SKU: BT.SONZ99982
ISBN 9788887318258. Italian.
Atti del 4° Convegno Internazionale di studi su Ruggero Leoncavallo tenutosi alla Biblioteca Cantonale di Locarno (Svizzera) il 23 e 24 maggio 1998. Saggi di: Marco Beghelli - Virgilio Bernardoni - Vincenzo Borghetti - Konrad Dryden - Theo Hirsbrummer - Jürgen Maehder - Giuliana Novel - Carlo Piccardi - Peter Ross - Matteo Sansone - Johannes Streicher - Claudio Toscani. Il volume, a cura di Lorenza Guiot e Jürgen Maehder, raccoglie gli interventi ed i saggi che hanno caratterizzato il 4° Convegno che la Biblioteca Cantonale di Locarno ha dedicato a Ruggero Leoncavallo. Come sempre basato sul contributo di studiosi di fama internazionale, il volume esplora il complesso, affascinante ed in parte poco conosciuto universo del teatro musicale italiano a cavallo del Novecento. Un universo i cui orizzonti culturali ed estetici sono vastissimi e che i Convegni di Locarno hanno contribuito a svelare.
SKU: HL.50495125
ISBN 9788875920395. Italian.
ATTI DEL CONVEGNO INTERNAZIONALE.
SKU: UT.ACC-11
ISBN 9790215302532. 9 x 12 inches.
El sofà ; A Bettina; Donne, lâ??amore; La necessità ; Nineta; Ho già penato; Compagni, amor lasciate; La stracavata; La mia Bettina; Sì, xe verissimo; El consegio; La domanda; El lauro; Sentì, mie care donne; Mi co te vedo sento
SKU: HL.50603657
ISBN 9781705127780. UPC: 840126952247.
This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).
SKU: CU.FAL0045
ISBN 9788898642540.
SKU: HL.50603659
ISBN 9781705127803. UPC: 840126952261.
SKU: HL.50492680
SKU: UT.QC-3
ISBN 9788881094639. 6.5 x 9.5 inches. Performed by Arthur Schoonderwoerd.
Saggi di Rudolf Angermüller, Bianca Maria Antolini, Luca Aversano, Otto Biba, Ala Botti Caselli, Anik Devriès-Lesure, Arnfried Edler, Markus Engelhardt, Christoph Flamm, Anselm Gerhard, Rudolf Hopfner, Roberto Illiano, Janina Klassen, Laurence Libin, Elena Previdi, Rudolf Rasch, Massimiliano Sala, Guido Salvetti, Duane White, Christian Witt-DörringThis volume offers the reader a journey into the highways and byways of the culture of the pianoforte, covering certain new aspects. The range of themes treated is vast, proof of the central nature of the instrument in European musical life on the cusp of the eighteenth and nineteenth centuries. On the basis of original research, investigations have been made into the different ways in which the spread of instruments and printed music occurred; into the movements of musicians circulating from one end of Europe to the other; into the circulation of genres, forms, musical styles and stylistic elements conveyed including through the teaching of the instrument; into the presence of the pianoforte in the European literature and the arrangements for instruments at the beginning of the nineteenth century; into the role of the pianoforte in certain important centres in Europe and the United States. A rich period for European music, therefore, in which the opportunities for contact and mutual exchange among the musicians were particularly intense and in which the pianoforte acted as a catalyst in private and public musical life in all the cities of Europe.The volume comes with the bonus of a CD, appositely providing pianoforte sonatas by Cramer, Hummel, Eberl and Beethoven.
SKU: UT.LB-1
ISBN 9788881094417. 6.5 x 9.5 inches.
Scritti di Sergio Balestracci, Andrea Bornstein, Peter Hauge, Francesco Li Virghi, Gerd Lünenburger, Patricio Portell, Pietro Sopranzi, Karel van Steenhoven, Giovanni Toffano, John Tyson, Angelo ZaniolL†idea del volume Il flauto dolce. Dallo scolaro al virtuoso nasce nel ’94 grazie al prezioso contributo di Marcos Volonterio che nella fase iniziale cura con Vittorio Nicolucci il progetto e la scelta degli autori. La contemporaneità di questo lavoro con la nascita della manifestazione Musica Umanità , con la preparazione dell’Annuario Italiano della Musica Antica e Danza Storica e con la partenza dall’Italia di Marcos Volonterio ne avevano posticipato la pubblicazione. Il Convegno Nazionale sul Flauto Dolce, organizzato dall’Associazione Consort Veneto, avvenuto a Padova il 6-7 giugno ’98, costituì l’occasione per presentare questa monografia in una forma ormai quasi definitiva. Rimanendo quanto più possibile fedeli alla forma già esistente, priva sin dall’origine di una prefazione tecnica, si è lavorato, da aprile a oggi, a una nuova stesura definitiva, dando l’opportunità a tutti gli autori di rivedere i testi. Le sole modifiche riguardano aggiornamenti, integrazioni e post-scriptum. Per quanto concerne invece alcuni contributi stranieri, gli adattamenti delle traduzioni sono stati curati e, dove necessario, completati da Giuliana Montanari.Vitt orio Nicolucci, laureato in ingegneria ed esperto in elaborazione dati, ha sempre coltivato, sin dall’epoca degli studi universitari, interessi diversificati e interdisciplinari. Ha studiato pianoforte, violoncello e flauto dolce, ha seguito corsi e seminari di organo, teoria del temperamento, basso continuo, danza storica. Diplomato a Parigi in Analisi della scrittura si è dedicato, oltre al proprio lavoro professionale, a ricerche sulla Psicologia dei colori e a 415 Associazione Italiana per la Musica e la Danza Antiche che ha fondato nel 1990 e di cui è stato il Presidente. .
SKU: UT.QC-1
ISBN 9788881094509. 6.5 x 9.5 inches.
Saggi di Eva Badura-Skoda, Otto Biba, Federico Celestini, Andrea Coen, Dorothy de Val, Anselm Gerhard, Alberto Iesuè, Roberto Illiano, Leon Plantinga, David Rowland, Luca Sala, Massimiliano Sala, Rohan H. Stewart-MacDonald L’Istituto Storico Austriaco a Roma, in collaborazione con la Sezione di Storia della Musica dell’Istituto Storico Germanico a Roma, il Comitato Scientifico degli Opera omnia di Muzio Clementi e il Da Ponte-Institut für Librettologie, Don Juan-Forschung und Sammlungsgeschichte di Vienna, ha organizzato dal 4 al 6 dicembre 2002 un symposium internazionale di studi dal titolo Muzio Clementi. Cosmopolita della musica, che ha inteso riunire nella città natale dell’autore i maggiori esperti di Clementi in occasione del 250° anniversario della nascita del compositore.I numerosi interventi del symposium si sono articolati in complessive 4 sezioni (Muzio Clementi nel 250o anniversario della nascita; Clementi: un romano a Londra; L’altro Clementi; Clementi e la «Wiener Klassik»), svoltesi presso la sede dell’Istituto Storico Austriaco (5 e 6 dicembre).La manifestazione ha messo in luce soprattutto la dimensione europea degli interscambi culturali dovuti al fenomeno delle migrazioni dei musicisti, dei rapporti internazionali inerenti all’editoria, all’impresariato e al commercio degli strumenti a tastiera.
SKU: ND.CBDS9-CSC
SKU: BT.DHP-1185865-140
English-German-French- Dutch.
This work was commissioned by the civilian wind orchestra Shimizu il compagno, based in Shimizu City, Shizuoka Prefecture, Japan, as a commemorative work for their 10th Anniversary. The world premiere was performed by the ensemble, conducted by Hiromichi Hamada in 2017. Having held discussions with the head of the orchestra, Tomohiro Tsuji, and members of the group, Satoshi Yagisawa settled on a central motif for this commemorative work: fellow, or companion, in the sense of the Italian il compagno, which features in the orchestra’s name. The work also strives to describe the characteristic friendliness of Shimizu city, a place known for itswarmth and kindness which is visible from both Mount Fuji and the sea. The composition is written in Yagisawa’s typical dramatic style with an atmosphere of scintillating light and lyrical warmth, making it an excellent choice for opening a concert. Dit werk werd geschreven ter gelegenheid van het tienjarig bestaan van blaasorkest “Shimizu il compagno†uit de stad Shimizu in de Japanse prefectuur Shizuoka. Het hoofdmotief van de compositie is vriendschap, op basis van de Italiaanse term il compagno de kameraad uit de naam van het orkest. Ook beschrijft Festive Overture de vriendelijkheid en warmte die kenmerkend zijn voor Shimizu, een plaats die zichtbaar is vanaf zowel de berg Fuji als de zee. Het werk is geschreven in Yagisawa’s typerende filmische stijl, waardoor het een uitstekende keuze is voor de opening van een concert.Dieses Werk wurde vom städtischen Blasorchester Shimizu il compagno“ aus Shimizu City in der Präfektur Shizuoka in Japan anlässlich seines 10-jährigen Bestehens in Auftrag gegeben. Der Begriff Gefährte im Sinne des italienischen Wortes il compagno das auch im Namen des Orchesters verwendet wird wurde zum zentralen Motiv. Das Werk möchte außerdem die für die Stadt Shimizu typische Freundlichkeit beschreiben, ein Ort, der für seine Wärme und Liebenswürdigkeit bekannt ist und sowohl vom Berg Fudschijama als auch vom Meer aus zu sehen ist. Die Komposition ist in Yagisawas typisch filmischem Stil geschrieben, wodurch sie sich hervorragend für die Eröffnungeines Konzerts eignet. Cette œuvre a été commandée l’occasion du dixième anniversaire de l’harmonie « Shimizu il compagno » de la ville de Shimizu, préfecture de Shizuoka, au Japon. Son motif principal est le camarade, ou compagnon, dans le sens de l’italien il compagno qui figure dans le nom de l’orchestre. L’œuvre cherche aussi communiquer l’ambiance chaleureuse de la ville de Shimizu, qui est réputée pour son hospitalité et sa bienveillance et que l’on aperçoit aussi bien depuis le mont Fuji que de la côte. Typique du style dramatique de Yagisawa, cette composition est idéale pour ouvrir un concert.
SKU: BT.DHP-1185865-010
This work was commissioned by the civilian wind orchestra Shimizu il compagno, based in Shimizu City, Shizuoka Prefecture, Japan, as a commemorative work for their 10th Anniversary. The world premiere was performed by the ensemble, conducted by Hiromichi Hamada in 2017. Having held discussions with the head of the orchestra, Tomohiro Tsuji, and members of the group, Satoshi Yagisawa settled on a central motif for this commemorative work: fellow, or companion, in the sense of the Italian il compagno, which features in the orchestraâ??s name. The work also strives to describe the characteristic friendliness of Shimizu city, a place known for itswarmth and kindness which is visible from both Mount Fuji and the sea. The composition is written in Yagisawaâ??s typical dramatic style with an atmosphere of scintillating light and lyrical warmth, making it an excellent choice for opening a concert. Dit werk werd geschreven ter gelegenheid van het tienjarig bestaan van blaasorkest â??Shimizu il compagnoâ? uit de stad Shimizu in de Japanse prefectuur Shizuoka. Het hoofdmotief van de compositie is vriendschap, op basis van de Italiaanse term il compagno de kameraad uit de naam van het orkest. Ook beschrijft Festive Overture de vriendelijkheid en warmte die kenmerkend zijn voor Shimizu, een plaats die zichtbaar is vanaf zowel de berg Fuji als de zee. Het werk is geschreven in Yagisawaâ??s typerende filmische stijl, waardoor het een uitstekende keuze is voor de opening van een concert.Dieses Werk wurde vom städtischen Blasorchester Shimizu il compagnoâ?? aus Shimizu City in der Präfektur Shizuoka in Japan anlässlich seines 10-jährigen Bestehens in Auftrag gegeben. Der Begriff Gefährte im Sinne des italienischen Wortes il compagno das auch im Namen des Orchesters verwendet wird wurde zum zentralen Motiv. Das Werk möchte auÃ?erdem die für die Stadt Shimizu typische Freundlichkeit beschreiben, ein Ort, der für seine Wärme und Liebenswürdigkeit bekannt ist und sowohl vom Berg Fudschijama als auch vom Meer aus zu sehen ist. Die Komposition ist in Yagisawas typisch filmischem Stil geschrieben, wodurch sie sich hervorragend für die Eröffnungeines Konzerts eignet. Cette Å?uvre a été commandée lâ??occasion du dixième anniversaire de lâ??harmonie « Shimizu il compagno » de la ville de Shimizu, préfecture de Shizuoka, au Japon. Son motif principal est le camarade, ou compagnon, dans le sens de lâ??italien il compagno qui figure dans le nom de lâ??orchestre. Lâ??Å?uvre cherche aussi communiquer lâ??ambiance chaleureuse de la ville de Shimizu, qui est réputée pour son hospitalité et sa bienveillance et que lâ??on aperçoit aussi bien depuis le mont Fuji que de la côte. Typique du style dramatique de Yagisawa, cette composition est idéale pour ouvrir un concert.
SKU: BT.SINF013
ISBN 9788884000002. Italian.
Terza edizione riveduta e ampliata Contiene 2 CD Raccolta di composizioni monodiche e polifoniche per i primi corsi ed esercizi di tecnica elementare Il nuovo testo è stato rielaborato cercando di offrire un criterio di progressivit ancora più semplice, inserendo nuovi brani nella due sezioni dedicate rispettivamente alle melodie monodiche e alle composizioni polifoniche. In quest'ultima sono stati inseriti nuovi e inediti brani di molti autori. La parte tecnica è stata integrata da alcuni brevi suggerimenti ed è, come sempre, divisa in due parti rispettivamente dedicate alla mano destra e sinistra. Nella parte tecnica sono presenti: - 80 esercizi per la manodestra, - 90 esercizi per la mano sinistra e la coordinazione delle due mani, - Scale per una e due ottave, - Esercizi ritmici. La parte ricreativa è cosi suddivisa: - 37 melodie monodiche, - 90 composizioni polifoniche, - 15 composizioni di autori contemporanei. CD1 : COMPOSIZIONI POLIFONICHE CD2 : COMPOSIZIONI MODERNE.
SKU: CF.CM9591
ISBN 9781491154137. UPC: 680160912636. 6.875 x 10.5 inches. Key: Bb major. Italian. Gedicht Goldoni. Original.
There is not a lot written about the history of La Pastorella by Austrias classical composer, Franz Schubert (17971828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (17071793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you dont get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once youve learned it, youll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Collagnellino a lato Cantando in liberta kohl-ah-neh-LEE-n oh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se linnocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled.There is not a lot written about the history of La Pastorella by Austriaas classical composer, Franz Schubert (1797a1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707a1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you donat get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once youave learned it, youall find it very rewarding to sing. PHONETIC PRONUNCIATION LaA A pastorellaA A A A A A A A A A A A A alA A A A pratoA A A A A contentaA A A A A A A A seA A neA A va lah pah-stoh-REHL-lah ahlA PRAH-toh kohn-TEHN-tah seh neh vah CollaagnellinoA A A A A A A A A A A aA A A A latoA A A A A A CantandoA A A A A A A A inA A A A libertA kohl-ah-A+-eh-LEE -nohA ah LAH-tohA A kahn-TAHN-doh een lee-behr-TAH Se lainnocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh ilA A A A suoA A A A A A pastore eel SOO-ohA pah-STOH-reh LaA bellaA A A A A A A A pastorellaA A A A A A A A A A A A A contentaA A A A A A A A A ognorA A A sarA lah BEHL-lahA pah-stoh-REHL-lahA kohn-TEHN-tahA A oh-A+-or sah-RAH NOTE: All R's should be flipped, not rolled.There is not a lot written about the history of La Pastorella by Austria's classical composer, Franz Schubert (1797-1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707-1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you don't get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you've learned it, you'll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Coll'agnellino a lato Cantando in liberta kohl-ah-neh-LEE-n oh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se l'innocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled.There is not a lot written about the history of La Pastorella by Austria's classical composer, Franz Schubert (1797-1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707-1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817. Be careful not to sing with too much weight in the voice so that you don't get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you've learned it, you'll find it very rewarding to sing. PHONETIC PRONUNCIATION La pastorella al prato contenta se ne va lah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vah Coll'agnellino a lato Cantando in liberta kohl-ah-neh-LEE-noh ah LAH-toh kahn-TAHN-doh een lee-behr-TAH Se l'innocente amore Gradisce il se lee-noh-CHEN-teh ah-MOH-re grah-DEE-sheh il suo pastore eel SOO-oh pah-STOH-reh La bella pastorella contenta ognor sara lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah oh-nor sah-RAH NOTE: All R's should be flipped, not rolled.There is not a lot written about the history of La Pastorella by Austria’s classical composer, Franz Schubert (1797–1828). An extremely prolific writer, Schubert died before his thirty-second birthday. With lyrics from the libretto Il filosofo di campagna by Carlo Goldoni (1707–1793), this simple, charming part song about a little shepherd girl, was originally written for four-part male chorus and piano and is believed to have been written sometime between 1813 and 1817.Be careful not to sing with too much weight in the voice so that you don’t get bogged down in the sixteenth note runs. I would suggest speaking the Italian words in rhythm many times before singing them in rhythm. Once you’ve learned it, you’ll find it very rewarding to sing.PHONETIC PRONUNCIATIONLa  pastorella             al    prato     contenta        se  ne  valah pah-stoh-REHL-lah ahl PRAH-toh kohn-TEHN-tah seh neh vahColl’agnellino           a    lato      Cantando        in    libertà kohl-ah-à eh-LEE-noh ah LAH-toh  kahn-TAHN-doh een lee-behr-TAHSe l’innocente amore Gradisce ilse lee-noh-CHEN-teh ah-MOH-re grah-DEE-shehil    suo      pastoreeel SOO-oh pah-STOH-rehLa bella        pastorella             contenta         ognor   sarà lah BEHL-lah pah-stoh-REHL-lah kohn-TEHN-tah  oh-ñor sah-RAHNOTE: All R's should be flipped, not rolled.
SKU: BT.SINF047
ISBN 9788884000316. Italian.
Raccolta di composizioni per i primi corsi per uno e più violini ed esercizi di tecnica elementare Composizioni tratte dal repertorio Barocco, Classico e Romantico, trascrizioni ad hoc per uno, due e tre violini concepite per una pratica strumentale che oltre a favorire un autonomo approfondimento delle problematiche strumentali evidenzia l'importanza della musica d'insieme. La parte dedicata alla pratica musicale è preceduta da una serie di esercizi tecnici atti alla coordinazione delle componenti meccaniche.