14 Popular Works-14 popular works for Flute with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by Trevor Wye.

Flute Friction is a series of flute duets in three books aimed at flautists from grade 1 to 8. 15 Flute duets. 10 Flute Trios.In this first book in the series ten flute trios are also included which teachers will find particularly profitable when working with small groups although the main emphasis in this series is on the interaction between two players similar in standard. In many cases each part is given equal importance so it is the ease with which players can shift from pole position to a more supporting role and back again that poses the principle challenge. Elsewhere the spoils are slightly less equitably carved up and again teachers willquickly gauge for themselves which pieces best suit the abilities and personalities of their students. If teachers can get their students to learn both parts in each piece then in a sense the books immediately double in value!I like to think of these pieces as being useful from a number of viewpoints and would suggest using them in a variety of ways not exclusively as light relief at the end of lessons. Duets are an excellent way of improving sight-reading to be sure as well as building confidence and assertiveness. But at least as importantly they nurture that most underestimated of skills listening without which musical accomplishment is doomed to certain failure. If the teacher is limited in pianistic ability then duets offer a much needed chance for students to play in a small ensemble setting which is the first stage to being able to 'hold a line' in a wind band or orchestra.Above all perhaps the sheer joy of being part of a 'winning team' can hardly be overestimated; played well a duet is greater than the sum of its parts and may well have the potential to please in a concert setting. The business of matching intonation is of course especially important in duets and similarly taking breaths in suitable places is critical to the way an audience understands the overall musical texture.Balance

Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.

Graded jazz pieces for solo flute recently set on the new Trinity College syllabus for all 8 grades. The story behind Scatadoodledoo: 'One day when I was at home practising my flute for a Jazz gig I had a particularly hard chart with lots of key changes and I just couldn't get into the flow of it. I was thinking logically and thinking of the chord symbols and just thinking thinking thinking which anyone who improvises knows is a sure way to stop you being 'in the flow'. Being a Jazz singer I love to scat sing and so I soon found myself putting my flute down and scat singing through the chart instead. I wasn't thinking I was justscatting around with my 'do-be-doos' and I was really getting into it and enjoying myself feeling so free in comparison to when I was improvising on the flute. That's when I had the idea to sing and play on my flute at the same time... I figured that all I needed to do was practice playing on my flute what I was singing at the same time and I'd be sorted with this hard chart in front of me. I started off simply at first but the more I practised the more I found my voice and fingers working together until it literally felt like they were 'one' and I was 'singing my flute'. Then when I took my voice out of it and all that remained was the sound of my flute that feeling of 'singing' still remained and I felt a freedom in my flute improvising that had been missing before. This discovery completely changed my jazz flute playing and to this day it is still my favourite way of practising improvising. 'Scatadoodledoo' is to encourage all Jazz flautists to start thinking of their flute as the voice they are scat singing with. The pieces range from grade one through to grade eight. Although the more advanced pieces like 'scatastrophy' and 'scatterbrain' have sections where the flautist has a chance to actually play and sing at the same time it is never too early to practice this method whether it be with scales or with beginner pieces like 'Scat Walker'. I hope you enjoy playing these as much as I enjoyed writing them.' Alicia Hart

Studies & Pieces. Par DEHNHARD TILMANN. After Tilmann Dehnhard's award-winning 'The New Flute' was published, it was soon clear that a demand existed for further study material and concert pieces for flutebeatboxing. 'Flutebeatboxing - Studies and Pieces' is a follow-up to the fundamentals and basic techniques explained and demonstrated in 'The New Flute'. Beginning with easy exercises (bronze level) for mastering the basic, individual beatboxing sounds, these compositions progress through to concert level (Platinum). Together with four concert studies, familiar favourites are included: Summertime, Billie Jean, Black or White and Badinerie by J. S. Bach as well as 'beatbox classics': a collection of well-known melodies which are especially suitable for flute-beatboxing. • Comprehensive practice and performance material for the popular Flute-Beatboxing technique • The cool arrangements of Summertime, Black or White and Billie Jean will help you steal the show • Progressive programme of exercises and etudes from bronze level (easy) to platinum (concert) • This book complements the Fluteboxing chapter in Tilmann Dehnhard's much acclaimed Workbook & DVD 'The New Flute' (available as UE 35320) / Études et exercices / Etude / Flûte Traversière

Four Groovy Flute Quartets-Groove Quartets s?inscrit dans la lignée des recueils Swing Quartets et Jazz Quartets. Dans ce recueil de quatuors Bert Lochs nous conduit vers un univers musical essentiellement groove. Chaque pièce est enregistrée dans une version intégrale quatre versions combo + trois voix et une version avec l?accompagnement seul.Les parties d'accompagnement (Combo Jazz : Conducteur + Partie Lead Piano Guitare Guitare Basse et Percussion) sont disponibles séparément : Groove Quartets - Parties d'Accompagnement (Combo)

Four Swinging Flute Quartets-Quatre quatuors swing à interpréter seul avec l?accompagnement sur compact disc ou avec un deux ou trois musiciens.Les parties d'accompagnement (Combo Jazz : Conducteur + Partie Lead Piano Guitare Guitare Basse et Percussion) sont disponibles séparément : Swing Quartets - Parties d'Accompagnement (Combo)

Irresistible Backing Trac-POP-START provides the beginner flautist with music to enjoy from their very first lesson. The fun of playing along with these high quality tracks is irresistible and the carefully devised progression of notes and skills gradually builds up confidence and aids motivation. These accessible music styles provide familiar idioms in which to introduce the skills of flute playing and an understanding of notation and rhythm. This lively album of music is appropriate for players up to Grade 2 standard. Hilary Taggart studied the flute with Trevor Wye Geoffrey Gilbert and Marcel Moyse. Her career has included work in many symphony orchestras ballet opera and WestEnd shows in London. She has written flute music for all standards ranging from beginner to advanced and is also an experienced teacher who has enjoyed coaching flautists of all ages and abilities. Rob Taggart. Since graduating from the Royal Academy of Music in 2002 Rob has performed with Katie Melua Bootyluv The Foundations Gareth Gates Tony Hadley Rick Astley David Jordan Chris Norman and Just Jack. He was also a member of the house band for three series of the Charlotte Church Show on Channel 4 and has played keyboards in several West End shows. Rob has composed and arranged music for TV advertising campaigns for Hewlett- Packard Subaru Ford Focus Hellmans. Save The Children Oasis British Gas and PC World.

A cheerful suite lyrical and full of freshness. 3 movements. Scoring: Flute/Piano. Performance Level 7 or 7.'This suite for Flute and Piano is in three movements and it is delightful. It will suit players from about Grade 5 (ABRSM) standard. The Piano part is very approachable for the intermediate standard player.'         - Flutewise

Party Pieces is a fantastic collection of 7 fresh and energetic pieces for Flute with Piano Accompaniment composed by Mark Goddard. The piano part has been kept fairly simple and allows more gifted pianists the potential for improvisation. These pieces are between grades 2 and 5 in standard.The solo flute part is also included on a separate insert.

Flute Frictions Volume 2 contains Flute duets aimed at flautists a grade 4-5.'... The sheer joy of being part of a 'winning team' can hardly be overestimated; played well a duet is greater than the sum of its parts and may well have the potential to please in a concert setting.'

Beethoven: Symphony No. 5 (1st movement and coda) Bizet: Prelude to Carmen and Offenbach: Can-Can (from 'Orpheus in the Underworld'). Score with parts for Piccolo Flutes 1 (div.) Flutes 2 (div.) Alto Flute and Bass Flute.

The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy.Bartók for Flute features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for flute with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Flûte Et Piano

Embark on a musical journey! This suite for Flute Quartet will transport both players and audience to a land of sun sand and colourful sounds. The Caribbean is home to a diverse range of musical genres. Many cherished styles - such as salsa reggae and calypso - originate from these beautiful islands. This suite by Bryan Kelly celebrates the rich sounds of the Caribbean. The four pieces (Calypso Nocturne Spiritual and Whistling Song) boast catchy rhythms and memorable themes making them a delight to learn and play. Suitable for musicians at a grade 3-5 standard the Caribbean Suite would make an excellentaddition to the concert repertoire for school groups.This replaces the popular old edition HE78 which is now out of print.