La référence GB1844 de l'éditeur Billaudot dont l'auteur célèbre est Legron Léon, qui a pour titre REVERIE, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette Et Piano / Partition

These nine well-known pieces composed especially for Clarinet make an ideal introduction to playing more advanced solos. Each piece reveals something about the clarinet's capabilities as a solo instrument and there are selectedbackground notes about some of the music featured plus pictures and a brief introduction to the clarinet’s history and development an ideal book for any aspiring Clarinet soloist!

La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ? (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). Voici une partition musicale pour Clarinette que vous pouvez acquérir pour moins de 10?. Classée dans la catégorie Classique cette partition a pour titre Giner Bruno : Lad. C'est l'éditeur Dhalmann sous la référence FD0224 qui a les droits pour éditer cette partition. / Clarinette

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Contrasts III for Clarinet and Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1955 Bozza's Brief Piece is to be played on the Alto Saxophone and isa virtuosic work addressing advanced features including complex rhythms chromaticism a wide range and articulation. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences  Fantaisie Italienne for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic displaying the entire range of the instrument accompanied by rhythmic quavers and spread chords in the Piano.Fantaisie Italienne is thought tobe so named due to Bozza's Italian routes on his Father's side of the family. As music educationalist Paul Griffiths has written of Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.' Fantaisie Italienne for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.

Frantisek Jan Skroup (b. 1801 1862) is known to the public first and foremost as the composer of the Czech national anthem. He was also music director of the Estates Theater in Prague during 1837 57 where he conducted major works from the international opera repertoire and composed a series of works. Taken from his small lesser known output of chamber music the Trio In E-Flat Major Op.27 (BA 9521) and the Trio facile in F major Op.28 (BA 9522) are being published for the first time in Urtext editions.The Trio In E-Flat Major is dedicated to the pianist and composer Sigismond Goldschmidt. It is stylistically reminiscent ofBeethoven?s chamber music; its unison opening recalls for example Beethoven?s famous ?Gassenhauer Trio?. Skroup dedicated the ?Trio facile? to Jeanette Hoffmann the daughter of the Prague publisher Johann Hoffmann.As the title suggests this is an accessible piece in the Biedermeier style which was intended for music making in the home and for lessons.Both these pleasing compositions which represent unknown repertoire of Czech chamber music from the period of the national revival movement can be performed in two different scorings. The 'Trio facile? Op.28 is available in two versions by the composer with the upper part for Flute or Violin.- First Urtext editions- Two alternative versions and scorings of the works- Forewords (Eng/Ger/Cz ) and Critical Commentaries (Eng) by the editor

Par ROSE CYRILLE. Carl Fischer Music\'s best-selling 32 Rose Etudes for Clarinet has been given a fresh new look and added value with a gorgeous new cover. This edition of the best-selling 32 Rose Etudes for clarinet students is a repackaging of the 2002 revised/corrected edition. Meticulously revised and edited by clarinetist Melvin Warner, this edition contains valuable insight into both the original author Cyrille Rose and Franz Wilhelm Ferling, on whose music the Rose studies were based. Parker\'s accompaniments further enhance the musical quality of these etudes while making practice and performance more meaningful. Many of these beautiful, melodic etudes are perfect for recital use as well. With this new edition, a classic and trusted method becomes all the more indispensable. / Date parution : 2022-11-08/ Etude / Clarinette

comprehensive band method-(Essential Elements for Band and Essential Elements Interactive are fully compatible with Essential Elements 2000)Essential Elements for Band offers beginning students sound pedagogy andengaging music all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises created and arranged for the classroom in a unison-learningenvironment as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship even at the beginning stages.Books 1 and 2 also include access to Essential Elements Interactive (EEi) the ultimate online music education resource - anywhere anytime and on any device. Go to www.essentialelementsinteractive.com to learn more! Book 2 features: ? Book 1 review section? Daily Warm-ups? Rhythm Raps sight-reading and improvisation?Theory history and multicultural music? Creativity and assessment? Instrument-specific etudes? Rubank Studies and solo? 12 full band arrangements including a plannedconcert Book also includes My EE Library* (www.myeelibrary.com) - Instant Stream/Download/CD*...with Play-along mp3 tracks for ALL exercises*Internet access required for My EELibrary. Book includes instructions to order free optional CD.

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big ranging piece in two linked movements. The first fast with a brief slowintroduction has the soloist in propulsive melodic flights slipping over into florid runs but it is a virtuoso piece for the orchestra especially for the marimba and pair of horns. The Adagio that follows is in the spare cold birdcall-riven style of other recent Davies slow movements exploiting first the clarinet's low register and then at its climax the instrument's high extremes. A cadenza leads to the coda where Davies introduces a Scots tune previously hinted at with which he brings the work to an end in F sharp major.Miniature score.

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Bb Clarinets In 4 Parts-Alan Bullard wrote these two short pieces in 1992 for massed clarinets in a pupils' concert but they are equally suited to a quartet of clarinets. The Fanfare gives an opportunity for all players to move together in precise rhythm: the Canon gives scope for rhythmic independence but with musical material that all players can learn together. The lowest part of the Fanfare and the optional two-part canon do not go above the break and the pieces are suitable for beginners to intermediate players.AB This music was previously published by Harlequin Music.

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Mastering the Middle Register of the Clarinet. Crossing the break can be a source of frustration for developing clarinetists. The Break is a logical guide for mastering this important step in clarinet performance. The method is divided into two parts: Part I contents: the clarinet overtone series - how new note names attach to previously learned fingerings - how to incorporate 'right hand down' as a developmental technique - one octave scales across the break - first melodies in the clarion register that teach basic musical concepts needed for advanced performance. Part II contents: studies from Rhythmical Articulation by Pasquale Bona, selected and edited for clarinet to prepare students for upper level performance.Rhythmical Articulation was originally written to assist singers with rhythmical and pitch accuracy. Range: The range is appropriate for developing clarinetists (low B to B just above the treble staff). Third-line B natural is often referred to as the break because it is the note where the register key is added to produce the middle register. These studies and exercises center around third-line B natural and provide a means to develop smooth connections between the lower and middle registers of the clarinet. Technique: The studies have been adapted for clarinet to cover nine key signatures. Appropriate articulations, dynamics, and expressive markings have been added to reflect common practice in the classical style. Advanced rhythms and time signatures are introduced with moderate tempos. Musical terms have been added to identify phrases and suggest expression. The Break also includes an introduction to the altissimo register. / Niveau : 2 / Etudes et exercices / Méthode / Clarinette

Play with a real band!-Bigger Swop is the follow-up to Big Swop - a household name in the wind-playing world. A variety of pieces in different styles such as R&B bossa nova swing and latin rock pass in revue. This album offers plenty of opportunities to improvise. The live recorded accompaniments on the CD make playing easy and fun!The accompaniment parts (including the chord notation) are on the CD in printable (PDF) format. You can print them out for your band members.

Arrangements De Jean-Marc Fessard. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (1681-1767), musicien renommé dans toute l'Europe, friand d'une instrumentation réduite, écrivit de nombreuses pièces pour instruments seuls ou deux instruments parues dans ' Le fidèle maître de musique ' revue musicale périodique destinée aux amateurs de plus en plus nombreux des ' Collegia Musica '. Grand diffuseur de musique et par conséquent volontiers transcripteur, Telemann aurait sans doute encouragé de ses voeux cette adaptation du ' Duetto 'pour flûte à bec et alto pour clarinettes, d'autant plus qu'il s'essaya même au chalumeau. Même si l'écriture de Telemann requiert une grande virtuosité, il appréciait bien au delà de la vélocité les couleurs instrumentales. C'est dans cet esprit ' coloriste ' que se place ce Duetto abordable dès le 2ème cycle dans plusieurs versions : 2 clarinettes, clarinette et clarinette basse ou alto et clarinette basse. / Niveau : Moyen / Contemporain / Date parution : 2004-11-01/ Répertoire / Clarinette en Sib et Clarinette Basse