Vl2. Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Orchestre

Le présent volume contient quatre ouvertures indépendantes. Alors que les ouvertures de de La Fiancée de Messine 'de Schiller, de Jules César' de Shakespeare et de Goethe 'Hermann et Dorothée révèlent références littéraires et dramatiques dans leurs titres, l'Ouverture du Festival du vin du Rhin chanson a son contexte dans les festivals de musique contemporaine à laquelle chorales et sociétés musicales se sont réunis pour faire de la musique ensemble. Toutes les ouvertures ont été composées à l'époque de Schumann à Düsseldorf. / Orchestre

Superbe coffret des Editions Ernst Eulenburg. La qualité est au rendez-vous, tant au niveau des partitions qu'au niveau des enregistrements. / Classique / Partitions CD / Broché / Mozart, Wolfgang Amadeus / Schumann, Robert / Dvorak, Antonin / Beethoven, Ludwig Van / Haendel, Georg Friedrich / Schubert, Franz / Brahms, Johannes / Vivaldi, Antonio / Chopin, Frédéric :

Vc1. Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Orchestre

Studien zu F. Schmidt Vlll. Par SCHUHENN REINER. Studien Zu F. Schmidt Vlll/ Livre / Livre

In Memoriam Robert Schumann. Par REIMANN ARIBERT. Cette majorité a souvent joué le oeuvre orchestrale par Aribert Reimann citations d'et fait usage de dernière composition finie de Robert Schumann, le soi-disant 'Geistervariationen' (Ghost Variations) en mi bémol majeur pour piano de 1854, composé en peu de temps avant la tentative de suicide de Schumann. Réfléchissant sur la vie ultérieure de Schumann Endenich, Reimann quitte le caractère lyrique de l'original inchangée. Mais la rupture place du thème dans la troisième, cinquième et septième des fragments symbolise la transition entre rêve imagination maladive de couvaison./ Répertoire / Orchestre

Grieg composed this Concerto for Piano and Orchestra in 1868 for himself to play however Edmund Neupert played the first public performance in Copenhagen on April 3 1869. The music is rife with Scandinavian influences including traits of Schumann and Mendelssohn and Norwegian folk dance elements and rhythms. It is a dramatic and dynamic work that is never flat using constant development flourishes and crescendo from the first movement to the last. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

The title Marchenbilder or Fairy-tale Pictures borrowed from Schumann awakens notions of music which in itself has a pictorial quality. In all the score comprises six Fairytale Pictures the first three of which form the first movement the next two the second whilst the sixth forms the last movement which is linked with the second without a break. The first two pictures have the same duration - one minute each - whilst the remainder hesitantly inerease in length until the final picture is almost five minutes long.For 14 instruments.

A wonderful composition written between 1855 and 1876 and in part it is a return to the Baroque Symphonic tradition. It is a solemn piece that seems to reflect the tortuous period of its creation the terminal insanity and later death of his friend and mentor Robert Schumann. At times ominous building to climactic heights where other times it is warm and uninhibited this is a spectacular work. That demonstrates the skill of a young master composer. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Beethoven's Symphony #4, like #5, portrays the transition from darkness to light. Despite being scored for a small ensemble and its classical structure the work is brimming with originality and grace - 'a slender Greek maiden' as described by Robert Schumann. / Orchestre

Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre

Commissioned by the Cheltenham Festival Society Malcolm Arnold's Fifth Symphony Op.74 was composed in 1960 and first performed in 1961 (the year of his fortieth birthday). The work was composed towards the end of a period of intense compositional activity. Surrounded by controversy and criticism for its unashamed Neo-Romantic style at the time of composition it is now rightly heralded as a work of art. Edited by Millan Sachania.

The EULENBURG AUDIO+SCORE series contains the most important masterpieces of the concert and orchestra repertoire thus being the ideal choice especially for beginning students and lovers of classical music to delve into the world of score-reading.