Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.

Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346

Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz Symphony? within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. ?On Tuesday the fourth of November? wrote Mozart to his father on 31 October (the day after his arrival in Linz) ?I will be giving a concert in the theatre and since I have no symphony with me I am writing one as fast as I can for it must be ready by then?. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

Scored for 2 Oboes 2 Horns and Strings. Probably written in 1764 in London during the Mozart family's tour of Europe. The eight year old Mozart's father Leopold was taken ill and the family moved for a short time to a house in Chelsea.- Full score & parts (BA9165) based on the New Mozart Edition available for sale.

Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz Symphony? within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. ?On Tuesday the fourth of November? wrote Mozart to his father on 31 October (the day after his arrival in Linz) ?I will be giving a concert in the theatre and since I have no symphony with me I am writing one as fast as I can for it must be ready by then?. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

Overture with the Johann Anton André concert ending-Die Ouvertüre zu ?Die Entführung aus dem Serail? beschließt die Reihe der sieben großen Mozart-Opern-Ouvertüren die mit dem Urtext der ?Neuen Mozart-Ausgabe? bei Bärenreiter erschienen sind.Diese Ausgabe beinhaltet nicht nur die Fassung ohne Konzertschl

This edition contains Mozart's last two symphonies representing the pinnacle of Mozart's genius as an orchestral composer. Both are published here in full score with original instrumentation and bar numbered movements. Republication of the Breitkopf & Hartel editions.

Ce score étude de 'La clemenza di Tito' est basé sur l'édition à la fois Giegling Franz de 1970, qui a été publié dans le cadre du 'New Edition Mozart', et le commentaire critique à partir de 1994.Les manuscrits autographes de numéros 2, 11 et 12 de l'opéra de Mozart ont été considérés comme perdus après la fin de la Seconde Guerre mondiale. En 1979/80 de ces pièces manuscrites ont été reportés et sont conservés dans le Jagiellonska Biblioteka, Cracovie. L'évaluation de cette source a été publié dans le commentaire critique de 1994 et a été inclus dans la deuxième impression du volume respectif de New Mozart Edition (1997). Le score étude Bärenreiter est basé sur cette nouvelle édition de 'La Clemenza di Tito', tel que publié dans le 'New Edition Mozart'.- Basé sur le Urtext de la 'Nouvelle édition Mozart', reflétant l'état actuel des bourses musicologique- Avec une préface informative / Orchestre

The 'Linz Symphony 'is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20) / Orchestre

“Eine kleine Nachtmusik” “... written with ease, but skillfully refined” “Eine kleine NachtMusick” is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing “Don Giovanni”, a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart’s output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart’s original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages – in high-quality colour printing, each trimmed individually – are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. “The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary •Facsimile of the autograph score KV 525 •Introduction: •I. 1787: The work. Its background, genesis, significance and impact •II. The Autograph. Its clear, its twisted paths •Notes and References •Einführung: •I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung •II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade •Anmerkungen •Watermark No. 55 •Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm

Although Mozart wrote with incredible versatility in every musical genre his operas for many stand highest among his achievements. This volume contains the composer's greatest operatic overtures enormously popular with music lovers worldwide. This collection includes the overtures from five world-famous works. Reproduced in full score from an authoritative early edition.

By Wolfgang Amadeus Mozart. Edited by Hermann Beck. For Oboe (2) Bassoon (2) Horn (4) Strings. Score; Urtext Edition. KV 183. Duration 18'. Published by Baerenreiter-Ausgaben (German import). (BA4748) ISBN M006455331.

And Sinfonia Concertante Miniature Score-These three charming instrumental pieces composed by Mozart in the 1770s and 1780s were among a number of serenades he wrote during this period to provide an evening’s entertainment at weddings birthdays and home concerts for his friends and patrons. Reproduced here from an authoritative edition with bar numbered movements for easy reference.

Symphony No. 25 begins with one of Mozart's most recognized themes as heard in the classic Oscar¸-winning film Amadeus. Jamin Hoffman has placed the first movement in an accessible practical format that can be performed by school orchestras with confidence.