SKU: LM.JJ2131
ISBN 9790230821315.
SKU: YM.GTP01097155
ISBN 9784636971552.
30 songs from Japanese anime songs arraged in easy level(2019 version). 30Shou Ri Ben Dong Man Ge Qu ,Chu Ji Nan Du Bian Pei . 2019Nian Ban 1. Kirari Star Twinkle PreCure (Rie Kitagawa); 2. Papepip Romantic(Chiyoshi Yoshitake); 3. Over Quartzer(Shuta Sueyoshi feat.ISSA); 4. Kishi Ryu Sentai Ryusoja(Tomohiro Hatano); 5. Keborn! Yusoja(Sister MAYO); 6. Hitorijanai!(Aine/Mio/Mai ka/Emma from BEST FRIENDS!); 7. Be Star(Hibiki from BEST FRIENDS!); 8. Himitsu no Kagi Kokotama!(Haruka Hoshinokawa/Minami Takahashi) (Ribbon/Inori Minase)(Pillow (Mariya Ise)(Chako/Emiri Iwai); 9. Daijoubu(Girls2); 10. Kerakeraho no Uta(Hiroki); 11. Kimino Boken(Okazaki Taiku); 12. Muscat(Yuzu); 13. Puputto Humutto Kaiketsu Dance (Ise Daiki); 14. Super Powers(V6); 15. Egaono Maho(Yuiko Ohara); 16. Shinkariron( BOYS AND MEN); 17. Little Princess(Sofia); 18. Yumewo Kanaete Doraemon(mao); 19. Bokurano Hoshino Miracle(Daudi Joseph); 20. GeGeGe no Kitaro(Hikawa Kiyoshi); 21. Dancing Pompokorin; 22. Anpanman March(Dreaming); 23. Anpanman Taiso(Dreaming); 24. Thomas & Friends Theme 2(Azumi Inoue); 25. Detective Conan Main Theme(Yuji Ohno); 26. Yuki 100%; 27. Sazae san(Yuko Uno); 28. Kimiwo Nosete(Azumi Inoue); 29. Sanpo(Azumi Inoue); 30. Let It Go - Arino Mamade-(Takako Matsu).
SKU: YM.GTP01098168
ISBN 9784636981681.
Here comes the piano solo sheet music of Mr. Children, one of Japan's most popular rock bands of all time!
SKU: HL.49018261
ISBN 9790001152785. UPC: 841886011465. 9.0x12.0x0.095 inches.
The interest in China has been great even before the country was selected to host the Olympic Games 2008. For years, Chinese music has become more and more popular, especially China's charming and varied folk music. With 'Melodies of China', Schott now presents collections of Chinese folk songs for various instruments. The songs in every volume have been arranged for the respective instruments by a Chinese expert arranger. The accompanying CD helps you to familiarize yourself with the characteristics of Chinese music.
SKU: BT.SINF545
ISBN 9788884004697. Italian.
Lo scopo principale di questo testo è di costruire massima velocit ed efficienza attraverso meccaniche della mano sinistra convenzionali e non convenzionali. All’interno di alcuni esercizi sono presenti degli esempi di pennata alternata, pennata ibrida e sweep picking. Questo libro offre trenta esercizi, chiamati anche “licksâ€, ed è diviso in quattro capitoli: Scale maggiori e minori; Scale minori melodiche e minori armoniche; Scale pentatoniche; Scale ed esercizi simmetrici (scale diminuite, aumentate, esatonali, cromatiche ed esercizi cromatici). I principali argomenti trattati in questo metodo sono: Frasi basate su diteggiature a tre e quattro note per corda patterns; licksbasati su gruppi di note dispari (5, 7, 10, 11, etc.); arpeggi; “superimpositionsâ € utilizzando scale pentatoniche e arpeggi ;consigli utili per l’improvvisazione e l’outside playing; consigli su come sviluppare un metodo di studio positivo ed efficace.
SKU: PR.11441684S
UPC: 680160625253. 9 x 12 inches.
On the occasion of its 30th anniversary, the ensemble Music From China commissioned Chen Yi for a new work, which became Three Dances from China South, scored for Chinese instruments. Its three descriptive movements (Lions Playing Ball, Bamboo Dance, Lusheng Dance) are each inspired by folk dances from the southeastern provinces of China.My chamber ensemble work Three Dances From China South is commissioned by Music From China tocelebrate its 30th anniversary, and scored for Chinese traditional instruments dizi, erhu, pipa, and zheng. The commission has been made possible by the Chamber Music America Classical CommissioningProgram, with generous funding provided by The Andrew W. Mellon Foundation, and the Chamber Music America Endowment Fund.  The world premiere is given at Weill Recital Hall in Carnegie Hall in New York City, on November 21, 2014.  My Three Dances From China South is dedicated to Susan Cheng, the founder and Executive Director of Music From China, to celebrate the 30th anniversary of MFC. There are three movements in my Three Dances From China South for dizi, erhu, pipa, and zheng.  Thematerial in the first movement Lions Playing Ball is drawn from a folk tune played in the accompanyingensemble for the folk dance under the same title in Chaozhou region in Guangdong province.  The image of the folk dance is vivid and entertaining.  The movement includes several variations on the theme.  The variation methods are inspired by the various rhythmic patterns used in the traditional ensemble playing. The melodic material features a special mode with a tritone interval taken from the folk tune.  There are also lyrical sections with polyphonic layers in the variations.The music in the second movement is inspired by the folk Bamboo Dance, which is popular in Li minoritypeople from Hainan Island in the south.  The aged old folk dance is for ritual ceremony and harvest celebration in the history, in which there are pairs of people holding the ends of the long bamboo rods and clapping them loudly in stable pulse, for groups of dancers to dance between the bamboo shapes on the floor, in musical rhythms and ensemble patterns.  A musical motive with a jumping interval and articulation is used throughout the movement.The third movement is called Lusheng Dance.  I have witnessed the folk dance performance of the Dong minority people in Guangxi province in the 1980’s.  The exciting scene inspired me to imitate the large lusheng ensemble playing style in my ensemble of four Chinese instrumental musicians without using the sheng (a wind instrument with metal pipes that is popular in concert music, and similar to the folk lusheng).  On top of the rhythmic patterns, I imitated a two--voice folk song of Zhuang minority people in the same province.  The melody is played by the leading erhu and dizi.—Chen Yi.
SKU: BT.HMGB-24
EPF inches. Italian.
Fin dalla sua prima pubblicazione nel 1873, Le Pianiste Virtuose (“Il pianista virtuosoâ€) di Charles-Louis Hanon è diventato un classico indiscusso, in pratica il libro fondamentale di tecnica pianistica in scuole di musica e conservatori ditutto il mondo. Easy Hanon è una versione semplificata della prima parte dell’opera (20 esercizi), con l’aggiunta delle scale maggiori e minori, arpeggi e altro materiale.Gli esercizi sono stati abbreviati e concentrati in modo da renderli più accessibili per il pianista di livello elementare/intermedio. Il piano di lavoro, pensato dal curatore a corredo di questa edizione, suggerisce alcune varianti ritmiche e diarticolazione degli esercizi.Include: Libro I: Esercizi 1 20; Esercizi per il passaggio del pollice; Scale maggiori e minori; Scale cromatiche; Arpeggi; Piano di lavoro e molto altro!
SKU: BT.SINFJ096
ISBN 9788884000552. Italian.
Con esercizi di lettura e ear training Libro + CDDopo le nozioni base di teoria e armonia si entra nel vivo della musica. Tra gli argomenti presenti in questo volume: Larmonizzazione della scala maggiore fino alle 13e, le principali cadenze esuccessioni armoniche in maggiore (cadenze finali, sospese, alla dominante, le formule di cadenza come il II-V-I, il turnaround.). Lanalisi dei brani in tonalit maggiore con molti esempi tratti da canzoni italiane e standard jazzistici. Gli altriprincipali accordi di settima (specie 5, 6 e 7, dominante sus4, dominanti con le quinte alterate). Accordi di 9a, 11a e 13a. Le scale minori armoniche e minori melodiche. La sostituzionedi tritono. I cicli di dominanti.
SKU: PR.41641205L
UPC: 680160535316. 11 x 14 inches.
During the 1993-96 seasons, Chen Yi had a three-year residency in San Francisco through Meet The Composer’s New Residencies program, simultaneously serving the Women’s Philharmonic, Chanticleer, and the Aptos Creative Arts Program. GE XU (ANTIPHONY) was commissioned by the Women’s Philharmonic as part of this residence, and the work is inspired by the vividly competitive antiphonal singing of the Zhuang minority and folk dancing tune of the Yi minority in Southern China. GE XU (ANTIPHONY) is included on the New Albion CD “The Music of Chen Yi.â€.
SKU: LM.28833
ISBN 9790230988339.
SKU: HL.50600518
Italian.
Il Metodo moderno per chitarra di William Leavitt e usato come testo base nei corsi del Berklee College of Music.Dalla sua prima pubblicazione ha guadagnato un nutrito e fedele seguito di studenti e insegnati.Articolato in tre volumi, il metodo accompagna il chitarrista in un percorso di studio che spazia dalle nozioni di base fino alle tecniche piu avanzate attraverso un approccio pratico e completo.Il primo volume offre un'ampia gamma di nozioni fondamentali per lo studio della musica e della chitarra.Contenuto:* scale maggiori e minori* studi melodici, di arpeggio e di accordi* esercizi di lettura e per lo sviluppo della tecnica di entrambe le mani* tecniche di accompagnamento* un approccio unico alla chitarra solista utilizzando diteggiature mobil.
SKU: SU.91510021
Available in keys of F minor or G minorInstrumentation: voice, 2222; 4230; 2 perc; stgs Duration 4' Caccini, arr. Mercurio 1999 As heard on Andrea Bocelli's Sacred Arias CD (Philips) Published by: Subito Music PublishingOrchestra materials available on rental: Subito Music Rental Library.
SKU: LM.29656
ISBN 9790230996563. 9 x 12 inches. Francais.
SKU: GI.G-10102
ISBN 9781622774241.
Cont ributors: Juan Carlos Acosta, Melissa Baughman, Rhonda Fuelberth, Monte Garrett, Alex Gartner, Stephanie Henry, Joy Hirokawa, Suzy Johnson, Chris Ludwa, Jennifer Rodgers Relevance unlocks new ways to build deep connections with people who do not immediately self-identify with our work as musicians. Relevance in the Choral Art outlines the alchemy of relevance and its role in offering meaningful programs and concerts for today’s audiences. Relevance in the Choral Art is a collection of essays from leading practitioners in the choral field that challenges musicians to reflect on the role choral music plays in today’s culture and what can be done to keep it relevant. Now more than ever we must face the challenge of the relevancy of choral music in our culture, for artistic directors and their role within choral organizations, for members of choral organizations, and for the community that choral music education and performance serves. Tim Sharp along with ten contributing authors explore the idea of relevance and what it means to the choral community, offering wisdom and guidance on a range of topics, including: The alchemy of choral relevance A rubric for achieving choral relevance Programming for choral relevance How to empower minority and underrepresented groups in choral music How to create choral experiences for non-traditional groups, such as those comprised of individuals with Alzheimer’s or dementia, cognitive or physical differences, and even those who are incarcerated How to encourage and develop youth leadership in choral organizations When something is relevant it leads somewhere, brings new value, and succeeds in opening a door to something valuable. It gives new information, adds meaning to life, makes a difference, and yields a positive effect. Relevance in the Choral Art provides valuable insights based on research, decades of experience, and practical applications for those looking to revive and grow the relevancy of their work in choral music. Tim Sharp is Executive Director of the American Choral Directors Association (ACDA), Vice-President of the International Federation for Choral Music (IFCM), and Artistic Director of the Tulsa Chorale. Relevancy is at the center of his aggressive agenda in strategic planning and progressive initiatives, achieving unprecedented success and changing the conversation in the choral world. Tim appears regularly as a guest conductor and choral clinician throughout the world. Additional books in this series are Mentoring in the Ensemble Arts, Collaboration in the Ensemble Arts, and Innovation in the Ensemble Arts. Chapter 3: Programming for the Twenty-First Century Handout Chapter 10: Previous i2Choir Concert Programs Chapter 10: Full Color Examples.
SKU: BT.DHP-1115249-010
9x12 inches. English-German-French-Dut ch.
The Wooden Soldier is a short and simple piece commissioned by the Singapore Ministry of Education. It was originally intended as a compulsory piece for the 2012 Singapore Youth Festival. Because many school bands in Singapore are incomplete,the composer was specifically asked to create a work that could equally be played by a limited ensemble - which explains various doubled andoptional parts.Stijf en stram komt hij aan gemarcheerd in de parade: het houten speelgoedsoldaatje! Maar schijn bedriegt, want al snel strekt hij zijn benen, en… ons soldaatje danst weg op een vlotte wals! Beide passages zijn gebaseerd op hetzelfde melodischemateriaal: de snelle driekwartsmaat is een variant op het paradethema. Jan Van der Roost schreef The Wooden Soldier als verplicht werk voor het Singapore Youth Festival 2012. Veel schoolorkesten in Singapore hebben een onvolledige bezetting.De componist schreef het werk daarom zodanig, dat ook u het met een beperkt ensemble kunt uitvoeren. Stramm marschiert er einher, der tapfere kleine Holzsoldat! Doch der Schein trügt, denn bald schwingt er seine Beine lustig im Walzertakt... The Wooden Soldier ist ein kurzes, einfaches Werk, das dank einiger Verdopplungen und optionalerInstrumente auch mit unvollständigen Besetzungen gespielt werden kann, aber mit seinen interessanten Dur-Moll-Wechseln und manch überraschender Wendung immer spannend bleibt!The Wooden Soldier (Le soldat de bois) est une piéce courte et simple commandée par le Ministére singapourien de l'Education. Cette oeuvre a été initialement écrite comme piéce imposée pour le Festival de la Jeunesse sedéroulant Singapour en 2012. Comme de nombreuses formations scolaires présentent quelques lacunes au niveau de certains pupitres, Jan van der Roost a été sollicité afin de composer une oeuvre qui pourrait également être jouée par uneformation incompléte - ce qui explique le doublement de certaines parties et les voix optionnelles. Commissionato come brano d’obbligo, dal Ministero dell’Educazione per il Singapore Youth Festival 2012, The Wooden Soldier è stato arrangiato per poter essere eseguito da una formazione ad organico ridotto. Il pezzo include varie partiraddoppiate ed opzionali. Il brano inizia in uno stile simile a una marcia da parata per poi scivolare verso un rapido valzer, basandosi, seppure in stili diversi, sul medesimo materiale melodico. I passaggi tra tonalit maggiori e minori, come anchesorprendenti colpi di scena, fanno di questo brano una valida aggiunta al programma da concerto.
SKU: CU.EC3292
ISBN 9790215901759.
