Schattenlinie - 5 movements for Clarinet Viola and Piano (2005-2010) by Bent Sørensen. Commissioned by and composed for the Risør Festival of Chamber Music Norway.The completed work premiered by Martin Fröst Lars Anders Tomter and Leif Ove Andsnes Nov 20 2010 in Oslo Norway.

Letter 27 is a work by Bryce Dessner scored for Chamber Ensemble. Commissioned by Bang on a Can the first performance took place on 17th September 2013 at the Sacrum Profanum Festival in Krakow Poland.A full performance lasts around 5 minutes. This is the Score and Parts.

I Broke Off A Golden Branch was commissioned and first performed by the Schubert Ensemble in 1992. The words ‘I broke off a golden branch’ come from a Croatian folksong which is very obliquely referred to inthe second of the work’s two movements. Judith Weir dedicated this lovely piece of chamber music for Violin Viola Cello Double Bass and Piano to William Howard. Full score. Violin Viola Cello and Double Bass partsare included separately as well. Duration ca. 15 minutes.Judith Weir is a British composer and Master of the Queen's Music. In 1994 Weir received the Critics’ Circle Music Section Award for the mostoutstanding contribution to British musical life.

Versione per orchestra da camera. Par VACCHI FABIO. Langue: English(UK)/Deutsch/Français/Nederlands / Niveau : Intermédiaire / Répertoire / Orchestre de Chambre

Für 2 Violinen, Viola, Violoncello. Par ZIMMERMANN ANTON. Der gebürtige Schlesier wirkte den Großteil seines Lebens in Pressburg (Bratislava) und hinterließ ein umfangreiches kompositorisches oeuvre. Zwar ist in seinem kammermusikalischen Schaffen die Nähe zu Joseph Haydn unverkennbar, doch gelangt er durch die Verwendung orchestraler Stilmerkmale die Bildung zu durchaus eigenwilligen Schöpfungen, die sich vom gängigen galanten Kammerstil seiner Zeit abheben./ Répertoire / Musique de Chambre

Gustav Holst's The Wandering Scholar a one-act chamber opera for Baritone Soprano Tenor Bass and Orchestra. Edited by Benjamin Britten and Imogen Holst. Full score and Orchestral parts are availble for hire. The Wandering Scholar Holst’s last opera was written in 1929-30 and was first performed in The David Lewis Theatre Liverpool in 1934 conducted by Dr. J. E. Wallace and produced by Frederick Wilkinson. This was a few months before Holst’s death and he was too ill to go to the performance. He had no chance to revise the score which has remained unpublished until now. He leftseveral pencil queries in the margins such as ‘Tempo?’ ‘More?’ ‘More harmony?’ etc. And in one of his note-books he left queries about several words in the libretto which he had doubts about. The editors have answered these queries by making some alterations in speed and dynamics and by suggesting metronome marks throughout the work. They have also made several alterations in the libretto which they feel that Holst might have made himself if he had had the chance to revise the work with his friend Clifford Bax.