Missa in D (Mass in D major)

Arranged for female choir (SMA). Par MOZART WOLFGANG AMADEUS. La scène chorale est dans un état de changement! D'une part, les choeurs de plus en plus défaut dans les voix masculines, mais dans le même temps, des choeurs de plus en plus de femmes sont à la recherche de haute qualité au-delà de la littérature harmonisations de chansons folkloriques. Bärenreiter répond à ces tendances générales, avec la publication des dispositions pour trois parties choeur de femmes (SMA) de bien connu, les oeuvres réalisées fréquemment. Les premières éditions publiées sont 'Messe du Couronnement' de Wolfgang Amadeus Mozart K. 317 (BA 5691), un ouvrage très exécutée dans le répertoire classique et les 'Missa brevis in D major' K. 194 (BA 5690-90), une alternative de charme pour une utilisation dans les services religieux. Avec beaucoup d'habileté et de sensibilité à la musique, Heribert Breuer a soigneusement conservé la substance de l'oeuvre originale, en même temps, en leur donnant une qualité sonore tout à fait nouveau. - Dispositions pour choeur de femmes (SMA) basé sur le Urtext de la 'Nouvelle édition Mozart' - Réductions pour piano idiomatiques l'arrangeur Heribert Breuer fut professeur de direction chorale et la théorie musicale à l'Université des Arts de Berlin jusqu'en 2010. Il est le fondateur et directeur de l'Académie de Berlin Bach, et s'est fait un nom pour lui-même avec ses nombreux arrangements d'oeuvres de Bach à Schubert./ Répertoire / Piano

La scène chorale est dans un état de changement! D'une part, les choeurs de plus en plus défaut dans les voix masculines, mais dans le même temps, des choeurs de plus en plus de femmes sont à la recherche de haute qualité au-delà de la littérature harmonisations de chansons folkloriques. Bärenreiter répond à ces tendances générales, avec la publication des dispositions pour trois parties choeur de femmes (SMA) de bien connu, les oeuvres réalisées fréquemment.Les premières éditions publiées sont 'Messe du Couronnement' de Wolfgang Amadeus Mozart K. 317 (BA 5691), un ouvrage très exécutée dans le répertoire classique et les 'Missa brevis in D major' K. 194 (BA 5690-90), une alternative de charme pour une utilisation dans les services religieux. Avec beaucoup d'habileté et de sensibilité à la musique, Heribert Breuer a soigneusement conservé la substance de l'oeuvre originale, en même temps, en leur donnant une qualité sonore tout à fait nouveau.- Dispositions pour choeur de femmes (SMA) basé sur le Urtext de la 'Nouvelle édition Mozart'- Réductions pour piano idiomatiquesl'arrangeurHeribert Breuer fut professeur de direction chorale et la théorie musicale à l'Université des Arts de Berlin jusqu'en 2010. Il est le fondateur et directeur de l'Académie de Berlin Bach, et s'est fait un nom pour lui-même avec ses nombreux arrangements d'oeuvres de Bach à Schubert. / Choeur De Femmes (SMezA)

G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle

Mozart's 'Missa in C major? (K. 220), nicknamed the 'Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started 'Bärenreiter Female Choir? series.Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work's original substance while giving it a wholly new and delightful sound.- Arrangement for female choir (SMezAA) based on the Urtext of the 'New Mozart Edition?- Idiomatic piano reductionHeribert Breuerwas professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert. / Choeur Mixte Et Orchestre

Nelsonmesse. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creation. Urtext of the Joseph Haydn Complete Edition Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Oboe (2), Clarinet (in B-flat) (2), Bassoon, Horn (2), Trumpet (3), Kettledrum, Strings, Basso continuo Full score, together withMissa in B major (Theresa Mass) Hob. XXII:12 (BA4660-01), Performance material (BA4660), vocal score (BA4660-90) and study score format 22. 5 x 16. 5cm (TP98) available for sale/ Répertoire / Partition de Poche

Harmonie-Messe.. Par HAYDN FRANZ JOSEF. Missa B-flat Major Hob. XXII:14 'Harmony Mass' Urtext from: Joseph Haydn Werke It is well known that Joseph Haydn wrote his late masses to the commission of his last employer, Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild, the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt, Haydn himself conducting. Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reason ofthe prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century. Full score and parts (BA4659), vocal score (BA4659-90) and study score format 22. 5 x 16. 5cm (TP97) available for sale./ Répertoire / Partition de Poche

Missa Dei Patris in C major ZWV 19 Breitkopf Urtext edited by Paul Horn and Reinhold Kubik [solos,mix ch,orch] 70' solos: SATB ' choir: SATB ' 0.2.0.1. ' 0.0.0.0. ' str ' bc The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the composer himself designated as Missae ultimae. The musical text of the present conductors score is based on that of Volume 93 of the Denkmäler edition Das Erbe deutscher Musik. The new piano-vocal score has been edited by the reputable expert Andreas Köhs. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt)

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.