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CLARINET
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String Quartet No.1: The Man Who Planted Trees
String Quartet: 2 violins, viola, cello
United Music Publishers
String Quartet, with optional Narrator SKU: UM.17739
Op.25
. Compos...
(+)
String Quartet, with optional Narrator
SKU: UM.17739
Op.25
. Composed by N. Max. Score and parts. United Music Publishing #17739. Published by United Music Publishing (UM.17739).
ISBN 9790224417739. A4 inches.
$110.95 - See more - Buy online
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Duets for Violin and Viola for Beginners - Volume 1
Violin, Viola (duet)
-
Easy
EMB (Editio Musica Budapest)
Edited by Lajos Vigh. Instrumental duet book for violin and viola. 44 pages. Pub...
(+)
Edited by Lajos Vigh. Instrumental duet book for violin and viola. 44 pages. Published by Editio Musica Budapest.
(1)
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String Quartet Nr. 2 op. 31
String Quartet: 2 violins, viola, cello
[Set of Parts]
Barenreiter
Composed by Suk Josef. Edited by Zdenek Nouza. For 2 violins, viola, cello. This...
(+)
Composed by Suk Josef. Edited by Zdenek Nouza. For 2 violins, viola, cello. This edition: Urtext edition. Stapled. Level 4. Set of parts. Opus 31. 17/16/19/15 pages. Published by Baerenreiter Verlag
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String Quartet No. 1
String Quartet: 2 violins, viola, cello
[Set of Parts]
Barenreiter
Inspired by Leo Tolstoy's "Kreutzer Sonata". By Leos Janacek. Edited by Leos Fal...
(+)
Inspired by Leo Tolstoy's "Kreutzer Sonata". By Leos Janacek. Edited by Leos Faltus; Milos Stedron. For Viola, Violin (2), Violoncello. Published by Baerenreiter-Ausgaben (German import).
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George Frideric Handel, Johan Halvorsen: Passacaglia - Duo for Violin and Viola
Violin, Viola (duet)
[Score and Parts]
IMC (International Music Co.)
(Score and Parts) Composed by George Frideric Handel (1685-1759), Johan Halvorse...
(+)
(Score and Parts) Composed by George Frideric Handel (1685-1759), Johan Halvorsen (1864-1935), edited by Frieda R. Davis, Leonard Davis. Set of performance parts and score for violin and viola. With bowings and fingerings. G Minor. 12 pages. Published by International Music Co .
(4)
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Quartett F-dur American - Pts
Flute Quartet: Flute, Violin, Viola, Cello
Universal Edition
Edited by Emmanuel Pahud. Arranged by Stephan Koncz. Part. Universal Edition...
(+)
Edited by Emmanuel Pahud. Arranged by Stephan Koncz. Part. Universal Edition #UE038032. Published by Universal Edition
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The Art of Fugue with Choral Vor deinen Thron tret ich hiermit. Edition for Strings according to the autograph and the first printed edition.
|violin|viola||choral|vocal|
Barenreiter
Alto. String Quartet Version: V II / Original Version: Soprano viola da gamba2 P...
(+)
Alto. String Quartet Version: V II / Original Version: Soprano viola da gamba2 Partitur = Study Score TP 26. By Johann Sebastian Bach. Edited by Hermann Diener; Charlotte Hampe. For Violin 2/Soprano Viola Da Gamba 2. Single Part. BWV 1080. Published by Baerenreiter-Ausgaben (German import). (BA2600 74)
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Piano Quartet E-flat major op. 87
Piano Quartet: piano, violin, viola, cello
Barenreiter
By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny; Karel Solc. For Piano/...
(+)
By Antonin Dvorak (1841-1904). Edited by Antonin Pokorny; Karel Solc. For Piano/Violin/Viola/Violoncello. This edition: Stapled. Performance score, Set of parts. Opus 87. 84/12/12/12 pages. Published by Baerenreiter Verlag
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Three Quartets for Pianoforte, Violin, Viola and Violoncello WoO 36
Piano Quartet: piano, violin, viola, cello
Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Leonardo Miucci. This ...
(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Leonardo Miucci. This edition: urtext edition. Paperback. Barenreiter Urtext. Performance score, Set of part(s), anthology. WoO 36. Baerenreiter Verlag #BA09037. Published by Baerenreiter Verlag
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Scherzo P 191
String Quartet: 2 violins, viola, cello
-
Advanced
Schott
In e minor for string quartet. By Ottorino Respighi. By Ottorino Respighi (18...
(+)
In e minor for string quartet. By Ottorino Respighi. By Ottorino Respighi (1879-1936). Edited by Elia Andrea Corazza. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and parts, softcover. Composed 1898. 24 pages. Schott Music #ED 23356. Published by Schott Music
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Sassmannshaus H. / Close J. Peter - Early Start On The Double Bass Vol.3
String Trio: violin, viola, cello
Barenreiter
The long awaited Sassmannshaus method “Early Start on the Double Bass” is no...
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The long awaited Sassmannshaus method “Early Start on the Double Bass” is now here. At last students of the largest instrument in the string family can make use of this tried and tested method for beginners, developed by Egon Sassmannshaus for the other string instruments and applied here to the double bass by Holger Sassmannshaus and J. Peter Close. This method will meet the needs of the growing number of young bass students. “Early Start on the Double Bass” encompasses everything that one would expect from a Sassmannshaus method: an easy start, progression at a suitable rate, many cross-references to the other string instruments, songs and scales in different positions from early on, as well as many duets. Lively and colourful illustrations by Charlotte Panowsky complete the edition. For more than three decades “The Sassmannshaus Tradition” has been the household name for excellence in beginner string methods in German-speaking countries. The English editions for violin, viola and violoncello, which were introduced to the international market in 2008, have proven to be very successful, particularly in the United States. Kids to the Bass! While children learning other string instruments can start as early as the age of four, the appropriate age to begin the double bass is approximately eight (possibly even six); this allows for a faster progression than on the other string instruments, and the method consists of only three volumes. The first volume will be published separately in an English and a German edition; the following two volumes will have German and English text in each book. Original compositions by Boguslaw Furtok enrich the volumes. - Based on the tried-and-tested Sassmannshaus methods for violin, viola and cello - Volume 1: Separate editions in German and English - Volumes 2 and 3: Bilingual, German/English editions - Moderate increase in difficulty - Position playing, duets - Includes new original compositions to B. Furtok - Volume 3 with piano accompaniments to 7 pieces The authors Holger Sassmannshaus is a double bass player with the Niederrheinische Sinfoniker in Mönchengladbach/Krefeld. He also teaches the double bass and performs with several other ensembles. J. Peter Close is a teacher for violoncello and double bass in Munich.
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John McCabe: String Quartet No.7 - Summer Eves: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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John McCabe: String Quartet No.7 - Summer Eves (Parts): String Quartet: Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...
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Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
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Trio D'Archi Per Violino, Viola E Violoncello (CASTELNUOVO-TEDESCO MARIO)
String Trio: violin, viola, cello
Curci
Op. 147. Par CASTELNUOVO-TEDESCO MARIO. / Répertoire / Violon, Alto et Violonce...
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Op. 147. Par CASTELNUOVO-TEDESCO MARIO. / Répertoire / Violon, Alto et Violoncelle
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David Matthews: To what God shall we chant: Mixed Choir: Vocal Score
String Quartet: 2 violins, viola, cello
Faber Music Limited
To what God shall we chant our songs of battle? was commissioned by James Oâ...
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To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.
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Ein Quartett-Satz (CASTELNUOVO-TEDESCO MARIO)
String Quartet: 2 violins, viola, cello
[Sheet music]
Ricordi
Par CASTELNUOVO-TEDESCO MARIO. / Date parution : 2022-07-20/ Répertoire / Quat...
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Par CASTELNUOVO-TEDESCO MARIO. / Date parution : 2022-07-20/ Répertoire / Quatuor à Cordes
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Danny Elfman: Piano Quartet (ELFMAN DANNY)
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
Faber Music Limited
Par ELFMAN DANNY. Danny Elfman?s Piano Quartet comprises thematic variations for...
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Par ELFMAN DANNY. Danny Elfman?s Piano Quartet comprises thematic variations for piano and string trio cast in five movements: Ein Ding, Kinderspott, Duett für Vier, Ruhig and Die Wolfsjungen. The idea behind the work stems from a familiar children?s playground taunt which can be heard in the second movement. The work playfully cycles through a variety of moods and textures, from the agitated intensity of the first movement so reminiscent of the composer?s iconic film music, through to the delicate Adagio, all culminating in Elfman?s energetic and impassioned finale. / Date parution : 2022-04-05/ Répertoire / Quatuor avec Piano
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Ralph Vaughan Williams: Piano Quintet In C Minor: Piano Quintet: Instrumental
Piano Quintet: piano, violin, viola, cello, double bass
[Score and Parts]
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Faber Music Limited
The Piano Quintet in C is a substantial and superbly written work lasting some 3...
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The Piano Quintet in C is a substantial and superbly written work lasting some 30 minutes. The first movement marked Allegro con fuoco is expansive loquacious and filled with late romantic passion its harmonies Brahmsian for the most part but tinged with modality in the quieter passages. The expressive romantic melody of the Andante second movement is fully characteristic of the composer and resembles the song Silent Noon that he composed in the same year. The finale is a set of five well-differentiated variations ending with a beautiful bell-like coda. This work was written in 1903.
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Phantasy in F Minor (BRITTEN BENJAMIN)
String Trio: violin, viola, cello
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Set of parts for Phantasy in F Minor for string quintet (t...
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Par BRITTEN BENJAMIN. Set of parts for Phantasy in F Minor for string quintet (two violins, two violas and cello) and lasting 11 minutes. Phantasy in F Minor won the Cobbett Prize for chamber music at the Royal College of Music in May 1932 and was also submitted in support of Britten's application for the Mendelssohn Scholarship at the College. / Ensemble Music / Répertoire / Violon, Alto et Violoncelle
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