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| Klavierkonzerte, Band 8 Piano and Orchestra [Score] Barenreiter
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Rehm. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/8. Klassik (Classical). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag
$230.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| J.S. BACH Concerto in F minor, BWV1056; J.C.Fr. BACH Concerto in E-flat major (Digitally Remastered 2 CD set) Piano and Orchestra [Sheet music + Audio access] - Intermediate Music Minus One
Music Minus One Piano Book/Online Audio. Composed by Johann Sebastian Bach (1685...(+)
Music Minus One Piano Book/Online Audio. Composed by Johann Sebastian Bach (1685-1750) and Johann Christoph Friedrich Bach (1732-1795). Sheet music with CD. Music Minus One. Classical. Softcover Audio Online. 80 pages. Music Minus One #MMO3021. Published by Music Minus One
(3)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Klavierkonzerte, Band 2 Piano and Orchestra [Score] Barenreiter
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edite...(+)
(Urtext der Neuen Mozart-Ausgabe). By Wolfgang Amadeus Mozart (1756-1791). Edited by Christoph Wolff. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/2. Klassik, Musikwissenschaft (Classical, Music Theory). Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter Verlag
$266.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Musik für Klavierquartett für Anfänger (Erste Lage Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejt...(+)
String Orchestra and Piano SKU: BT.EMBZ14253 By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253). Hungarian-English-German-French. The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 2 B-flat major op. 19 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 19 No. 2. Duration 28 minutes. Published by Baerenreiter Verlag (BA.TP922).
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 5 E-flat major op. 73 Piano and Orchestra [Study Score / Miniature] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Study score. Opus 73 No. 5. Duration 38 minutes. Published by Baerenreiter Verlag (BA.TP925).
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Konzert fur Klavier und Orchester Nr. 27 B-Dur KV 595 Piano and Orchestra [Score] Barenreiter
By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Rehm. For piano/orche...(+)
By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Rehm. For piano/orchestra (solo piano/flute/2 oboes/2 bassoons/2 horns/strings). This edition: Stapled, Urtext edition. Score. KV 595, No. 27. 78 pages. Duration 30'. Published by Baerenreiter Verlag
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| Sextet
Piano and Orchestra [Score and Parts] Lauren Keiser Music Publishing
Sextet. (Woodwind Quintet with Keyboard). By Francis Poulenc (1899-1963). Score ...(+)
Sextet. (Woodwind Quintet with Keyboard). By Francis Poulenc (1899-1963). Score and Parts. LKM Music. 92 pages. Hal Leonard #S106001. Published by Lauren Keiser Music Publishing
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 Piano and Orchestra Barenreiter
Composed by Bohuslav Martinu (1890-1959). Edited by Ivana Kalina Tabak. This e...(+)
Composed by Bohuslav Martinu
(1890-1959). Edited by Ivana
Kalina Tabak. This edition:
complete edition, urtext
edition. Cloth bound. The
Bohuslav Martinu Complete
Edition III/1/5. Complete
Edition, Score, anthology.
Baerenreiter Verlag #BA10579-
01. Published by Baerenreiter
Verlag
$491.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 5 E-flat major op. 73 Piano and Orchestra [Reduction] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arrang...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. Piano and orchestra. For piano solo and piano reduction. This edition: Urtext edition. Paperback. Solo part and piano reduction. Opus 73, no. 5. 67/49 pages. Duration 38 minutes. Published by Baerenreiter Verlag
$37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto fur Piano and Orchestra Nr. 22 E-flat major K. 482 Piano and Orchestra [Score] Barenreiter
By Wolfgang Amadeus Mozart (1756-1791). Edited by Hans Engel; Horst Heussner. Fo...(+)
By Wolfgang Amadeus Mozart (1756-1791). Edited by Hans Engel; Horst Heussner. For piano/orchestra (solo piano/flute/2 oboes/2 bassoons/2 horns/2 trumpets/timpani/strings). This edition: Paperback, Urtext edition. Score. KV 482, No. 22. Duration 32'. Published by Baerenreiter Verlag
$61.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Eyvind Alnaes: Klaverkoncert Op.27 (Score) Piano and Orchestra Music Sales
Piano and Orchestra SKU: HL.14001708 Composed by Eyvind Alnaes. Music Sal...(+)
Piano and Orchestra SKU: HL.14001708 Composed by Eyvind Alnaes. Music Sales America. Classical. Score. 176 pages. Music Sales #KP01634. Published by Music Sales (HL.14001708). ISBN 9788759859148. English-German. This is the full score for Eyvind Alnaes' Klaverkoncert from Opus 27 for Piano and Orchestra. $131.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lamentate Piano and Orchestra [Study Score / Miniature] Universal Edition
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE0326...(+)
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition
$77.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Klavierkonzerte, Band 7 Piano and Orchestra [Critical Reports] Barenreiter
(KV 488, 491, 503. Anhang 1: Skizzen zu KV 488. Anhang 2: Skizzen zu KV 503). By...(+)
(KV 488, 491, 503. Anhang 1: Skizzen zu KV 488. Anhang 2: Skizzen zu KV 503). By Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. For Piano Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 15/7. Urtext Language: German. Musikwissenschaft, Klassik (Music Theory, Classical). Critical Commentary; Complete Edition (paperbound). Published by Baerenreiter Verlag
$61.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Paganini Variations - Piano Concerto No.3 Piano and Orchestra Wilhelm Hansen
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).
$60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Leipzig Edition of the Works of Felix Mendelssohn Bartholdy Piano and Orchestra Deutscher Verlag für Musik
Piano/harpsichord and orchestra SKU: BR.DV-4252-14 Complete Works....(+)
Piano/harpsichord and orchestra SKU: BR.DV-4252-14 Complete Works. Composed by Felix Bartholdy Mendelssohn. Orchestra; Linen. Deutscher Verlag. Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller Romantic period. Complete Works. 232 pages. Deutscher Verlag fur Musik #DV 4252-14. Published by Deutscher Verlag fur Musik (BR.DV-4252-14). ISBN 9790200440034. 9 x 12 inches. The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.
Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller Price reduction for a subscription. $310.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Luminary Piano and Orchestra [Study Score / Miniature] Theodore Presser Co.
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First ...(+)
Concerto for Piano and Orchestra. Composed by Narong Prangcharoen. First performed by the Thailand Philharmonic Orchestra, Dariusz Mikulksi, conductor, with Christopher Janwong McKiggan as piano soloist. Contemporary. Full score (study). With Standard notation. Composed 2016. 80 pages. Duration 24 minutes. Theodore Presser Company #416-41609. Published by Theodore Presser Company (PR.416416090).
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Lamentate (PART ARVO) Piano and Orchestra [Study Score / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Chamber
Ensemble: Piano and Orchestra Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...(+)
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
21.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Score Piano and Orchestra [Sheet music] Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...(+)
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
42.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....(+)
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Parts Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
38.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme: Piano and Orchestra [Sheet music] Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
39.50 GBP - Sold by Musicroom UK | |
| Hans Abrahamsen: Concerto
For Piano And Orchestra:
Piano: Score Piano and Orchestra Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...(+)
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
60.99 GBP - Sold by Musicroom UK | |
| Philip Glass: Piano
Concerto No.2: Piano:
Score Piano and Orchestra [Sheet music] - Intermediate/advanced Dunvagen Music Publishers
Internationally renowned minimalist Philip Glass composed this Piano concerto in...(+)
Internationally renowned minimalist Philip Glass composed this Piano concerto in the traditional three-movement form. The first movement titled ‘The Vision’ is classic Glass with a steamroller quality that suggests the immensedrive and ambition the two explorers needed to draw on for their journey into the wilderness. At the beginning of the second movement the theme in the solo Indian Flute musically represents the name ‘Sacajawea’ the ShoshoneIndian mother and guide who assisted the explorers on their way for whom the movement is named.The final movement entitled ‘The Land’ is an exploration of expansiveness both of the land that was being explored but also of thegeologically expanded time over which the landscape has evolved and the great changes that followed Lewis and Clark’s journey.This concerto is designated as part of The Concerto Project recording series started by Glass in theyear 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
34.99 GBP - Sold by Musicroom UK | |
| Robert Schumann: Great
Works For Piano And
Orchestra: Piano: Score Piano and Orchestra Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...(+)
Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
20.30 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Kevin Volans: Piano
Concerto No.4: Orchestra:
Score Piano and Orchestra Chester
POD-Kevin Volans' Piano Concerto No.4 was commissioned by Birmingham Contemporar...(+)
POD-Kevin Volans' Piano Concerto No.4 was commissioned by Birmingham Contemporary Music Group with financial assistance from Arts for All and many individuals through BCMG's Sound Investment Scheme. The world premier took place on 11th November 2016 performed by Barry Douglas (Piano) with Birmingham Contemporary Music Group conducted by Geoffrey Paterson.
39.99 GBP - Sold by Musicroom UK | |
| Hans Abrahamsen: Left
Alone: Piano: Score Piano and Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - Sold by Musicroom UK | |
| Konzertante Werke Op. 32
Wev N.15 Piano and Orchestra Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
178.71 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Conducteur) Français Piano and Orchestra Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
14.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Immobilité
Sérieuse I Pour
Piano Et Orchestre A
Cordes (Materiel) Français Piano and Orchestra Delatour France
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de piÃ...(+)
Immobilité sérieuse I ', écrite en 2013, est la première d'une série de pièces pour instrument solo et orchestre à cordes de Sophie Lacaze, Hommage à Erik Satie, ' Immobilité sérieuse I ' est basée sur un motif tiré des ' Vexations ' que Satie avaient composées pour le piano, et qui avaient été créées à New York par John Cage et plusieurs de ses amis pianistes le jour de la naissance de la compositrice,' Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses ', Erik Satie, / Piano Et Orchestre
30.24 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Debussy Clarinet And
Saxophone Rhapsodies
Piano And Orch. Versions Piano and Orchestra Hal Leonard
La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophon...(+)
La première Rhapsodie de Debussy pour clarinette, et sa Rhapsodie pour saxophone ont toutes deux été composées à l'origine que des oeuvres de chambre avec accompagnements de piano. Plus tard, le compositeur disposées deux pièces pour grand orchestre, et ce volume unique contient la partition orchestrale et de chambre de l'arrangement de piano de ces deux oeuvres.En tant que compositeur principal considérée comme faisant partie du mouvement impressionniste français, la musique de Debussy est caractérisée par quelques innovations profondes dans l'orchestration et le mélange des tons instrumentale, privilégiant la chaleur du vent sur ??les cordes qui prédominait auparavant. Cette édition offre une occasion rare d'étudier l'utilisation de Debussy du timbre orchestral, en comparant chaque score à sa version de chambre d'origine. Par ailleurs, les versions piano de chaque oeuvre, dépouillé à l'essentiel très, fournissent un aperçu fascinant et franche dans l'approche harmonique de Debussy. / Scores
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| Quasi una bagatella
(FRANCESCO FILIDEI) Piano and Orchestra [Score] Ricordi
per Pianoforte ed Orchestra (2019). Par FRANCESCO FILIDEI. Imprimé à la demand...(+)
per Pianoforte ed Orchestra (2019). Par FRANCESCO FILIDEI. Imprimé à la demande, délai 2-3 semaines / Date parution : 2023-06-01/ Répertoire / Orchestre et Piano
108.44 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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