SKU: BR.OB-4432-30
ISBN 9790004309032. 10 x 12.5 inches.
The edition EB 8579 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.
SKU: BR.PB-4432
The edition EB 8579 Bu soni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.
ISBN 9790004203439. 9 x 12 inches.
SKU: BR.PB-5602-07
ISBN 9790004214992. 6.5 x 9 inches.
For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertmaster and conductor Andrew Manze as the author of stylistically authentic and brilliantly virtuoso cadenzas, and Werner Breig as the creator of the transparent piano reduction that wonderfully suite every accompanists fingers.The new editions are based on Eisens competent, well-grounded source evaluation. His decisions always do justice to the requirements of historical performance practice and occsionally yield some rather extraordinary results.
SKU: BR.OB-5370-26
ISBN 9790004336922. 10 x 12.5 inches.
For the Urtext edition of the three great Mozart Violin Concertos K. 216, 218 and 219, three high-caliber experts came together: Mozart scholar Cliff Eisen as editor, internationally renowned concertmaster and conductor Andrew Manze as the author of stylistically authentic and brilliantly virtuoso cadenzas, and Werner Breig as the creator of the transparent piano reduction that wonderfully suite every accompanists fingers. The new editions are based on Eisens competent, well-grounded source evaluation. His decisions always do justice to the requirements of historical performance practice and occsionally yield some rather extraordinary results.
SKU: BA.BA05387-65
ISBN 9790006470280. 32.5 x 25.5 cm inches. Key: E-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA05387-82
ISBN 9790006470327. 32.5 x 25.5 cm inches. Key: E-flat major.
SKU: BA.BA05387-79
ISBN 9790006470310. 32.5 x 25.5 cm inches. Key: E-flat major.
SKU: BA.BA05387-75
ISBN 9790006470303. 32.5 x 25.5 cm inches. Key: E-flat major.
SKU: BR.OB-14679-19
The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.
ISBN 9790004340905. 10 x 12.5 inches.
Mozart no doubt proved a powerful source of inspiration in the genre of the piano concerto when Ludwig van Beethoven was composing his first work in this genre (B-flat major op. 19) in Bonn. In 1793 the young composer first wrote a final rondo with an inserted Andante, as Mozart had done in his Concerto K. 482. Beethoven then selected a different closing solution and kept the score of the B-flat major Rondo in his desk. There the work was rediscovered only after the composers death, and printed shortly afterward. The autograph thus represents Beethovens earliest surviving and complete orchestral score. The new Urtext edition of the score and orchestral parts is based on the new Beethoven Complete Edition (Henle).
SKU: BR.OB-14679-23
ISBN 9790004340912. 10 x 12.5 inches.
SKU: BR.OB-14679-27
ISBN 9790004340929. 10 x 12.5 inches.
SKU: BR.OB-14679-15
ISBN 9790004340882. 10 x 12.5 inches.
SKU: BR.OB-14679-16
ISBN 9790004340899. 10 x 12.5 inches.
SKU: BR.OB-14679-30
ISBN 9790004340936. 10 x 12.5 inches.
SKU: BR.OB-15131-19
In Cooperation with G. Henle Verlag
ISBN 9790004342664. 10 x 12.5 inches.
Prank or Color Code?Mozart composed all of his horn concertos for Joseph Leutgeb, a long-standing friend of his family. In Salzburg Leutgeb was in the service of the court ensemble as horn player and violinist before departing for Vienna, where he became known as a performer of Mozart's horn concertos. In 1786 Mozart wrote his fourth horn concerto in E flat major, which, unfortunately, survives only as an incomplete fragment. For the present new edition in Breitkopf Urtext, a reliable early print for the missing sections is used. Nevertheless, this autograph is still a very valuable source, since it contains Mozart's notation of the work in colored ink! The question as to whether this was one of Mozart's typical jokes aimed at Leutgeb or whether he had something else in mind, remains inconclusive to this day. Whoever is curious can take a guess as well, since Breitkopf is printing (in its new edition and in autograph form) the sections in color that were originally transmitted as such.