Jesu, by Thy Cross and Passion

SKU: HP.C6399

UPC: 763628163990. Mary McDonald.

Classic hymn Here is a lush and beautiful setting of George Bennard's beloved Lenten hymn. In a refreshing twist, the setting begins in a stately 4/4, eventually moving into the traditional 3/4 where it builds to a glorious finish.

SKU: HL.8742967

ISBN 9781423489832. UPC: 884088471194. 5.0x5.0x0.2 inches.

Capturing the varying moods and colors of Passion Week, Lenten Canticles contains classic, well-known texts and melodies seamlessly woven together with the spoken word. Songs include:Lead Me, Lord; Go to Dark Gethsemane; O Sacred Head, Now Wounded; Come, My Way, My Truth, My Life; God So Loved the World; Jesus, My Treasure; Jesu, Joy of Man's Desiring; Set Me as a Seal; In the Cross of Christ I Glory. Score and Parts (fl, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a digital download.

SKU: CA.1037909

ISBN 9790007190941. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and parts available separately - see item CA.1037900.

SKU: CA.1037913

ISBN 9790007190972. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037914

ISBN 9790007190989. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037911

ISBN 9790007190958. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037949

ISBN 9790007058982. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: CA.1037912

ISBN 9790007190965. Key: E flat major. Language: German.

Since its first performance in Berlin in 1755, Carl Heinrich Graun's empfindsame (sensible) Passion Cantata Der Tod Jesu, with a libretto by Karl Wilhelm Ramler had long been one of the most frequently performed works in this genre. Until the end of the 19th century this work was able to maintain its position in the repertoire of numerous oratorio societies and singing academies (especially the Berliner Sing-Akademie). It was often given equal billing with Bach's passions, until finally, in the second half of the 19th century Bach's works became more predominant. With the publication of the present critical new edition (the first since it was first published in 1760), Der Tod Jesu is once again available for sale to the musical public. This makes accessible an epoch-making work which in its time set the standard for settings of the Passion. Score and part available separately - see item CA.1037900.

SKU: LO.99-2666L

UPC: 000308124682.

By His wounds we are healed. Calvary's sorrow and triumph are powerfully captured in this dramatic suite for Lent or Holy Week. Three beloved hymns frame the work: Near the Cross reassures us as we journey in the shadow of the cross; Beneath the Cross of Jesus calls us to bear witness once again to Christ's passion; and I Will Sing of My Redeemer unites us as Christians to affirm our faith in the Christ of the cross. The music is inspired, accessible, and easily prepared by choirs of all sizes, and the dramatic narrative allows for one or more readers. Approximately nine minutes in length, this suite is perfect for incorporation into regular worship and provides a brilliant dramatic alternative to longer cantatas.

SKU: WD.080689862120

UPC: 080689862120.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.

SKU: WD.080689752728

UPC: 080689752728.

The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.

Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.