SKU: BT.DHP-1084557-400
ISBN 9789043130721. 9x12 inches. English-German-French-Dutch.
Parallel zu jeder gängigen Schule verwendet, werden die Schüler mit diesen Stücken schon nach ein oder zwei Monaten Instrumentalunterricht ihre Erfahrungen mit Noten und Rhythmen erweitern können. Die unterstützende Klavierbegleitung auf der CD belebt jede Aufführung. Als Bonus können die Klavierstimmen von der CD ausgedruckt werden, sodass die Schüler mit ihrem eigenen Pianisten auftreten können. Take It Easy - nimmâ??s leicht - in diesem Buch ist der Titel Programm!
SKU: HL.14047797
UPC: 888680642815. 9.5x14 inches.
John Tavener 's Kaleidoscopes is a tribute to Mozart for Solo Oboe, Percussion and four String Quartets, lasting approximately 30 minutes. The work was commissioned by the Britten Sinfonia, and first performed by them with soloist Nicholas Daniel on 6th November 2006 at the Queen Elizabeth Hall, London. This is the Solo Oboe part. In the composer's note, Tavener explains his high regard for Mozart, and how in Kaleidoscopes he attempts to take Mozart's music and meditate upon it in four main cycles. He states that all the music has its source in Mozart, whether it be rhythmic, harmonic or contrapuntal. .
SKU: HL.50510421
ISBN 9790080140598. UPC: 073999763164. 9.0x12.0x0.207 inches. Hungarian, English, German.
This volume in the ABC series, having regard to the special demands of oboe teaching, takes the beginner on from a less elementary level than the other volumes, and accordingly proceeds to a higher level than the other instrumental ABCs. The authors have made this volume usable in a variety of ways by including not only a wealth of exercises and folk melody material but also a survey of the history of the instrument, scale exercises and a little lexicon of musical terms. The textual instructions are provided in three languages: German, English and Hungarian.
SKU: HL.49044074
ISBN 9790220134586. UPC: 841886021976. 9.0x12.0x0.075 inches.
Stimulated by my love of automata, this work for solo oboe takes its name from the invention of Wolfgang von Kempelen, who in the late eighteenth century constructed an extraordinary mechanical man powered by clockwork, dressed in a stylish Turkish costume and capable of playing chess. The chess player turned out to be a fraud but sparked many other thinkers and inventors to pondering what the possibilities of automation might be. In Hesketh's highly virtuosic work, the through-composed melody is subjected to a series of distortions by pulleys, cams, gears and cranks. There are also the onomatopoeic effects of winding up and whirring noises that add to the air of the mechanical.
