SKU: PR.11642066L
UPC: 680160690909.
The title, Shadow Light, is based on the initial chord that serves as the basis of all the material in the piece ?? a minor triad with a second and raised fourth. This harmony evokes both a darkness (the minor triad) and something brighter (the raised fourth), and the music moves expressively through these worlds. The piece can be played in an orchestral version, with string orchestra, or in a chamber version, with string quartet and bass.
The title, Shadow Light, is based on the initial chord that serves as the basis of all the material in the piece — a minor triad with a second and raised fourth. This harmony evokes both a darkness (the minor triad) and something brighter (the raised fourth), and the music moves expressively through these worlds. The piece can be played in an orchestral version, with string orchestra, or in a chamber version, with string quartet and bass.
SKU: PR.11642066S
UPC: 680160690893.
SKU: HL.293398
ISBN 9781540051004. UPC: 888680936150. 8.5x11.0x1.086 inches.
This cantata is a celebration of light. Filled with time-honored carols and expressive original songs, this work will dazzle and inspire. The first half of the cantata is dedicated to hopeful prophecies associated with the coming Light of the World. With the birth of Jesus, the second part moves forward to declare the tidings of great joy and is crowned with an opportunity for the congregation to join in singing, Joy to the World. Brant Adams and Robert Sterling shine as orchestrators of this truly festive work. Glorious! Songs include: A Festive Call to Christmas; Celebration of Light; Come, Golden Light; Dazzling Joy; Beautiful Name; Dreamer of Stars; Angel Song; Silver and Shadows; Joyous Carols of Christmas. Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn, 1-2, tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download. Score and Parts for Consort (fl, cl, tpt 1-2, tbn, perc, kybd str) available as a Printed Edition and as a digital download.
SKU: HL.293395
ISBN 9781540050984. UPC: 888680936129. 9.0x13.75x2.61 inches.
SKU: HL.293402
ISBN 9781540051042. UPC: 888680936198. 5.0x5.0x0.075 inches.
SKU: HL.293401
ISBN 9781540051035. UPC: 888680936181. 5.0x5.0x0.197 inches.
SKU: HL.293403
ISBN 9781540051059. UPC: 888680936204. 5.0x5.0x1.011 inches.
SKU: HL.293400
ISBN 9781540051028. UPC: 888680936174. 5.0x5.0x0.197 inches.
SKU: HL.293405
ISBN 9781540051073. UPC: 888680936228. 5.0x5.0x1.059 inches.
SKU: HL.293404
ISBN 9781540051066. UPC: 888680936211. 6.75x10.5x0.388 inches.
SKU: HL.14043546
9.0x12.0x0.088 inches.
Judith Weir 'S Day Break Shadows Flee For Solo Piano. This 10 Minute Work Was Commissioned By Bbc Radio 3. It Was First Performed By Benjamin Grosvenor On 1St September 2014, As Part Of The Proms Chamber Music Series At Cadogan Hall. ' Day Break Shadows Flee , Written For Benjamin Grosvenor, Is A Two-Part Invention, A Piano Solo Composition In Which The Two Hands Work In Close Co-Ordination But Independently. My Intention Was Generally To Avoid Using Thick Chords (Although Octaves And Other Clear Sonorities Are Included) While Allowing Both The Right And Left-Hand Lines To Be Free, Mobile And Expressive. The Treble And Bass Sectors Of The Keyboard Are Clearly Contrasted AndOften Widely Separated. In Atmosphere And Expression The Music Is Another Kind Of Two-Part Invention, Contrasting Bright, Upwards-Arching Phrases (Heard At The Opening And Evoking The Arrival Of Light At The Beginning Of The Day) With Veiled, Mysterious Scurryings, Suggesting The Stranger, More Nervous Life Lived At Night And In The Early Morning. ' - Judith Weir.
SKU: BR.EB-9399
ISBN 9790004188736. 9 x 12 inches.
One of my favourite pieces of music as a child - and I still love it - was Schubert's Trout Quintet. It was partly the wonderful music, of course, so light-hearted and joyful on the surface, yet with twists and turns and murky depths of feeling too. But I also liked the picture of a trout on the album sleeve - such beautiful creatures! Last year, while resident at the Villa Concordia in Bamberg, as I took daily walks along the Regnitz river, I observed the trout as they calmly hovered and swayed in the shallows... But if they felt my shadow they were gone in a split second! If you ever get a chance to look closely at brown trout you see that they are covered in myriad brown/red spots of varied sizes; camouflage I suppose. Now those patterns seem to be mixing in my mind with the shifting colours of the spectral arpeggios that flow through this little piece. It's a watery piece, with rippling waves, shimmering surfaces and textural veils around the melodies which flow through it. But it also takes inspiration (and it's title) from a Pablo Neruda poem: the third stanza of Every Day You Play includes the line The sky is a net crammed with shadowy fish. There's no singer, but I imagine an invisible or imaginary voice somewhere behind (or beyond) the music, and so the score includes a melodic setting of the text. Even though this is not performed by a voice, the melody is always played by the ensemble - especially high register cello - making the piece something like the inverse of a song without words. (Christian Mason)World premiere: Aix-en-Provence, October 16, 2020 Commissioned by the Grand Theatre de Provence - Aix-en-Provence.
SKU: HL.49045996
ISBN 9781540033901. UPC: 888680786991. 9.25x12.0x0.314 inches.
Light, Line, Shadow is a response to Edward Hopper's iconic painting Road and Trees, a painting donated to the Philadelphia Museum of Art by Daniel Dietrich II, and the first Hopper painting acquired by the museum. My piece is in three contrasting movements, each referring to and inspired by an aspect of Hopper's painting.The first movement, Landscape in Motion, refers to the dynamic movement of the landscape when traveling in a car and looking at the landscape passing by in the window. Hopper loved to take road trips, experiencing America by car, and in one of his initial sketches for Road and Trees, there was a car in the painting. The first movement tries to capture that moving landscape as experienced in a car in motion. The second movement, Brush Strokes, focuses on the darker forest in the painting, as the trees become denser and the technique of brush strokes creates deep layers. There is a spiritual aspect to Hopper's paintings, a kind of isolation and emptied out space, and the third movement, Open Road, dwells on that aspect of the painting before reprising material from the dynamic first movement.- Pierre Jalbert.
SKU: HL.1141413
UPC: 097855175052. 7.0x18.0x2.75 inches.
Built for streaming, the Logitech Litra Beam desktop key light with TrueSoft technology makes it easy to achieve professional lighting effects. Direct light where you want it for a cinematic look. Easily swap between lighting techniques to express different moods. Whether you're shooting a YouTube video, streaming on Twitch or just working from home, Litra Beam ensures you always look your best. Natural Skin Tones, Radiant Look Logitech's TrueSoft technology delivers balanced full-spectrum LED light with cinematic color accuracy for a natural, radiant look across all skin tones. The Ultimate Desktop Fit Litra Beam is packed with features that make it easier than ever t oachieve professional lighting effects in any space. Its slim, elegant design can snuggle up to your monitor and fit into your desktop in ways other lights can't. Built-in cable management in the base keeps your setup looking sleek. And three 1/4-20 thread fittings allow you to attach Litra Beam to its desktop stand in multiple ways to achieve your desired lighting setup. Safe for All-Day Streaming Litra Beam has cleared even the strictest testing guidelines to ensure safe all-day streaming. So, whether you're creating a new video for YouTube of kicking off a marathon streaming session, Litra Beam helps you stay comfortable and confident on-camera – all day long. Fine-Tune Your Look On Camera Litra Beam features 5 brightness and 5 color temperature settings (2700K-6500K) to dial in the look you want. Or, you can hold down the buttons for continuous, stepless adjustment. Quick Access to Your Favorite Settings Download Logitech's free G HUB desktop app and connect via USB or Bluetooth® to control brightness and color temperature, save presets, turn light on/off, and more right from your desktop. And, if you have a Logitech G keyboard or mouse, you can use G-Keys to easily turn your light on/off, change brightness and color temperature, and more. Logitech TrueSoft Technology TrueSoft was designed to solve common challenges for today's content creator including quality of light, harsh shadows, and eye fatigue from long hours of streaming. Litra Beam was purpose-built for streaming and uses TrueSoft technology to wrap the subject in soft and diffused, accurate LED light that is gentle on the eyes for all-day professional content creation.
SKU: FJ.B1679S
English.
Drawing on the contrast of darkness against light, this innovative work is menacing at times, seemingly innocent at others, and nearly out of control at its most volatile moments. A static rhythmic pulse forms the backdrop for the entire piece as shadows seem to move throughout darkness in a playful yet deceitful way. An invigorating and unique work!
About FJH Symphonic Band
Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5
SKU: CL.011-3720-01
Shadow Rider is a stunning new work filled with haunting themes, mysterious harmonies, and exciting rhythms. All sections have melodic opportunities while the active percussion provides the energy for this ride. The piece begins with a short introduction and is immediately into the theme. This is followed by a mysterious chorale-like section and a return to the original theme. Your students and audience will thoroughly enjoy Cory McBride's newest composition, Shadow Rider.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
