Partitions de Zimmermann

Die lange Verbindung zwischen dem Flötisten Ernesto Köhler (1849 - 1907) und dem Verleger Julius Heinrich Zimmermann nahm 1880 ihren Anfang mit der Ausgabe von E. Köhlers Flötenschule, Zimmermanns erstem Verlagswerk überhaupt! Die Schule und auch die Etüden Ernesto Köhlers sind bis heute Standardwerke des Flötenunterrichts. Darüber hinaus komponierte er aber auch mehr als 100 Werke für sein Instrument, von denen viele ebenfalls bei Zimmermann erschienen. Die Serenaden op. 59, op. 70 und op. 74 erschienen 1892 zum ersten Mal bei Zimmermann und liegen hier in einer revidierten Neuausgabe vor. Sie sind typische Vertreter der damals so beliebten Salonstücke, nicht allzu virtuos, aber doch technisch anspruchsvoll. / Flûte Et Piano

G. Mahler: Symphonie No. 1G. Mahler: Symphonie No. 2G. Mahler: Symphonie No. 3G. Mahler: Symphonie No. 4G. Mahler: Symphonie No. 5G. Mahler: Symphonie No. 6G. Mahler: Symphonie No. 7G. Mahler: Symphonie No. 8G. Mahler: Symphonie No. 9G. Mahler: Das Lied von der Erde / Clarinette / Zimmermann

This book is part of the series Junior Percussion which derived from practical experience to be now practised at music schools. As there is often only a restricted number of instruments available at music schools, it is also possible to use similar instruments. Attached, you will find rhythmic preliminary exercises. Both Samba Batu and Samba Cada serve as an indicator for being able to play the samba within a large group. / Percussion / Zimmermann

These six canzonets, originally written for three vocal parts and three basset horns, have fallen into oblivion. This edition is based on the Notturni , nice texts by Metastasio and three anonymous poems - ensemble titles of light music which Mozart performed on musical evenings in the house of the Jacquin family and which even he himself seems to have forgotten soon after. As the basset horns in the original nearly always go colla parte with the vocal parts, no reductions had to be made when arranging the movement. / Flûte traversière / Zimmermann

Irène (Eneri) Gorainoff was born as Irene Biriukov on 15th November 1897 in Ostrogoschk. Her parents were an officer Biriukov and Maria Bronikowsky (1874-1928). After a short marriage the mother married Alexei Gorainoff (1872-1935), who adopted the little Irène. At the age of twelve years Irène Gorainoff was a well known pianist. She also composed and had already written over eighty works, when publisher Julius Heinrich Zimmermann signed on some of her works in 1910. In the same year she was allowed to record piano rolls on the famous Welte-Mignon reproducing piano. On 17th May 1916 she married Sergei Mikhailovich Sukhotin (1887-1926) in St. Petersburg. He was an army officer in the regiment Preobrazhensky. In December of the same year her husband became one of the murderers of Russian itinerant preacher and con­fidant of the Empress: Rasputin. After his death, Irène emigrated to France. In 1946, she married again in Sainte-Geneviève-des-Bois the Russian Paul Petrovich Borovsky (1892-1955). Irène Gorainoff died on 23 January 1980 in Paris. / Piano

La majeur (original pour piano : sol majeur), sol majeur (original pour piano : fa majeur) / Partitions classique / Bois / Flûte traversière / ZIMMERMANN

About the author: Robert Kietzer wrote for the music publisher Zimmermann from 1886 and 1907 numerous instrumentals. He was imperial Russian and formerly royal Prussian miltary chapel master.

Ernesto Köhler's fantastic Flute Concerto Op. 97 actually requires the accompaniment of a large orchestra. The orchestral material is available on hire with Musikverlag Zimmermann. The Concerto is characterized mainly by the high virtuosity. The audience in the early 20th century loved the display of technical possibilities of a musical instrument. Ernesto Köhler himself was regarded as unsurpassed in the clean interpretation of his work and the fine tone he coaxed from the flute. His Concerto was frequently performed by leading soloists in Europe and America in his time.