Die Allmacht D 875 A

Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin' (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff' (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).

Great Is Jehovah The Lord (Die Allmacht; D 852) is a song written by Franz Schubert in 1825 as the second half of his opus 79. It has been arranged for Tenor solo with Piano Organ and Male Voice Choir accompaniment by Franz Lizst. The words have been taken from a poem by Campbell Clarke.Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. He is best remembered for his ever-popular Ave Maria which was memorably adapted by Walt Disney for his 1940 film Fantasia.

Description 50 Selected Songs (High Voice) By Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf and Johann Strauss. Songlist Allerseelen [Strauss, Richard] Auf Dem Grunen Balcon [Wolf, Hugo] Auf Dem Kirchhofe [Brahms, Johannes] Auftrage [Schumann, Robert] Bescheiden Liebe [Wolf, Hugo] Botschaft [Brahms, Johannes] Cacilie [Strauss, Richard] Der Nussbaum [Schumann, Robert] Der Schmetterling [Schumann, Robert] Der Tod, Das Ist Die Kuhle Nacht Op.96 No.1 Die Allmacht [Schubert, Franz] Die Lotosblume [Schumann, Robert] Du Bist Wie Eine Blume (Thou'rt Like Unto A Flower) [Schumann, Robert] Fruhlingsnacht [Schumann, Robert] Heidenroslein [Schubert, Franz] Heimkehr [Strauss, Richard] Heimlich Aufforderung [Strauss, Richard] Ich Trage Meine Minne [Strauss, Richard] In Abendroth [Schubert, Franz] In Dem Schatten Meiner Locken [Wolf, Hugo] In Der Fruhe [Wolf, Hugo] In Waldenseinam Keit [Brahms, Johannes] Lebe Wohl! [Wolf, Hugo] Liehaber In Allen Gestalten [Schubert, Franz] Meine Liebe Ist Grun Op.63 No.5 [Brahms, Johannes] Mien Schoner Stern [Schumann, Robert] Mighno [Wolf, Hugo] Mit Myrthen Und Rose [Schumann, Robert] Mondnacht [Schumann, Robert] Morgen [Strauss, Richard] Nacht Und Traume [Schubert, Franz] Nachtviolen [Schubert, Franz] Nimmersatte Liebe [Wolf, Hugo] Nun Wandre, Maria [Wolf, Hugo] O Komme, Holde Sommernacht [Brahms, Johannes] Rastlose Liebe [Schubert, Franz] Ruh, Meine Seele! [Strauss, Richard] Schneeglockchen [Schumann, Robert] Standchen [Brahms, Johannes] Standchen [Strauss, Richard] Traum Durch Die Dammerung [Strauss, Richard] Und Willst Du Deinen Liebsten Sterben [Wolf, Hugo] Ungeduld (Dein Ist Mein Herz) [Schubert, Franz] Verborgenheit [Wolf, Hugo] Vergebliches Standchen Op.84 No.4 [Brahms, Johannes] Von Ewiger Liebe Op.43 No.1 [Brahms, Johannes] Widmung (Devotion) [Schumann, Robert] Wie Melodien Zieht Es Mir Op.105 No.1 [Brahms, Johannes] Wohin? [Schubert, Franz] Zueignung [Strauss, Richard]

Vltava (The Moldau) is the most famous and frequently performed tone poem from the cycle Má Vlast by the Czech composer Bed ich Smetana. It was written between 20 November and 8 December 1874 but only in 1879-1880 with the completion of Má Vlast did it appear in print when Urbánek issued it in full score along with a version for Piano duet.Owing to the large number of misprints in the Urbánek first edition Hugh Macdonald has based this new edition on the autograph score with cross-references to the first edition and the composer?s own version for Piano duet. Conflicting readings in the sources are listed in the Critical Commentary alongwith a discussion of all editorial decisions.New Urtext edition with clear and uncluttered engraving.Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj? ?ová.Includes a detailed Critical Commentary (Eng).

All the pieces in Earlydayze have been written for those starting out on their musical journey with their new instrument. As they take their first steps with perhaps limited technical facility they can nonetheless enjoycomplete pieces of music in a variety of styles with an accompaniment that provides interest in its own right. The accompanying CD gives a complete demonstration performance but also has an accompaniment-only version to play alongwith.

All the pieces in Earlydayze have been written for those starting out on their musical journey with their new instrument. As they take their first steps with perhaps limited technical facility they can nonetheless enjoycomplete pieces of music in a variety of styles with an accompaniment that provides interest in its own right. The accompanying CD gives a complete demonstration performance but also has an accompaniment-only version to play alongwith.

Recorded by American blues singer John Lee Hooker in 1961 this remains one of his most identifiable and enduring songs. John Berrys bluesy swing version for young players includes the signature question-and-answer format alongwith a solo for anysax then any trumpet plus a short feature spot for the trombones.

Guitar Edition-Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Parker's style grouped by their application in a given harmoniccontent. Students will learn to connect lines to play over ii-V-I progressions turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys each section of the book has a chordal play-alongthat modulates around the circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyse each of the ideas presented further ensuring their mastery. Includes access to online audio.

Vltava (The Moldau) is the most famous and frequently performed tone poem from the cycle Má Vlast by the Czech composer Bed ich Smetana. It was written between 20 November and 8 December 1874 but only in 1879-1880 with the completion of Má Vlast did it appear in print when Urbánek issued it in full score along with a version for Piano duet.Owing to the large number of misprints in the Urbánek first edition Hugh Macdonald has based this new edition on the autograph score with cross-references to the first edition and the composer?s own version for Piano duet. Conflicting readings in the sources are listed in the Critical Commentary alongwith a discussion of all editorial decisions.New Urtext edition with clear and uncluttered engraving.Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj? ?ová.Includes a detailed Critical Commentary (Eng).

Original, acoustic jazz melodies for the jazz fan and anyone whowants to develop his or her musicality. With written-out solos andchords, improvisation is encouraged. In addition to playing alongwith the CD, you can also play the pieces as duets with twoprofessional musicians from the Chris Vadala Quintet. Listen, playand improvise with inspiring jazz music! / Trompette / 56 pages / niveau : Moyen / Partition + Cd

Vltava (The Moldau) is the most famous and frequently performed tone poem from the cycle Má Vlast by the Czech composer Bed ich Smetana. It was written between 20 November and 8 December 1874 but only in 1879-1880 with the completion of Má Vlast did it appear in print when Urbánek issued it in full score along with a version for Piano duet.Owing to the large number of misprints in the Urbánek first edition Hugh Macdonald has based this new edition on the autograph score with cross-references to the first edition and the composer?s own version for Piano duet. Conflicting readings in the sources are listed in the Critical Commentary alongwith a discussion of all editorial decisions.New Urtext edition with clear and uncluttered engraving.Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj? ?ová.Includes a detailed Critical Commentary (Eng).

Cette chanson accueillante indigène de Colombie-Britannique caractéristiques libre écrit choral évocateur d'incantation alongwith. / Choeur Mixte (SATB)

Ces collections de 30 chansons chaque, sorti il y a plus de 50 ans ont été un pilier d'étude vocal classique. Il y a une liste de chanson différente pour chaque type de voix. Maintenant accompagnement CDs sont disponibles qui correspondant à chaque livre. Particularités de CD-ROM sont ajoutées sur le CD audio qui permettent le tempo sur les accompagnements être ajustés sans changer la pelouse, ou permettre also, transposition. / Soprano Et Piano