SKU: BT.CARML98032
ISBN 9788850712694.
SKU: BT.DHP-1165710-401
ISBN 9789043150248.
The 28-year-old Jon Lord, with no experience at all of writing for orchestra, composed this work in only three months in the lead-up to its premiere with the Royal Philharmonic Orchestra and Malcolm Arnold. It was his first workfor orchestra, launching his career as both a classical composer and a founding member of Deep Purple. It is notably rich in youthful invention, sound in structure, and sophisticated in craftsmanship. It broke new ground at thetime, and seems only to have grown in stature across the intervening years. The full score appears here in print for the first time ever, meticulously edited by the composerââ¬â¢s long-time musical collaborator Paul Mann.De 28 jaar oude Jon Lord, die nog geen enkele ervaring had in het schrijven voor orkest, componeerde dit werk in slechts drie maanden in de aanloop naar de première met het Royal Philharmonic Orchestra en Malcolm Arnold. Hetbetreft dus zijn eerste compositie voor orkest en hij lanceerde hiermee zijn parallelle carrières als componist en medeoprichter van Deep Purple. Het werk is rijk aan jeugdige vindingrijkheid, goed opgebouwd en met vakmanschapgemaakt. Het was destijds baanbrekend en het lijkt in de loop der jaren alleen maar aan zeggingskracht te hebben gewonnen. De volledige partituur verschijnt nu voor het eerst op papier, in een consciëntieuze bewerking doorPaulMann, met wie de componist op muzikaal gebied al jaren samenwerkt. Partitur und Klavierauszug des Concertos können käuflich erworben werden. Das Einzelstimmen-Set ist ausschließlich Leihmaterial.Auskunft über Leih-Bedingungen und Preise erhalten Sie auf Nachfrage. Bittekontaktieren Sie: HalLeonard Europe BV - Rental departmentE-Mail: rental@halleonardeurope.nlDer 28 Jahre alte Jon Lord, der bis dahin keine Erfahrung im Bereichder Orchesterkomposition hatte, brauchte für dieses Werk nur drei Monate, bis es mit dem Royal Philharmonic Orchestra unter der Leitung von Malcolm Arnold uraufgeführt wurde. Seinerstes Werk für Orchester ist der Beginn seinerparallelen Karriere als Komponist und Gründungsmitglied der Rockband Deep Purple. Das Stück zeichnet sich durch jugendlichen Einfallsreichtum, einen strukturierten Klang sowie ein ausgeklügeltes Könnenaus. Es galt damals alsbahnbrechend und seine Bedeutung scheint in der Zwischenzeit weiter gestiegen zu sein. Die Partitur erscheint hier zum allerersten Mal im Druck und wurde bis ins kleinste Detail von Paul Mann, einem langjährigenmusikalischenFreund des Komponisten, herausgegeben. Jon Lord, gé de 28 ans et sans aucune expérience en composition pour orchestre, écrit cette à âuvre en seulement trois mois lââ¬â¢approche de sa première avec le Royal Philharmonic Orchestra dirigé par Malcolm Arnold. Cette premièreà âuvre pour orchestre lança ses carrières parallèles de compositeur et membre fondateur de Deep Purple. Elle est particulièrement riche en invention juvénile, solide en structure et raffinée en artisanat musical. Innovante lors desa première, cette à âuvre ne semble que gagner en stature depuis lors. La partition complète apparaît ici en publication pour la première fois, en édition méticuleusement préparée par le collaborateur du compositeurdepuislongtemps, Paul Mann.
SKU: HL.49047076
ISBN 9781705184035. UPC: 196288115076.
There are only two sacred solo songs in the extensive oeuvre of the Oppenheim composer Johanna Senfter. Both songs, probably composed in 1917, are influenced by the catastrophe of the First World War. They are hereby presented as the first publication. JOHANNA SENFTER 1879 - 1961 Born and raised in Oppenheim/Rhein - First lessons from the mother (piano, violin) - School and university years in Frankfurt/Main -From 1895 parallel music studies at the Hoch Conservatory in Frankfurt, graduating in 1903 (piano, organ, violin, composition; especially dealing with J.S. Bach) - From 1907 private lessons with Max Reger - October 1908 to 1909 his student at the Leipzig Conservatory - 1909 Arthur Nikisch Prize for the best composition - Then worked in Oppenheim as a freelance composer and music teacher - Friendly relationship between the Reger family and Senfter - With Reger's death in 1916 she lost the protege for the advertising of her works (approx. 130) - 1921 founding of two music societies. ROLF SCHONSTEDT Born in Erfurt/Thuringia in 1944 - studied church music in Herford and Cologne - church music exams (B / A / artistic maturity exam / concert exam) Kantor positions in Remscheid, Wuppertal, Hamm/Westf. - KMD, state chairman of church musicians, state church music director, lecturer at the Westf. phil. (The organ song - a new genre on the threshold of the 20th century) - As an organist, harpsichordist,conductor, lecturer in Europe, Russia, North and South America, Africa - Co-founder of the 2nd Reger Festival in Argentina - Boardmember of the International Max Reger Society - Member of the Argentine National Academy for Art and Music - Honors and awards (national / international) - Publisher: Series The Spiritual Song / The Organ Works by Karl Hasse - Radio, television, disc /CD.
SKU: HL.49017577
ISBN 9790001152204. 9.0x12.0x0.1 inches. French.
These songs by Emile Naoumoff are squarely in the tradition of French lied composition such as by Gabriel Faure. Here, Naoumoff chose texts by late 19th-century French lyricists: Auguste Villiers de l'Isle-Adam, Emile Verhaeren, Charles Baudelaire and Rene-Francois Sully-Prudhomme.In their elegance and suppleness, the four songs sound typically French. As they are all easy to sing and have not been composed 'against' the voice, they are perfectly suited for both music lessons and concert programmes.Naoumoff was born in Sofia in 1962. At the age of eight, he began his career as a pianist and composer; he was a student of Nadia Boulanger for ten years until her death. At the age of ten, Naoumoff composed and performed his own piano concerto under the direction of Yehudi Menuhin. He then received numerous awards and prizes and gave performances as highly acclaimed pianist. Today, Naoumoff lives and works as an associate professor at the School of Music of the Indiana University at Bloomington. He gives master classes in the USA, Europe and Japan and is director of a music academy.
SKU: BO.B.3667
The song cycle Cancons dels mesos [Songs of the months] was written in 1919 to a set of poems by Apel·les Mestres (1854-1936). There is one song for each month and the poems seem to look at the months and seasons as seen from the Catalan Mediterranean where the wine harvest and the fields near the sea are so typical. Mestres was a writer, drawer and musician; as a writer he cultivated poetry, theatre and prose, which he often mixed in his work. Most of his lyric and dramatic work is set music by composers like Enric Granados, Amadeu Vives, Enric Morera. His use of the Catalan language was important in the renaissance of the Catalan culture so in style at the time.The songs of this cycle, are influenced by the Mediterranean sea, the coast of Cataluna and the general vocal tendencies in Europe around the turn of the century, mostly from the German school of Wagner and Strauss. In general there is little folk influence in the songs, but in two occasions there is a reference to the Catalan songs, Desembre congelat, and a direct use in one of the songs of the rhythm of the Sardana a typical Catalan dance.
SKU: GH.CG-5656
Text: Alf Henrikson.
I den svenska melodifestivalen ar 1965 framfordes samtliga bidrag av Ingvar Wixell. Vann gjorde Dag Wirens sang Annorstades vals, och vid den europeiska finalen i Neapel hamndade den pa tionde plats. Denna utgava ar for sang och piano.