Demandé par les joueurs de rimes cachés (1007 M), qui voulait que quelque chose de semblable pour Noël / Ensemble A Cordes

Musicland est spécialisée dans la publication de la musique ensemble de chaîne depuis sa création en 1987. Une grande partie de sa production est de oeuvres spécialement composée pour le bénéfice des jeunes cordistes, mais elle a également accessibles des oeuvres du passé qui ont été injustement négligé. / Ensemble A Cordes

Par TANEIEV SERGUEI. Edition : Composition : c. 1883.Présentation de Valeriy Berezin : Serguei Taneïev et sa ' canzone ' pour clarinette et cordes - Les instruments à vent en Russie - L'histoire de la création et de l'interprétation - Sources et rédactions - L'interprétation de Taneïev.Cette très belle oeuvre est reproduite en deux versions, l'une avec piano, l'autre avec quintette (ou orchestre) à - cordes. Le graphisme de très grande qualité permet une lecture aisée. Les annotations au crayon qui datent très probablement du vivant du compositeur ont été maintenues. La préface est due à Valeriy Berezin, remarquable musicien et musicologue, professeur au Conservatoire de Moscou. / Niveau : Facile / Répertoire / Clarinette et Piano, Instruments Divers dont La Cl

60 popular themes from the movies in arrangements for solo Clarinet (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

in B-Dur / Bb Major-German composer Carl Stamitz wrote more than 60 concertos for Violin Viola Viola d'amore Cello Clarinet Basset Horn Flute Bassoon and other instruments. Some of the Clarinet and Viola concertos that Stamitz composed are considered to be among the finest available from the period. Stylistically Stamitz's music is not too far removed from the works of the young Mozart or those of Haydn's middle period. The Clarinet Concerto No. 3 was likely written around 1785 which was the same year that Stamitz was appointed the lead Violin of the Duc de Noailles in Paris. The style of thisconcerto reflects the usual orchestration found in the mid-eighteenth century where most of the important musical material was given to the strings while the winds were left to fill in the harmony. Carl Stamitz's style is pleasant and free-flowing as nicely illustrated in this concerto.

Eight pieces for Clarinet/Violin Viola/Cello and Piano. Includes parts for all instruments including two parts for Clarinet (for Clarinet in B and A/B).

Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano

Performed by Keith Dwyer clarinetAccompaniment : Cassini String Quartet: Charles Roth 1st violin; Marla Smith 2nd violin; John Madison viola; John Iatzko violoncelloWritten for his friend and fellow Mason inVienna Anton Stadler the quintet was completed in September of 1789 and premiered a few days before Christmas of that year. It is one of Mozart's most perfect accomplishments ? a score of proud serenity transparenttexture and radiant beauty. It is also an example of Mozart's uncanny ability to combine the best parts of chamber music and concerto music. The solo clarinet leads the ensemble but does not subjugate it. There is an infinitevariety of interplay between the performing partners and all five instruments undertake the virtuoso's role at one time or another. 'The result ' says Homer Ulrich 'is a piece of music whose charm and delicacy are difficult toduplicate in the literature of strings and winds.' This deluxe 2-CD set includes the quintet in its original key with printed parts for both A and B-flat clarinets and adds a repitched version for B-flat clarinetists allowingplayers of that instrument easier execution plus the ability to learn the same fingerings as the composer's intended A clarinet for performance purposes.Includes a high-quality printed music score for B-flat clarinet; anda compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel); then a second version in full stereo of the accompaniment minus the soloist. Also includes a second compact disccontaining a recording of the quintet repitched to allow B-flat clarinetists to play the original written part for A-clarinet.

For Clarinet solo with wind quartet and string quartet. Score OnlyFirst performed by Michael Collins Clarinet London Winds and the Endellion String Quartet on 27th January 2011 at the Wigmore Hall London.Scoring:Solo ClarinetFluteOboeBassoonFrench Horn2 ViolinsViolaCelloDuration:circa 13 minutes'During a visit to the exhibition of Francis Bacon at the Tate Gallery in December 2008my eye fell on Figure in a Landscape 1945 which resonated in me powerfully. It is a sceneof devastation and despair and also it seemed to me of latent anger and hostility... butabove it all a serene blue sky beckons. So perhaps even in the darkest moments there is aglimmer of hope - the possibility of change.This idea became the starting point for this work - Towards the Blue - a mini concerto forclarinet who eventually becomes the leader of the group.The work starts without the clarinet and all is desolate yet fiercely argumentative discordant and uncomfortable. Suddenly the offstage clarinet is heard and the players insurprise are quietened. However when the clarinet enters and approaches with a lyricalmusical motif some of the players respond others resist. Gradually the clarinetpersuades the dissident voices to join him in a spirit of co-operation and harmony.A brief memory of the opening desolation casts a momentary shadow which is quicklydispelled by the coda marked Gioioso.'Thea Musgrave (May 13th 2010)Parts available for hire separately