SKU: CA.2042705
ISBN 9790007036102. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
Score available separately - see item CA.2042700.
SKU: CA.2042702
ISBN 9790007036096. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042709
ISBN 9790007036119. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042714
ISBN 9790007195694. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042715
ISBN 9790007195700. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042712
ISBN 9790007195670. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042700
ISBN 9790007036089. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042713
ISBN 9790007195687. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.2042711
ISBN 9790007195663. Key: D dorian. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.8000181
ISBN 9790007242862. Language: German. Text: Schellenberger, Bernhardin. Text: Bernhardin Schellenberger.
Score available separately - see item CA.8000100.
SKU: CA.8000175
ISBN 9790007163488. Language: German. Text: Schellenberger, Bernhardin. Text: Bernhardin Schellenberger.
SKU: BR.SON-339
ISBN 9790004802854. 10.5 x 13.5 inches. Latin.
The present volume contains the Psalmi Davidis Poenitentiales, seven penitential psalms that had already been supplemented with the motet Laudate Dominum de coelis in the first edition (1584). In the Complete Edition, however, the compilation is preceded by the vocal piece S u Su p e r per Super (1567), which experiments with syllables. Though reprinted many times, it was assigned to various genres according to its place of publication: while the piece was considered as a motet in Germany, in France it was classified as a chanson and in Italy as a madrigal a unique case in the reception history of vocal music in the 16th century. To this day we still do not know the significance of the vocal text Super flumina Babylonis, which gradually evolves out of syllables. Perhaps Lasso wanted to depict a biblical scene that evokes the gradual learning of a language.