Par WEISSMAN DICK. La série non-jazz improvisation est un concept qui a germé dans l'esprit de Dick Weissman, alors qu'il fréquentait école de musique. Il a écrit un arrangement de 15 pièces de vieux rythme square dance, Cripple Creek et voulait que le trombone à prendre un solo dans le cadre de l'arrangement. Quand le tromboniste gardé jouant un solo de bebop qui était tout à fait inapproprié pour le graphique, Dick a réalisé que - en plus des nombreux musiciens qui ne pas improviser - il y a même des jazzmen qui ne savent pas comment improviser hors des limites de leurs propres origines stylistiques. Ce livre aborde le banjo à cinq cordes comme un instrument de musique libéré de la prison de genres musicaux spécifiques. Old-time music, clawhammer, bluegrass et nombreuses adaptations éclectiques de banjo sont utilisées pour démontrer une variété de styles musicaux. Un certain nombre des sélections sont différentes ajustements apportés. Tous les exemples sont écrits dans traditionnelle et la notation tablature. / Niveau : Débutant à Intermédiaire / Bluegrass - Improvisation / Tablatures / Banjo Tablatures à 5 Cordes

Par DATESMAN KYLE. Considéré comme le premier livre de banjo du genre, entièrement composée de musique de la Renaissance, de la Renaissance et de musique ancienne de Banjo fournit le joueur de banjo avec ' croissante material ' - la possibilité de jouer dans un certain nombre de différentes clés en dehors du sol majeur, donc élargir leur horizon à l'aide de cordes inhabituelles. Le joueur utilisera différents tempos que banjoists ne sont pas habituellement connaissent. Fournit le matériel pour les amateurs de ' Banjo classique ' qui veulent développer leur jeu, elle permet également au joueur de faire face à ce qui était peut-être le type plus anciens connues de théorie de la musique - que les échelles modale. Il apprendra à l'étudiant les différents types de structures de forme et à s'évader en s'appuyant sur la chaîne 5e trop. Ce type de musique serait extrêmement difficile d'apprendre à l'oreille, et donc un livre de tablatures s'avéra inestimable. Chaque pièce est présenté tout d'abord dans un arrangement cordal vertical, qui était la façon dont il était initialement prévu et puis disposé en une hor plus linéaire... / Niveau : Intermédiaire / Tablatures / Banjo Tablatures

Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

2 Pieces Arranged for 5-String Banjo-The banjo shares many of the same sonic qualities as a harpsichord so although it's so closely associated with more homespun genres the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements the melody and harmony are combined. Most pieces are on facing pages with no page turns required and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String · Arioso · Minuet in G · Sheep May Safely Graze· Sleepers Awake · and more.

Par STEWART RON. Ron Stewart a émergé ces dernières années comme l\'un des banjos les plus admirés et influents joueurs dans la musique bluegrass. Son style - presque sans effort - fluide est exposée dans ce DVD, où Ron traite ses pensées sur de nombreux aspects du banjo de niveau professionnel jouant - comme le trouver et jouant la mélodie sur une mélodie vocale et positionnement/adaptation de la main droite pour le ton meilleur. John Lawless de AcuTab héberge le DVD qui est d\'intérêt et de grande valeur aux joueurs de tous les niveaux de compétences ou d\'expérience. Les joueurs de début et d\'interediate pourront apprendre plusieurs de la mélodie et aussi profiter de descriptions de Ron de trouver la mélodie. Les joueurs plus avancés peuvent aborder certains des airs plus sévères, mais peuvent apprendre beaucoup de simplement regarder et écouter ton fabuleux de Ron ! Ron a aussi illustre et enseigne un certain nombre de chansons, qu\'il a enregistré. / Niveau : Débutant à Intermédiaire / Bluegrass - Methods / Méthode / Banjo à 5 Cordes

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Par MURPHY HENRY. Grand Banjo Tunes (anciennement intitulé Advanced Banjo) (maintenant sur DVD) ! Six difficiles nouvelles musiques sont enseignées notamment du Don Reno Limehouse Blues et Dixie ventilation. Base licks mélodiques, nouveaux postes de corde et jazzy Reno sons sont introduites. Professeur invité de Kansas City Railroad Blues est Casey Henry. Aucun onglet. Comprend également la ruée vers l'or, Bill Cheatum et répartition de la Shenandoah. (2 heures, 15 minutes) / Niveau : Débutant / Bluegrass - Solos / Accessoire / Banjo à 5 Cordes

Par BAY MEL. Ragtime music has a character all its own. While it lends itself ideally to a variety of settings and moods, it always maintains its unique joyful feeling. The banjo is an instrument ideally suited for ragtime. The bright crisp banjo sound truly adds a new dimension to the ragtime feeling. Mel Bay and Roy Smeck have teamed together in arranging a variety of Scott Joplin and some original rags. All of the music contained herein can be played by tenor, plectrum, or 5-string banjo. It is with great pleasure that we present the joyful sound of Ragtime Banjo! Standard notation only. / Ragtime - Solos / Recueil / Banjo Ténor et Plectre

Par DATESMAN KYLE. Perhaps the first 5-string banjo book of its kind, Renaissance and Elizabethan Music for Banjo consists entirely of music from these early periods and provides banjo players with \'growing material\'?that is, the opportunity to play in a number of different keys besides G major. This detail alone will expand your banjo horizon by requiring the use of unusual chord shapes. Written for classical banjo enthusiasts who want to further enhance their musicianship, some selections reveal one of the earliest aspects of music theory, that of modal scales. Various compositional forms and unfamiliar tempos are also introduced in arrangements that will help you become less dependent on the open fifth string. This type of music would be extremely difficult to learn by ear, so a book of tablatures should prove to be invaluable. Every piece is presented first in a vertical chord arrangement, which was the way it was originally intended? and then arranged in a linear horizontal style more familiar to modern players. Every tune is accompanied by performance notes supported by a helpful glossary. Written in tablature only with access to online audio, these pieces also make great finger-limbering exercises! Includes access to online audio. / Date parution : 2022-01-18/ Recueil / Banjo

Written by Bill Evans an accomplished five-string Banjo player teacher writer and historian Banjo For Dummies features updated practice lessons with step-by-step examples and advice on the most helpfullearning techniques.An instrument traditionally associated with folk country and bluegrass music the Banjo has gained popularity in recent years. This complete guide makes the Banjo accessible to anyone with the patienceand willpower to learn it.Banjo For Dummies covers everything the aspiring Banjo player needs to know from how to select the right instrument to developing the correct hand posture and how to tune carefor and make simple repairs to your instrument.This second edition features an updated multimedia component which includes companion audio tracks and complementary video lessons to give learners even more support.

Garner Steve (Transcribed). Par GARNER STEVE. Une collection massive des transcriptions qui représente l'histoire du banjo à cinq cordes trois doigts style jouant au point culminant de style avec Earl Scruggs, entrée sur la scène. Il s'agit d'une ressource one-of-a-kind contenant des 49 transcriptions commençant par certaines des formes les plus anciennes du style place grâce à ceux qui s'approchent du style Scruggs entièrement développé. Ces solos, écrits en tablature facile à lire, sont également une grande source de débutant à des accords de niveau intermédiaires que les joueurs voudront apprendre. Joueurs auront une meilleure compréhension de la structure ainsi que l'importance du Scruggs Style de jouer au banjo. Ces transcriptions de la note-pour-note servent comme un compagnon à l'enregistrement de CD du même titre mettant en vedette des acteurs comme Snuffy Jenkins, Larry Richardson, Joe Stuart, Smiley Hobbs, Junie Scruggs, Mike Seeger, Eric Weissburg, Pete Kuykendall, Veronica (Roni) Stoneman Cox et plus. Ces enregistrements sur le terrain ont été faites sur place dans les collines et les assombrissent de l'appel... / Niveau : Débutant à Intermédiaire / Bluegrass - Transcribed Solos / Tablatures / Banjo Tablatures à 5 Cordes

Par BACH JOHANN SEBASTIAN. Bach pour le Banjo est une collection de certaines des pièces les plus connus de Bach, transcrits pour le banjo à cinq cordes. Plusieurs pièces apparaissent dans la tablature pour banjo avec une seconde partie pour guitare : Inventions 1, 8, 13 et 14 - mars - Menuet en G - Polonaise en sol mineur - Menuet en sol mineur - et Musette. D'autres apparaissent dans la notation et de tablature pour banjo solo : prélude de No.III de la Partita pour violon Solo - Bouree II à IV Suite pour violoncelle Solo - Menuets I and II de II Suite pour violoncelle Solo - Courante de Suite je pour violoncelle Solo - Gavotte en Rondeau de No.III de la Partita pour violon Solo - et prélude de Suite je pour violoncelle Solo. Enfin, Bauerntanz est offert en duo banjo en tablature seulement. Ces transcriptions sont issues les enregistrements ' The Banjo classique ' et ' Bach sur le Banjo ' qui prennent des pièces classiques de Bach vers de nouveaux sommets. / Niveau : Intermédiaire à Avancé / Baroque - Solos / Tablatures / Banjo Tablatures à 5 Cordes

With this volume the reader is pleasantly surprised with two books in one- Section One by Alec Slater and Section Two by Lisa Schmitz. Alec's portion is intended as a guide for the clawhammer or frailing banjo player with someprevious experience in this style. He stresses the fact that this style of music can be fully learned only from within the oral tradition in which it grew. The instruction included here is meant to provide a review and not totake the place of qualified teacher. Alec recommends that '...anyone wanting to get this playing right should find someone in your area who plays and have him/her teach you. Listen to it watch it and make it your own.' InSection Two Lisa Schmits presents an extensive collection of 163 jigs reels polkas hornpipes strathspeys waltzes and songs from Ireland Scotland the Shetland Islands Cape Breton New England and Southern Appalachia forbanjo solo. The national origin of each tune is indicated. Lisa offers personal authoritative settings of a great variety of tunes at an intermediate level. Written in tablature only.

Tony Trischka. Une enquête approfondie sur les trois style doigt cueillette classiques au début des années 1900, styles transitoires des années 1930 et le Scruggs des années 1940 et au-delà. Comprend plus de 75 pâturin, Old-Time fiddle et airs classiques en tablature pour 5 cordes banjo. / Banjo / 144 pages / Partition