Adaptation Originale De Jean-Marc Fessard. Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann (1681-1767), musicien renommé dans toute l'Europe, friand d'une instrumentation réduite, écrivit de nombreuses pièces pour instruments seuls ou deux instruments parues dans ' Le fidèle maître de musique ' revue musicale périodique destinée aux amateurs de plus en plus nombreux des ' Collegia Musica '. Grand diffuseur de musique et par conséquent volontiers transcripteur, Telemann aurait sans doute encouragé de ses voeux cette adaptation des 12 fantaisies pour flûte traversière à la clarinette, d'autant plus qu'il s'essaya même au chalumeau. Même si l'écriture de Telemann requiert une grande virtuosité, il appréciait bien au delà de la vélocité les couleurs instrumentales. C'est dans cet esprit ' coloriste ' que se place cette adaptation des 12 Fantaisies dont le seul exemplaire de l'édition originale de 1732-33 est conservé à la bibliothèque du Conservatoire Royal de Bruxelles. / Niveau : Moyen à Assez Difficile / Contemporain / Date parution : 2005-03-01/ Répertoire / Clarinette en Sib ou en La

a minor op. 114-Johannes Brahms?s late chamber works are surely among the most splendid music ever written for the clarinet. In the last years of his life Brahms seems to have become weary of composing but fortunately for posterity in 1891 hemet the solo clarinettist of the Meiningen court orchestra Richard Mühlfeld whose mellifluous art of performance captivated him and inspired him to new works. The Trio op. 114 is melancholy and autumnal in character and isloved by all clarinettists. It is now available from Henle in a revised edition. Brahms?s manuscript of his op. 114 lies in Munich the home city of G. Henle Publishers. The musical text follows that of the New Brahms CompleteEdition and thus guarantees the highest degree of precision and reflects the current state of research. The pianist Klaus Schilde has added valuable fingerings to this Urtext edition.

Tattoo For Four - A drill for Clarinet in Bb Violin Violoncello & Piano (2017).  Dedicated to Ensemble Nordlys. Parts are available: WH32974A Programme note TATTOO FOR FOUR is in reality the same piece as TATTOO FORTHREE from 1984 but with a fourth voice - for violin - added. Forperformances of the older piece just omit the violin part. The'hidden' 1984 piece has been slightly revised so the originalperforming material is now obsolete. The first piece in the TATTOO series was TATTOO FOR ONE for solo clarinet also written in  1984. Reaching back to its 1984 origins TATTOOFOR FOUR follows standard accidental procedure.(Poul Ruders)

Dance Preludes for Clarinet and Piano is an impressive chamber work by Witold Lutoslawski. The five movements which form this work are based on folk songs from North Poland providing a variety of contrasts.This is the original version of the work composed in 1954 for Clarinet and Piano. This piece was later revised for chamber ensemble and again for orchestra.The solo clarinet part is also included on a separateinsert.

Instrumental Play-Along-New revised edition of the Queen Play-Along songbook. Now containing 17 fantastic arrangements with online accompaniment.

Lyric episodes for large ensemble (with prominent Viola part).Published in 1988 and revised in 1995.1.1.1.1 / 1.1.1.0 / Piano Celesta Harp Percussion (2 players) / 1.1.1.1.1First performance by Lontano conducted by Odaline de la Martinez.Score.

E flat major-The composer is known chiefly for his compositions for wind instruments Concerto in E flat major for Clarinet and Orchestra Op.36 being one such example. The piece was written in 1803 and is exceptional for its superb instrumental setting and formal balance. Without exaggeration Kramar's concerto is described as the most performed clarinet concerto in the Czech repertoire. The piano reduction was written by composer Ladislav Simon and the solo part was revised by prof. Jiri Kratochvil. (ed. Jan Racek). This practical edition is part of the Musica Antiqua Bohemica series.

Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3. Par SCHUMANN ROBERT. The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette, Alto et Piano

Weber’s Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fantastic work and remains ever popular in the instrument's repertoire today. This is an exciting and demanding piece that will provide an enjoyable challenge for the accomplished clarinetist.This version is for Clarinet with Piano Accompaniment and has been revised and edited by Carl Barmann. The solo clarinet part has also been included on a separate insert.

Par WASTALL PETER. Peter Wastall?s award-winning series of tutor books for woodwind and brass instruments, now available in revised and refreshed editions to instruct and inspire the next generation of musicians, guiding them from beginner level to Grade 3 standard. Divided into units that provide clear explanations of each new stage of learning, alongside plentiful exercises and graded concert pieces, the LEARN AS YOU PLAY method is simple to understand and easy to use. Demonstration and accompaniment audio tracks and printable piano accompaniments are accessible online. / Date parution : 2022-04-05/ Méthode / Clarinette

Revised Edition 2006-An updated edition of Poulenc's 1962 Sonata for Clarinet and Piano edited by Millan Sachania.The piece is dedicated to the memory of Arthur Honegger and was first performed at Carnegie Hall New York by BennyGoodman and Leonard Bernstein in 1963.

New Edition-Peter Wastall's award-winning series of tutor books for woodwind and brass instruments now available in revised and refreshed editions to instruct and inspire the next generation of musicians guiding them from beginner level to Grade 3 standard.Divided into units that provide clear explanations of each new stage of learning alongside plentiful exercises and graded concert pieces the 'Learn As You Play' method is simple to understand and easy to use.Packaged for the first time with a newly-recorded CD of demonstration and backing tracks this book also affords access to downloadable piano accompaniments.

Jean Françaix's Concerto For Clarinet is one of the most successful written in the twentieth century and has been performed all over the world.This new edition features a revised Piano reduction by Claude Françaix and Tiziana de Carolis as well as changes made by the composer before he died.