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| Morton Gould: Diversions:
Bassoon and Accomp.:
Score and Parts BSN/PFA::Bassoon, Piano Accompaniment [Sheet music] Schirmer
Morton Gould's Diversions for Bassoon and Orchestra. Reduction for Bassoon and P...(+)
Morton Gould's Diversions for Bassoon and Orchestra. Reduction for Bassoon and Piano.'The program notes for Diversions are contained in the descriptive titles of the movements: I.Recitatives and Preludes; II. Serenades and Airs: III. Rags and Waltzes: IV. Ballads and Lovenotes; V. Quicksteps and Trios. The virtuosic demands on the soloist are tantamount to those of a concerto. Because of the nature andtexture of the movements I prefer the less formalistic title Diversions. Originally written for Tenor Saxophone and Orchestra this is an alternate version for Bassoon'. - MortonGouldDiversions was commissioned by Carillon Importers Ltd. on behalf of ABSOLUT Vodka with additional participation by R. Philip Hanes Jr. the Phoenix Akron Winston-Salem Symphony Evansville Philharmonic New Hampshire Music Festival NCNB and the Preyer Foundation.The premier took place on November 28 1990 at Avery Fisher Hall New York with the American Symphony Orchestra James Houlik Saxophone Morton Gould Conductor.
16.99 GBP - Sold by Musicroom UK | |
| G. Sheen: Mr Sheen S
Miscellany For Bassoon:
Bassoon: Instrumental
Album BSN/PFA::Bassoon/Piano Accompaniment [Sheet music] - Intermediate Spartan Press
Grade 4-This collection of pieces was written for the Trinity Guildhall Examinat...(+)
Grade 4-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.In 'March of the Day' (Songs and Chants of the Beautiful Game) soccer fans might identify hints at six (or more) football themes. The piece has three main ideas each in the contrasting keys of Bb Eb and F majors. Can you find a different character for each one? The danger for bassoonists in this sort of piece is that everything can sound accented so be careful to follow the articulation marks as closely as you can.RondolettinettoThisis all about building phrases through repetition. It relies largely therefore on control of the sound. Try to achieve a really obvious contrast of character between the opening phrases and the less refined con spirito episode. This might be played just a touch faster than the opening and closing sections if you wish. There is a hint of gentle parody in this piece if you can find a way of expressing that too.Sand-dance KidThis piece stretches the compass and range of expression even further. There are very obvious contrasts of staccato and legato and the phrase lengths of the middle section are far from regular. Try to scale down the dynamics at the end so that you end as softly as you can play.
6.50 GBP - Sold by Musicroom UK | |
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