Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

Traditional, Old Time, Bluegrass And Celtic Solos. Par GESLISON MARK. 50 Tunes Volume 1 pour Banjo est un livre d'une série de 5-livre. La série de Tunes 50 est une collection de Bluegrass, Old Time et airs celtiques pour ensembles, les familles et les particuliers. Ce livre contient des 50 airs les mêmes que ceux trouvés dans les 4 autres livres de la série, mais soigneusement conçus pour le banjo. Les parties dans cette gamme de livre de débutant à avancé. Bien que de nombreuses parties sont disposées en style standard des ' Scruggs ', certains sont disposées en style frailing ou ' clawhammer ', et beaucoup sont disposées en style ' mélodique '. Lorsque ' Scruggs ' style est examiné, ' moins melody/plus doigt roll patron, ' style mélodique, comme son nom l'indique, est ' plus mélodie moins doigt roll patron. ' Clawhammer style n'utilise aucune tendance de rouleau de doigt - au lieu de cela, elle est composée d'une mélodie dans un modèle de rythme pimenter. Clawhammer est considéré comme un style ' self-accompaniment '. CD compagnon du inclus. Tunes enregistrées par le groupe entier, pas de tous les instruments présentés dans chaque chanson. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Solos / Recueil / Banjo à 5 Cordes

With Online Audio-50 Tunes For Banjo contains a selection of Bluegrass Old Time and Celtic tunes for ensembles families and individuals. This book contains the same tunes as those found in the other 4 books of the series butthe tunes in this one are carefully arranged for the Banjo. The parts in this book range from beginner to advanced. Though many parts are arranged in standard 'Scruggs' style some are arranged in frailing or clawhammerstyle and many are arranged in melodic style. Where 'Scruggs' style is considered less melody / more finger roll pattern melodic style as the name implies is more melody / less finger roll pattern. Clawhammer style uses nofinger roll patterns; instead it is made up of a melody within a strumming rhythm pattern. This book includes access to online audio recordings of the tunes performed by a full band.

C Tuning - Concert Style. Par BRADBURY FRANK. This book, written for those with no prior musical experience, is the definitive text for learning C-tuning concert, or classic-style 5-string banjo. Written by the late Frank Bradbury, Banjo Method provides a thorough grounding in music theory and note reading, along with a complete presentation of Mr. Bradbury's unique 5-string concert banjo technique and outstanding solo and duet arrangements by various artists. The technique described here is radically different from that found in other books about the 5-string banjo, and no tablature is used. No plastic or metal picks are used on the right-hand fingers, nor are the fingernails used, but rather the bare fingertips. The hand positions recommended by Mr. Bradbury are not unlike those of a classical guitarist. All in all, this is an uncommon, but valid approach to solo banjo technique. / Niveau : Tous Niveaux / All Styles - Methods / Méthode / Banjo à 5 Cordes et Plectre

Long-time Banjo picking ace Alan Munde brings his considerable Banjo arranging skills to some of the most played songs in the bluegrass tradition. In these stylistic revealing arrangements running from straightforwardroll approach to the delicately beautiful melodic fingerings Munde lets the melody of each piece stand out to its fullest.Great Picking Tunes For Banjo includes all-time winners Red Wing Turkey in the Straw Arkansas Traveler Down Yonder and Home Sweet Home bluegrass favorites Blackberry Blossom Cumberland Gap Black Mountain Rag John Hardy and Bury Me Beneath the Willow fiddle favorites Whiskey BeforeBreakfast Flop-Eared Mule Boston Boy St. Anne's Reel and 8th of January plus a host of other jam session standards. In tablature only. Includes access to online audio.

Par LEVENSON DAN. Cet ensemble de livre et deux CD est destiné à être un livre de répertoire de mélodie. Il comprend plus de 100 favoris festivals Old-Time. Certains sont cliche', d'autres inhabituel, certains facile, certains difficile. Le livre contient 2 lignes de tablature (un basic et un avancé) ainsi que de notation standard et accords suggérées. La version de base devrait être jouable par ceux qui ont les compétences générales clawhammer. La version avancée nécessitera plus de temps et finesse comme c'est le plus ornemental (souvent plus que juste mélodique) et peut comprendre moins de moyens intuitifs de jouer certains passages. Télécharger les versions de violon libre de chansons de ce livre. / Niveau : Débutant à Intermédiaire / Old Time - Tune Book / Tablatures / Banjo Tablatures à 5 Cordes

Par HATFLIELD JACK. Ce livre présente 31 des chansons gospel Old-Time-aimé la plupart disposés dans le style de trois doigts, complète avec la notation musicale, de tablature banjo, de cordes et de paroles. Chaque chanson est présenté tout d'abord comme un arrangement débutant intermédiaire, a joué en première position dans le style Scruggs. La plupart des chansons sont ensuite présentés dans un arrangement up-nuque. Le CD comporte des solos de banjo à cinq cordes a joué dans le style de trois doigts et accompagné à la guitare, la mandoline et la basse. Il s'agit d'un enregistrement de split-track, le banjo de plomb est sur une voie et des instruments d'accompagnement de l'autre. Le CD peut servir un solo d'enregistrement, un enregistrement d'enseignement ou un enregistrement le long de jeu. / Niveau : Débutant à Intermédiaire / Gospel-Old Time - Solos / Tablatures / Banjo Tablatures à 5 Cordes

Media Type : BookLevel : Multiple LevelsMusical Genre : All StylesSeries : CompleteNumber of pages : 104 The finest tenor banjo method available, this text represents Mel Bay's own approach to fundamental musicianship for those desiring to play tenor banjo. This book is the standard by which others are judged. Easy-to-understand and thorough in its approach, this method addresses both melody playing and chord strumming. Through numerous studies, folk songs and several duets, students are systematically introduced to the various notes and positions on the tenor banjo fretboard. Photos of the fretboard fingertips aid in learning the proper hand positions. Once in two volumes, this method is now presented it its entirety in this single comprehensive edition. In notation only. Tuned for Mandola.

The world of melodic jazz Banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included areover 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string Banjoist can benefitfrom the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the Banjo.Starting with basic intervals 'Straight-Ahead Jazz for Banjo' shows the structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string Banjo'spotential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examplesof original jazz phrases in a variety of keys. Topics include functional major and minor key harmony diminished and augmented scales and how they are used and the integration of altered scale substitutes in the art of jazzimprovisation. It stresses listening and learning in a logical structured manner with an example of a daily practice plan.The unique emphasis of the book is on the fingerings which make the instrument work for youtechnically and thus open up added possibilities for the development of a student's personal style. This long-awaited volume will surely bring new focus and perspective to any Banjo style and will be a classic reference for manynew generations of Banjoists. Includes access to online audio.

Classical Music for Banjo Made Easy. This book contains twenty well-known classical melodies arranged for 5-string banjo in G tuning. The selections span from the Baroque era to the beginning of the 20th century. All are set in standard notation and tablature in easy melody/chord arrangements that rarely use the 5th string. This collection will provide beautiful additions to your solo banjo repertoire and improve your note-reading ability.

For Clawhammer Banjo-A compilation of favorite solos on Irish Scottish and New England fiddle tunes arranged for banjo by one of America's foremost clawhammer banjoists Ken Perlman. Formerly published under the name Basic Clawhammer Banjo. Innotation and tablature. Includes access to online audio.

Introducing New T3N Harmonic Chimes-The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods the author’s new T3N technique for creating banjo harmonics will add new dimensions to yourplaying. While particularly useful in the three-finger style T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjoover the 12th 7th and 5th frets or perhaps the 4th and 9th frets so that in typical G-tuning the open G-chord D-chord octave G-chord and B-chord notes are chimed. With the T3N technique presented in this book entire scalescan be chimed with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques while the second part explores theexciting new T3Napproach. Written in tablature only for 5-string banjo in GDGBD tuning.

Soldierâ??s Joy And Other Banjo Favorites (formerly titled Playing in C Volume 2). More great tunes played in C position (without using a capo). Includes the very popular fiddle tunes Soldierâ??s Joy andLiberty.Scruggs favorites Home Sweet Home Farewell Blues and Old Spinning Wheel. No Tab. (2 hours).

Media Type : Book Level : Multiple Levels Musical Genre : All Styles Number of pages : 117 How can I read sheet music and play tenor banjo melody chord solos? Mel Bay's own step-by-step method for melody chord performance will show you precisely how it's done. Also suitable for tenor mandola. Written primarily in standard notation with tablature and fretboard diagrams given for chord patterns, this book might be considered a sequel to the Complete Tenor Banjo Method. After a few pages of elementary information, the author goes to the heart of the matter with challenging exercises and solos presented in order of difficulty in various keys. The book also includes a thorough education in chord construction from simple triads to thirteenth diminished ninth chords. Most importantly, the author offers a system for learning to apply tenor banjo chords in a creative manner.