé Carus Verlag
Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 ...(+)
Orchestra solo voices,
SSAATTBB chorus, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, 3 Trb, Timp, 2 Vl,
Va, Vc, Cb - Grade 5
SKU: CA.2709421
Individual part, flute
1. Composed by Anton
Bruckner. Edited by Felix
Loy. Individual part.
Composed 1893. WAB 28. 16
pages. Duration 60
minutes. Carus Verlag
#2709421. Published by
Carus Verlag
(CA.2709421). Key: F
minor.
Latin. Brucknerâ
™s mighty Mass in F
minor is one of his most
significant creations and
one of the great
19th-century choral
works. The composer
uniquely succeeds in
exploring faith through
the lens of music. In
doing so, he ventures
into extreme forms of
expression, which caused
some disgruntlement among
the musicians at
rehearsals for the
premiere in November
1868. In subsequent
years, however, the work
has gradually become more
accepted, and today
presents a highly
appealing challenge to
advanced choirs.
The Carus edition
presents the Mass in F
minor as the final 1893
version based on the
autograph and the
surviving copies from the
copyist. As an Urtext
edition it follows the
latest scholarly
standards ready for the
Bruckner anniversary year
in 2024! $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Summertime (from Porgy and Bess) - Facile Hal Leonard
Score and Parts Jazz Ensemble (Score & Parts) - Level 1.5 SKU: HL.7013816 ...(+)
Score and Parts Jazz
Ensemble (Score & Parts)
- Level 1.5 SKU:
HL.7013816 Composed
by Dorothy Heyward, Du
Bose Heyward, George
Gershwin, and Ira
Gershwin. Arranged by
Paul Murtha. Discovery
Jazz. Jazz, Standards.
Softcover. Published by
Hal Leonard (HL.7013816).
UPC: 196288019145.
9.0x12.0x0.228
inches. This
enduring Gershwin classic
has long been a favorite
with jazz artists. Paul's
marvelous setting for
young players features a
sultry Latin rock groove,
tasty harmonies, easy
rhythms, and no solos are
required. Great feature
number for the entire
ensemble. Discovery Jazz
series titles are written
for full band, playable
with 3 saxes, 2 trumpets,
1 trombone, and rhythm
section. Each arrangement
includes optional parts
for flute, clarinet, F
horn, and tuba.
Full-length recordings
are available for each
arrangement online. $40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Love Supreme Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the
Lincoln Center Jazz
Orchestra. Arranged
by Wynton Marsalis. Jazz,
Swing. Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-7420).
$150.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
|