The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

hits classiques 28 arrangés pour enregistreur descant avec CD de sauvegarde. / Flûte A Bec / Partition

By popular request these songs and pieces from the 5 volume English edition (by Margaret Murray) of Carl Orff and Gunild Keetman???s ???Schulwerk??? are now available in CD format. Singers and speakers are from a variety of English Welsh and German schools with professional musicians playing instruments. The Schulwerk idea is one that transplants well founded as it is on the basic elements of language music and dance with which children are encouraged to play and improvise imaginatively so that through the use of simple forms they will be able to make their own music. The material is not restricted to Britain but also includes songs from Canada and the United States. Theinstrumental ensemble is directed by Carl Orff and Hermann Regner. All possible instrumental resources suited to this elemental style of music making have been used. The barred percussion instruments that carry Orff???s name such as Glockenspiels Xylophones and Metallophones are used as well as simple small percussion instruments and the larger ones found in the conventional orchestra. The older forms of wind instruments are favoured such as Recorders Sorduns and Crumhorns. Brass instruments such as Trumpets and Trombones are also used. The Guitar Cello and Double Bass have an important role and where available the older forms of string instruments such as the Viol or Viola da Gamba blend well into the ensemble.

Des mots, quelques strophes, un refrain, une mélodie et un rythme simples. Si peu de choses, au fond, et pourtant, si diverses, toujours actuelles et jamais démodées ! Ainsi, les 36 chansons traditionnelles rassemblées dans ce recueil ont été chantées par plusieurs générations d'enfants.Que du bonheur ! (Avec compact disc et accompagnement de piano) / Flûte A Bec / niveau : Facile / Partition + Cd

For Recorder Quartet-A fun to play suite of pieces associated with different types of trains: Camel Train Wagon Train and Choo Choo Train. This original work will bring great joy to both players and audiences.

Favorite Classical Themes - Book 1 is the first book of a series for Soprano Recorder. It features twenty famous themes regrouped and arranged for the instrument by Rose-Marie Janzen. Using a range not too high this book can be used by any young player or teacher and features tunes more or less difficult that correspond to different level of difficulty. It includes: 1. Te Deum extract by Marc-Antoine Charpentier 2. Les Saisons “Printemps” (Spring) by Antonio Vivaldi 3. Tambourin extract by Jean-Philippe Rameau 4. L’harmonieuxforgeron theme and variation by George-Frédéric Handel 5. Passion selon Saint Matthieu choral by J. S. Bach 6. ”Jesus que ma joie demeure” ritournelle by J. S. Bach 7. Quatuor “L’empereur” theme of the 2nd movement by Joseph Haydn 8. Une petite musique de nuit minuet theme by Mozart 9. La chasse du jeune Henri extract by E. N. Mehul 10. Concerto de Violon Rondo theme by Beethoven 11. Neuvième Symphonie Hymne à la joie by Beethoven 12. La truite by Schubert 13. Marche Nuptiale extract by Félix Mendelssohn-Bartholdy 14. Le gai laboureur by Schumann 15. Faust “Paresseuse fille…” by Charles Gounod 16. Berceuse by Johannes Brahms 17. L’Arlesienne “Marche des Rois” by Georges Bizet 18. Carmen “Avec la garde montante” by Georges Bizet 19. Symphonie “du nouveau monde” Largo theme by Antonin Dvorak 20. Le lac des cygnes Lake theme by Tchaïkovsky

Par . Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practising is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. / Date parution : 2022-07-20/ Recueil / 2 Flûtes à Bec

The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Recorder by French wind specialist Jean-Claude Veilhan. Bach originally composed the Cello Suites some of the most frequently performed and recognised solo compositions ever written for the instrument during the period 1717-1723 when he served as Kapellmeister in Köthen. The second volume of Veilhan's adaptions for Recorder contains suites four five and six and includes phrase marks dynamic markings articulation breath marks and performance directions. Veilhan's adaptions are flawless makingthe notorious Suites enjoyably accessible to the Recorder.

Descant And Treble Teacher's Book-Easy mixed duets for descant and treble recorders to play together suitable for two players or for class ensembles. The 22 duets feature a wide range of well-known arrangements including folk songs spirituals Latin Americandances blues and classical favourites as well as original pieces by John Pitts. The material is precisely graded so that both the descant and treble parts progress gradually in difficulty and range of notes. The Teacher's bookcontains piano accompaniments for all the pieces as well as some additional pitched/unpitched percussion parts.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)These two tutors with accompanying teacher's books are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.

This publication contains Hungarian folk song arrangements; these pieces intended for music school students can be performed separately or may be grouped together in selections of variable size. The Soprano Recorder may be replaced by a Clarinet an Oboe or perhaps a Bassoon (the latter may require transposition in places). The melodies are mostly of a sprightly dance-like character and can therefore be effective programme items at student concerts.

Passages pour enregistreur de 24 cantates. C'est le quatrième et dernier volume de ' Répertoire flûte. ' Bach Il contient toutes les pièces de l'enregistreur de cantates de Bach et les oratorios et offre ainsi des matériaux précieux, précédemment non perçus pour tous les admirateurs de graves de cet instrument souvent injustement méprisé. Le texte musical, tout en suivant les principes de Urtext éditions, a été doté d'un certain nombre de suggestions pour l'articulation et le phrasé comme aide à la compréhension et de corriger les performances. Cependant le joueur doit toujours garder à l'esprit que, contrairement à la note totale, sa partie instrumentale offre seulement une vue ' bornée ' de la musique dans son ensemble. Extrait de la préface par Hartmut Strebel / Flûte A Bec (Alto/Soprano) Solo

N'importe qui peut faire de la bonne musique! Ce nouveau taux de base est l'entrée optimale (re-) en jouant votre enregistreur instrument de prédilection.Toutes les principales techniques sont expliquées à l'aide des airs et des chansons bien connues, étape par étape, de sorte que vous pouvez jouer premières pièces dans un court laps de temps. Toutes les pistes du CD sont enregistrées dans une bonne vitesse jouable.Est facile et amusant de la musique - essayez-le! / Flûte A Bec

édition David Lasocki Compositeur : Hotteterre le Romain Jacques Martin Instrumentation : Fl solo (Hb, Vn, Flb en Do), Bc ad lib