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Details
Details
Trio in C for Guitar, Violin and Cello, RV 82
Guitar, Violin, Cello (trio)
EMB (Editio Musica Budapest)
By Antonio Vivaldi. Arranged by Daniel Benko. EMB. Size 9x12 inches. 12 pages. P...
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By Antonio Vivaldi. Arranged by Daniel Benko. EMB. Size 9x12 inches. 12 pages. Published by Editio Musica Budapest.
$13.45 - See more - Buy online
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(For Guitar, Violin and Violoncello). Composed by Francois da Fossa. Arranged by...
(+)
(For Guitar, Violin and Violoncello). Composed by Francois da Fossa. Arranged by Matanya Ophee. For guitar, violin, viola. Full Score - Study. Op.18 No.2. 24 pages. Editions Orphee #494-02950. Published by Editions Orphee
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Ades /Catch (Pf Score and Parts)
Clarinet, Violin, Cello, Piano
[Score]
Faber Music Limited
Catch by Thomas Adès. For Clarinet, Violin, Cello and Piano. Masterworks; Mixed...
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Catch by Thomas Adès. For Clarinet, Violin, Cello and Piano. Masterworks; Mixed Instruments - Miscellaneous Ensemble; Part(s); Quartet; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music
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Sight-Read It for Strings (Conductor's Score)
String Trio: 2 violins, cello
[Score]
Alfred Publishing
(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) E...
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(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book and conductor's score for string ensemble. With instructional text and bowings. Series: Sight-Read It for Strings. 64 pages. Published by Alfred Publishing.
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Mozart
Piano Trio: piano, violin, cello
[Score and Parts]
Universal Edition
Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kal...
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Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kalichstein-Laredo-Robinson Trio. Score and part(s). With Standard notation. Composed 1992/2005. Duration 6 minutes. Universal Edition #UE30456. Published by Universal Edition
(2)
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Duets for Violin and Cello for Beginners - Volume 1
Violin, Cello (duet)
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Beginner
EMB (Editio Musica Budapest)
Edited by Lajos Vigh. Instrumental duet book for violin and cello. 47 pages. Pub...
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Edited by Lajos Vigh. Instrumental duet book for violin and cello. 47 pages. Published by Editio Musica Budapest.
(8)
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Carl Stamitz: Six Duets, Op. 19
Violin, Cello (duet)
[Sheet music]
Kalmus
Composed by Carl Stamitz (1745-1801). Duet or Duo; Masterworks; Solo Small Ensem...
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Composed by Carl Stamitz (1745-1801). Duet or Duo; Masterworks; Solo Small Ensembles; String Duo - Violin and Cello. Kalmus Edition. Classical; Masterwork. Book. 40 pages. Kalmus Classic Edition #00-K09725. Published by Kalmus Classic Edition
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Big Book of Violin and Cello Duets
Violin, Cello (duet)
Hal Leonard
Score with Separate Pull-Out Parts. By Various. String Duet. Pop. Softcover. 8...
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Score with Separate Pull-Out Parts. By Various. String Duet. Pop. Softcover. 80 pages. Published by Hal Leonard
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Nicolo Paganini : Terzetto M.S. 69
Guitar, Violin, Cello (trio)
[Score and Parts]
Ut Orpheus
By Nicolo Paganini (1782-1840). Edited by Fabio Rizza. For Violin, Violoncello a...
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By Nicolo Paganini (1782-1840). Edited by Fabio Rizza. For Violin, Violoncello and Guitar. This edition: Saddle stitching. Chamber Music. Score and parts. 92 pages. Published by Ut Orpheus
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Romance Suite, Op. 127
Piano Trio: piano, violin, cello
[Score and Parts]
Sikorski
Score and Parts. By Dmitri Shostakovich. Arranged by Alexander Blok. (Score and...
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Score and Parts. By Dmitri Shostakovich. Arranged by Alexander Blok. (Score and Parts). Ensemble. Book only. Size 8.25x11.75 inches. 56 pages. Published by Sikorski.
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Tango Bittersweet
Piano Trio: piano, violin, cello
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Intermediate/advanced
Peters
By Fred Hersch. For Cello (Violin), Piano. Modern. Level: Late-intermediate / ea...
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By Fred Hersch. For Cello (Violin), Piano. Modern. Level: Late-intermediate / early advanced. Duration circa 8 minutes. Published by Edition Peters
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Judith Weir: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. Fi...
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Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.
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Sans Faiblir, La Nuit Attend Le Soleil
Français
Piano Trio: piano, violin, cello
Delatour France
Le titre 'Sans faiblir, la nuit attend le soleil' est un vers de la poétesse Ma...
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Le titre 'Sans faiblir, la nuit attend le soleil' est un vers de la poétesse Marina Tsvetaieva, et fait référence à la guerre, puis au foisonnement des Arts et de la littérature après-guerre. Les tempi hésitants et les changements de mesures du premier mouvement lui confèrent son caractère de 'pas perdus dans la nuit'. L'harmonie d'accords diminués et les fragments mélodiques qui se poursuivent après complétent le tableau nuité. Le deuxième mouvement est plus ouvert harmoniquement, mais l'on retrouve la chasse- poursuite, des motifs en forme de mini canons. Les cordes à vide du violon sont utilisées souvent dans les deux mouvements en tant que base harmonique et mélodique. Un son de petites clochettes dans l'aigu du piano apporte au deuxième mouvement son rayon de soleil. / Violon, Violoncelle Et Piano
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Michael Nyman: The Photography Of Chance (Piano Trio): Violin & Cello: Score and
Piano Trio: piano, violin, cello
[Sheet music]
Chester
For Violin Cello and Piano. Composer's Notes 'Even though this work was inten...
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For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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Michael Nyman: The Photography Of Chance (Piano Trio): Piano: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this ...
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Short Version-For Violin Cello and Piano. Composer's Notes 'Even though this work was intended to celebrate (as instructed by the commissioner Brolly Arts of Salt LakeCity) the wildlife and landscape of Utah (and especially its birdlife notably the sora which has a noticeable influence on the melodic writing at times) the title refers ironically in this 'natural' context to the re-seeing’of (mainly industrial) reality in early Soviet photography. Aleksandr Rodchenko (1881-1956) drew attention to the new type of photographer as someone who photographs 'facts' and who is able through photography to fight against'looking like art' with high quality examples and to do this you have to experiment going as far as the ‘easelisation’ of the photographic art.The work was written for and first performed by the Ahn Trio in November2004 in Salt Lake City and is dedicated to the memory of John Peel the British radio disc jockey who died during the final stages of its composition.' - Michael Nyman
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Big Book of Violin andamp; Cello Duets
Violin, Cello (duet)
[Sheet music]
Hal Leonard
Par . 34 pop songs, movie hits, and classic standards arranged for violin and ce...
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Par . 34 pop songs, movie hits, and classic standards arranged for violin and cello. Full scores and individual pull-out parts included. / Date parution : 2022-07-20/ Recueil / Violon et Violoncelle
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Violin And Cello And More (DIVERS AUTEURS (ARR)
Violin, Cello (duet)
[Sheet music]
Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist ...
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10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). A violinist and a cellist having fun together! Whoever heard of such a thing? But that is exactly what Alexey Igudesman has provided for in his 'Violin and Violoncello and More”. He has responded to popular demand and arranged - no, recreated! - duets from his previous publications for two violins. These encompass many different styles but always with Alexsey's own individual and quirky touch. The contents list reads like a world tour, passing through Scotland, Ireland, Israel, Khazakhstan and many other countries. Igudesman took great care to 'custom make” the cello part as he wanted these arrangements to be as musically valuable as his original versions. He encourages the players to be creative, adding improvisation or even choreography but, above all, to have fun. These pieces will suit intermediate players who want to be stretched or more advanced students who simply want to let their hair down!/ Répertoire / Violon et Violoncelle
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Cheryl Frances-Hoad: The Forgiveness Machine: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Cadenza Music
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The ...
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Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad
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Ludwig van Beethoven: Piano Trios Volume III: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Score and Parts]
G. Henle
Urtext Edition-À l?époque classique et pendant une grande partie du 19e siècl...
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Urtext Edition-À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano constituaient en quelque sorte des articles de mode. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Les ?uvres contenues dans ce volume III présentent presque toutes de petites particularités: l?op. 44 n?est pas un trio à part entière mais se compose d?un unique mouvement de variations le WoO 37 fut écrit alors que Beethoven se trouvait encore à Bonn et se distingue par son instrumentation (piano flûte et basson) le WoO 39 fut écrit pour la petite Maximiliane fille de la famille Brentano «pourl?encourager à jouer du piano» l?op. 38 est une adaptation pour piano clarinette et violoncelle du septuor op. 20 et le dernier morceau n?est parvenu à la postérité que sous la forme figurant dans le cahier d?esquisses utilisé par Beethoven lorsqu?il était à Bonn. Aucune de ces ?uvres n?a l?envergure de ses grands trios avec piano mais elles restent néanmoins des témoins de son grand art.
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Le Cri De L'Etoffe
Violin, Cello (duet)
Jobert
'Ma grand-tante s'appelait Valentine. Elle était née le 4 février 1888. A l'...
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'Ma grand-tante s'appelait Valentine. Elle était née le 4 février 1888. A l'âge de 96 ans, elle se sentit fatiguée de vivre. Mais elle s'était fixée un but: devenir centenaire. A l'agonie peu avant ses 100 ans, elle revint à la vie pour demander: 'Combien de jours reste-t-il ?' Il restait six jours. Elle a murmuré: 'Je tiendrai. Je tiendrai'. Elle est morte le 4 février 1988. Pour son faire-part de décès, elle avait choisi ce verset de la bible: 'Elle a fait ce qu'elle a pu'. Avant de mourir elle avait brodé un drap à mes initiales. Je l'offris à mon ami Hervé, alors gravement malade, en souvenir de cette nuit, lointaine déjà, où il avait refusé de partager mon lit. Je l'invitai à dormir un peu avec moi. Et puis, j'aimais à croire qu'ayant été brodé par une femme devenue centenaire grâce à une volonté farouche, ce drap, auréolé de foi, lui transmettrait sa force' (Sophie Calle, Des Histoires vraies - Actes Sud).Le cri de l'étoffe n'est pas une illustration du texte de Sophie Calle. Mais il résonne en creux dans mon travail sur les étoffes. Cette pièce est dédiée à Gérard Pesson.Colin Roche2 exemplaires de cette partition constituent le matériel / Violon Et Violoncelle
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Ludwig van Beethoven: Piano Trios Volume III: Piano Trio: Study Score
Piano Trio: piano, violin, cello
[Study Score / Miniature]
G. Henle
(Op. 44 37 38 39 48)-À l?époque classique et pendant une grande partie du ...
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(Op. 44 37 38 39 48)-À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano constituaient en quelque sorte des articles de mode. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Les ?uvres contenues dans ce volume III présentent presque toutes de petites particularités: l?op. 44 n?est pas un trio à part entière mais se compose d?un unique mouvement de variations le WoO 37 fut écrit alors que Beethoven se trouvait encore à Bonn et se distingue par son instrumentation (piano flûte et basson) le WoO 39 fut écrit pour la petite Maximiliane fille de la famille Brentano «pourl?encourager à jouer du piano» l?op. 38 est une adaptation pour piano clarinette et violoncelle du septuor op. 20 et le dernier morceau n?est parvenu à la postérité que sous la forme figurant dans le cahier d?esquisses utilisé par Beethoven lorsqu?il était à Bonn. Aucune de ces ?uvres n?a l?envergure de ses grands trios avec piano mais elles restent néanmoins des témoins de son grand art.
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Judith Weir: Night: Violin & Cello: Score
Violin, Cello (duet)
[Sheet music]
Chester
Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise M...
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Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.
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Violin, Viola And More (DIVERS AUTEURS (ARR)
Violin, Cello (duet)
Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman...
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10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman is now also available for viola players! 'Violin and Viola and more” features a selection of well-known pieces from his duet series ' and More' arranged for violin and viola in moderate difficulty. The edition includes helpful remarks on background and characteristics of every piece. Thus, style-appropriate interpretation and fun at playing together are guaranteed./ Répertoire / Violon et Alto
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Judith Weir: Piano Trio Two (String Parts): Violin & Cello: Parts
Violin, Cello (duet)
[Sheet music]
Chester
The Piano Trio Two is inspired by three Zen koans which have lent their titles t...
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The Piano Trio Two is inspired by three Zen koans which have lent their titles to the movements ‘How Grass and Trees Become Enlightened ’ ‘Your Light May Go Out ’ and ‘Open Your Own Treasure House.’ Yet themusic is drawn from English folk tune and Weir’s own songs and imaginary ragas. Judith Weir is one of Britain’s most prolific and successful composers widely known for her operas like The Vanishing Bridegroomand A Night At The Chinese Opera and her many Choral works as well as her pieces for Strings and Piano. She was Artistic Director of the Spitalfields Festival and is a professor at Cardiff University. Her work is often inspiredby narrative folklore and theatre.
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