With a CD of Piano Accompaniments-15 More American Art Songs (High Voice) features an excellent selection of art songs for student singers including songs by Barber Beach Duke Hoiby Ives Niles Schuman and others.Theenhanced CD includes Piano accompaniments playable on both your CD player and computer as well as tempo adjustment and transposition software for CD-ROM computer use only.

High Voice with Piano accomapniment. English Czech and German text. Gideon Klein.

Robert Schumann's Songs Vol.3 comes complete with 82 Songs arranged for High voice with Piano accompaniment. Also includes 3 Byron Songs Op.94 with Harp Accompaniment

A song cycle with text by Francis Ledwidge and music by Michael Head. For old time songs for high voice that are reminiscent of the secular songs of Benjamin Britten. With full Piano accompaniment.

Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.First published in 1924 Two Songs are both set for High Voice with Piano accompaniment. The first The Bean-Flower is a setting of a poem by Dorothy L. Sayers (1893-1957) which recallsthe scent of the Hawthorn which made the writer fall in love. The second is called Impromptu In March and is a setting of a poem by Doreen A. E. Wallace (1897-1989) a more cheery affair which looks forward tothe coming of Spring.

Published together with Three Japanese Lyrics-Two poems by Konstantin Balmont a poet from the Silver Age of Russian Poetry plus Three Japanese lyrics all set to music by Igor Stravinsky. This is the full Vocal Score of these five expressive pieces for High Voice with a Piano accompaniment and features complete lyrics in Russian French German and English.

pour voix élevée-Melodies Francaises Du Xxe Siecle (Kimball) for High Voice and Piano accompaniment.

For High Voice and Piano. Premiere: Brain Burrows and Oliver Davies Dartington International Summer School July 1977.

Five Songs for High Voice and Piano. Premiered at the Canterbury Festival by Lorna Anderson and Malcolm Martineau September 1987.

Written for high voice and piano. Edited by Henry Geehl with English text by Phyllis Harding.