SKU: BO.B.3172
SKU: BO.B.3460
SKU: BO.B.1002
SKU: BO.B.3733
SKU: BO.B.0075C
SKU: HL.132248
UPC: 884088970826. 9.25x12.0x0.224 inches.
SKU: BT.EMBZ14659
Hungarian-English-German-French.
This volume of works by the Viennese classical and romantic composers contains only transcriptions, and only from pieces for the piano. In most cases the right hand part is played on the violin, often alternating with or responding to the cello, thus the piano part is considerably easier than the original, and therefore accessible to children not yet capable of playing the original work. The selection includes the most popular pieces by the greatest composers (Haydn, Beethoven, Mendelssohn, Schumann, Chopin and Grieg), such as, for instance, the second movement of the Mondschein-Sonate, and Träumerei.Dieser Band beinhaltet ausschließlich von Klavierwerken transkribierte Werke aus der Wiener Klassik und Romantik. Die Melodie der rechten Hand wird meistens von der Geige, oft mit dem Cello abwechselnd, einander antwortend gespielt. Dadurch ist die Klavierstimme im Vergleich zum Original wesentlich leichter, also sie ist auch für Kinder zu meistern, die das Originalstück sonst noch nicht spielen könnten. In der Auswahl kommen die beliebtesten Werke der größten Komponisten (Haydn, Beethoven, Mendelssohn, Schumann, Chopin und Grieg) wie z. B. der zweite Satz der ‚Mondschein-Sonate oder das ‚Träumerei' vor.
SKU: HL.49017074
ISBN 9790001151573. 9.0x12.0x0.182 inches.
In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.'In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls.In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale.
SKU: HL.14026905
ISBN 9788759857588. English-French.
Completed in 1977, Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello, Clarinet and Piano by Karl Aage Rasmussen, one of the most important post-war Danish composers. This set for his terrific piece includes both the Cello and the B flat Clarinet parts. The full score is also available (KP00193).
SKU: HL.50512037
ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky.
The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+.
SKU: IS.VCP4666EM
ISBN 9790365046669.
SKU: A3.9781786012371
ISBN 9781786012371. 9 x 12 inches.
This book contains nine pieces from ABRSM's Grade 5 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer.
SKU: A3.9781786012319
ISBN 9781786012319. 9 x 12 inches.
This book contains nine pieces from ABRSM's Grade 4 Cello syllabus for 2020-2023, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer.
SKU: HL.14010055
ISBN 9788759869888. 8.25x11.75x0.074 inches.
Hakon Børresen's Élégie Op. 17, No. 1 (from 'Deux Pieces Pour Violoncelle et Piano') for Cello and Piano.
SKU: HL.14029709
ISBN 9788759876763. Danish.
Hakon Børresen's Serenade Op. 17, No. 2 (from 'Deux Pieces Pour Violoncelle et Piano') for Cello and Piano.
SKU: HL.50069340
6.75x10.5x0.164 inches.
SKU: SS.50000690
Includes piano reduction and solo part. Copyright 1996.
SKU: HL.50510805
ISBN 9790080083192. UPC: 073999538205. 9.0x12.0x0.048 inches. Hungarian, English, German. Imre Mezo; Laszlo Mezo.
SKU: HL.50487934
ISBN 9790080027943. A/4 inches.
Ruralia Hungarica was originally a five movements cycle of piano pieces (Op. 32/a) composed in 1923 on Hungarian folk songs, dedicated to Dohnanyi-s mother. In 1924, five movements of the piano cycle was orchestrated (Op. 32/b), the orchestral version was premiered under the baton of the composer on 14 September 1924, in Pecs (South Hungary). Ruralia Hungarica was one of Dohnanyi-s favorite works. He often performed both the version for piano and the one for orchestra, and he composed other versions, too: three movements for violin and piano (Op. 32/c) and one movement for violoncello and piano (Op. 32/d).
