'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out. Contenu - V. Haussmann: Tanz und Nachtanz - M.A. Charpentier: Prélude from: Te Deum - H. Purcell: Trumpet Tune - A. Vivaldi: Allegro from: Autumn - G.P. Telemann: Largo - C. Graupner: Air - G.F. Händel: Bourrée from: Royal Firworks Music - Anonym: Menuett from: Notebook fro Anna Magdalena Bach - J. Haydn: St. Anthony Choral - W.A. Mozart: It rings out so joyful from: The Magic Flute - M.-F. Blasius: Grazioso - J. Reinagle: Allegro und Andante from: Sonatine G-Dur - L.v. Beethoven: German Dance - C. M.v. Weber: Through the woods, through the pastures from: Der Freischütz - F. Schubert: Entr’acte from: Rosamunde - F. Mendelssohn: Andante from: Symphony No. 4 (Italian) - R. Schumann: Rêverie from: Scenes from Childhood - J.F. Kranz: Valse lente - J. Strauss: Waltz No. 4 from: Echoes of the Rhine Loreley - P.I. Tschaikowsky: Capriccio Italien - A. Dvořak: Humoresque - A.Sullivan: Hornpipe from: Ruddigore - E. Grieg: Solveig's Song from: Peer Gynt Suite No. 2 - E. Humperdinck: Evening Pryer from: Hansel and Gretel - E. MacDowell: To a wild rose - A. Gretchaninoff: A dark day from: Brimborions - M. Ravel: Boléro editor: Warnecke, Ulrike illustration: Schuermann, Andreas piano setting: Birtel, Wolfgang

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

25 Pieces. This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period. The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Trio in d minor op. 3-Alexander Zemlinsky is mainly known for his operas and orchestral songs with their opulent late Romantic orchestration. His earlier inspired hit the Trio For Clarinet Op. 3 written in 1896 owes agreat deal to Zemlinsky’s first important role model Johannes Brahms as far as inflection and instrumentation are concerned. It was also Brahms who following its first performance in Vienna enthusiastically recommendedthe trio to his publisher Simrock.As the autograph has disappeared Henle’s edition follows the musical text in the first edition. It underwent careful examination and was cleared of numerous partly blatant engraver’serrors. Alongside the Piano score Henle’s edition comprises a part for Clarinet in Bb/A and an authentic alternative part for Violin as well as a Cello part.

An important work for Clarinet with Piano accompaniment from Brahms' rich-textured romantic repertoire. A heavier moodier piece than the opening movement of the Opus 120 but they compliment each other magnificently.

Opus 132-No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today we can assume that the title of the pieces originally entitled 'Romances' was merely supposed to conjure up a poetic andfairytale world. Presumably inspired by Mozart’s 'Kegelstatt' Trio K. 498 Schumann occupied himself intensively with plans for a work for this distinctive combination of instruments whose 'unique effect' enthused him. Yet almostthree years passed before he sent a publisher these works that he had 'written with great pleasure'. The first edition contained a violin part as an alternative to the clarinet. As this part was authorized by Schumann it is alsoincluded in this Urtext edition.

Composed in 1956 by Bohuslav Martinu the Sonatina for Bb Clarinet and Piano is a neo-classical piece. This work to be played as a single movement has been written in three different sections: Moderato Andante and Poco Allegro. The rhythms are reminiscent of a Polka and a March and the piece contains unexpected syncopation. Being one of Bohuslav Martinu‘s later works it was written in New York after he spent some time in Paris. Bohuslav Martinu (1890-1959) was a Czech composer and a violinist. Even though he was interested in different style including Romanticism Jazz and Expressionism he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.

Par MILUCCIO GIACOMO . / Date parution : 2022-06-08/ Répertoire / Clarinette et Piano

Par KARLSSON LARS. Romantic modernist - or modern romanticist - Lars Karlsson (b. 1953) composed his Clarinet concerto (2013-2015) for Christoffer Sundqvist. Connections with Nordic mythology and clarinettist as a shaman turned to a more traditional concerto concept in three movements. Harmonic and melodic use of fourths and fifths forms an important basis for the musical material. This product includes a solo part and a piano reduction (B4 sized). Orchestral material available on hire from the publisher. Instrumentation: 1( picc).1.1( cl picc).1-1.2.1.0-1.2-str Percussion: Timpani, gong, piatto sospeso, tamburo piccolo, silofono, campanelli / Date parution : 2023-06-01/ Répertoire / Clarinette et Piano

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce Clarinet pupils to the beauty of Baroque Classical and Romantic concert literature. Cautiously not only original Clarinet literature was taken up but catchy tunes and themes from the opera (e.g. The Magic Flute) and the concert hall (Four Seasons Capriccio italien and others) were used as well. The edition starts with a piece from the Renaissance period followed by the great composers of the Baroque European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Reinagel Sullivan). Four centuries of music history which willmake the pupils enjoy classical music! The pieces are presented in easy arrangements and can be mastered after about two years of tuition with the three-line octave being left out.

piano reduction with solo part-Carl Maria von Weber (1786-1826) the great German romantic composer was after Mozart the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant and Theme and Variations; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations; three works for clarinet and orchestra: the Concertino and two Concertos.The Clarinet Concerto No.2 In E Flat Op.74 is a lively and majestic piece which truly explores the sonorities and technical capabilities of the instrument? the opening two notes of the solo Clarinet part span an interval of three octaves showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra arranged here for B flat Clarinet with Piano accompaniment and edited by Eric Simon.The solo Clarinet in B flat part is also included on a separate insert.