11 songs from Bublé's 10th studio album released in 2018 are presented in this vocal collection with piano accompaniment. Songs include: Forever Now ? Help Me Make It Through the Night ? I Only Have Eyes for You ? La Vie En Rose (Take Me to Your Heart Again) ? Love You Anymore ? My Funny Valentine ? Such a Night ? Unforgettable ? When I Fall in Love ? When You're Smiling (The Whole World Smiles with You) ? Where or When.

Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Roger Whittaker's Wunderbare Jahre Liegen Vor Uns for Voice and Piano with German lyrics. Music and text by Nick Munro.

Broadway Singer's Edition-Songs in the Broadway Singer's Edition include the vocal line and lyrics paired with faithful reductions of the orchestral accompaniments. The songs are presented in their original keys with piano accompaniments carefully crafted for playability. The audio tracks included in the price of the book are performances of these piano accompaniments. Includes 9 songs: Big Blonde and Beautiful · Good Morning Baltimore · I Can Hear the Bells · I Know Where I've Been · It Takes Two · Run and Tell That · Timeless to Me · Welcome to the '60s · You Can't Stop the Beat.

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Collected (and set with a Piano accompaniment) by Ralph Vaughan Williams from the collection Folk Songs from the Eastern Counties.  For solo voice with Piano accompaniment.First sung to R. Vaughan Williams by James 'Duggie' Carter a King's Lynn fisherman  the song tells the story of the death of a young boy aboard a ship. According to comments from RVW himself 'The ballad was probably called forth by a particularly brutal case of ill treatment similiar to that narrated in it which occurred some twenty or thirty years ago'.Lyrics:One day a poor boy to me was bound apprentice Because of his beingfatherless;I took him out of St.James’ workhouse His mother being in deep distress.One day this poor boy unto me offended But nothing to him I did say Up to the mainmast shroud I sent him And there I kept him all that long day.All with my gasket I misused him So shamefully I can’t deny And by my barbarous cruel entreatment The very next day this poor boy died.You captains all throughout the nation Hear a voice and a warning take by me;Take special care of your apprenticeWhile you are on the raging sea.

Enjoy a baker's dozen tunes from the 2011 debut album by this British boy band sensation in accessible easy Piano arrangements.Includes: Everything About You Gotta Be You I Want I Wish More Than This One Thing Same Mistakes Save You Tonight Stole My Heart Taken Tell Me a Lie Up All Night and What Makes You Beautiful.

Selected from Musica Britannica Volume 33 edited by Ian SpinkCONTENTSWilt thou forgive the sin? D - G (John Hilton)Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives)Mark how the blushful morn D - G (Nicholas Lanier)Stay silly heart and do not break D - F (Nicholas Lanier)Bid me but live and I will live G - F (Henry Lawes)No no fair heretic it cannot be E - F(G) (Henry Lawes)Out upon it I have lov'd C - D (Henry Lawes)Sweet stay awhile why do you rise? D - G (Henry Lawes)Will you know my mistress' face? E flat - F (Henry Lawes)Faith be no longer coy F - G (William Lawes)Since 'tis my fate to be thy slave E - E(William Webb)In a season all oppressed G sharp - E (John Wilson)Since love hath in thine and mine eye D - F (John Wilson)Take O take those lips away G - G (John Wilson)Wherefore peep'st thou envious day? G - A (John Wilson)Set for the Associated Board Grade 5 examination.

37 Favourite Songs Instrument : Voice and Piano Type : song book Nombre de Pages : 88 Six outstanding collections of favourite songs (Songs of England, Songs of Ireland, Songs of Scotland, Songs of Wales, Songs of Christmas, Songs of the Americans). All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos. Ideal for playing at home, in the classroom, or even as concert items! Includes Danny Boy, Cockles and Mussels and Down by the Salley Gardens. The edition is part of the ABRSM singing exam syllabus (grade 1,2,3). Content : Believe Me - Come Back to Erin - I Will Walk with My Love - I'll Take You Home Again, Kathleen - Kathleen Mavoumeen - Kelly the Pirate - The Gypsy Rover - The Lover's Curse - The Meeting of the Waters - The Minstrel Boy - The Rose of Tralee - The Spinning Wheel - The Young May Moon - As I Was Going Along the Road - Avenging and Bright - Cockles and Mussels - Danny Boy - Down by the Salley Gardens - Here Come the Navvies - Hey Ho, the Moming Dew - I Know Where I'm Goin' - If AII Those Endearing Young Charms - Kitty of Coleraine - Lullaby - Oft, in the Stilly Night - The Boys of Kilkenny - The Dear Little Shamrock - The Flight of the Earls - The Garden Where the Praties Grow - The Harp That Once Thro' Tara's Halls - The Irish Emigrant - The Last Rose of Summer - The Mallow Fling - The Praties They Grow Small - The Star of the County Down - The Wearin' o' the Green - Tramping Song - Trottin' to the Fair