Partitions de Goodmusic Publishing

Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

This edition is faithful to Parry's original orchestration with the exception that the Clarinets were in A and the Trumpet parts were originally written in F. Here Bb copies have been provided for both. The work may be played by orchestra alone or with the addition of a solo voice or a choir. We do not publish vocal or choral copies of this work but this orchestral edition is fully compatible with the original vocal and unison choral editions published by Roberton Publications and readily available.Duration: 2½ minutes Orchestration 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons4 Horns in F 2 Trumpets in Bb 3 Trombones TimpaniStrings (Violin 1 Violin 2 Viola Cello Bass)Voice or chorus (optional)

Listing for Viola Part only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunes are:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.

Born in Glasgow Hugh Roberton became a funeral director apart from being a conductor and composer. A highly motivated and self-taught choir-master he founded the Toynbee Musical Association in 1901 and five years later this became the Glasgow Orpheus Choir which gained a world-wide reputation and went on to perform under Roberton's direction for some 45 years. He composed much for his choir with perhaps his most famous pieces being 'All In The April Evening' and the 'Mingulay Boat Song'. He had a reputation for getting the very best from his singers who held him in such great esteem that when he resigned as their leader shortly beforehis death the choir agreed that they must disband. However the Orpheus rose again when many of its members re-formed as the Glasgow Phoenix Choir which continues to perform and tour to this day. Hugh Roberton was knighted in 1931. This version of 'All In The April Evening' originally published under the catalogue number 61427 for unaccompanied mixed voice Choir of Sopranos Altos and men is now in a clearer newly typeset edition. Other versions are available for solo voice unison voices female voice choir male voice choir full mixed voice choir (SATB) with Welsh words and also in an arrangement for string Orchestra and a 'meditation' for Organ. Duration: nearly 3 minutes.

She's Like The Swallow is a sad and moving Canadian Folk Song which has been wonderfully arranged for Unison voice choir with Piano accompaniment by Craig Cassils.

From Variations on an Original Theme Op. 37-Double Bass Part for Elgar's Enigma Variations.

From Variations on an Original Theme Op. 38-Flute Parts 1 and 2 for Elgar's Enigma Variations.

Orchestration:2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F (or Horns/Saxophones in Eb) 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Side drum Glockenspiel [1 player]) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Double Bass)The famous Rule Britannia in a new arrangement by Nigel Wicken. Each verse features different sections of the orchestra. The final part has the benefit of some interesting harmonies more 'Wicken' than 'Arne'. Although no voice part is scored it is quite possible for the audience to join in at the traditional moments! The Violin 3 part is a treble clef version of the Viola partexcept for a few out-of-range notes.Duration: 4 minutes.

2 Ukrainian Folk Songs for voice. Part of the ABRSM Singing syllbus for Grades 3 and 4.

From Variations on an Original Theme Op. 39-Trumpet Parts 1 and 2 for Elgar's Enigma Variations.