Par MARSH LIN. Singbook is an inspirational resource for all singing leaders working with children and young people, and contains 12 songs by some of today's most exciting songwriters. Suitable for established singing leaders seeking new repertoire, and those leading singing groups for the first time. Inspires young people with an exciting and vibrant mix of styles. Celebrates our cultural diversity, combining songs from Gujarati, Chinese and Albanian music with the best of the UK. Each song includes warm-ups, learning strategies and interviews with the songwriters. All vocal parts and lyric sheets are photocopiable. The songs are graded and colour-coded into three levels - Starting, Developing and Challenging. This edition features full Piano scores for those wishing to accompany their singers themselves, or for Piano-based rehearsal. To be used alongside Singbook (Catalogue No. 0571523986) Produced in association with Youth Music and NASUWT / Date parution : 2005-06-23/ Recueil / Voix

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Te rogamus ( soprano et piano ) du compositeur Mereaux Max a été cataloguée sous la référence FP 1341 par l'éditeur. Cette oeuvre est écrite pour Chant/Vocal/Choeur. En 3 clics et quelques jours elle peut être chez vous. / Voix / Partition

A musical drama biopic chronicling P.T. Barnum (played by Hugh Jackman) and his founding of the Barnum & Bailey Circus this December 2017 film features a stunning soundtrack by Benj Pasek and Justin Paul of La La Land and Dear Evan Hansen fame. This vocal selections folio features 9 songs provided in vocal lines with piano accompaniment. Songs include: Come Alive • From Now On • The Greatest Show • A Million Dreams • Never Enough • The Other Side • Rewrite the Stars • This Is Me • Tightrope.

Qui ne conna?t pas la ?Sonata facile? compos?e par Mozart en 1788. Mais quiconque travaille cette Sonate en Ut majeur particuli?rement appr?ci?e sait qu?elle n?est pas aussi ?facile? ? ex?cuter. Son surnom d?ailleurs n?est pas de Mozart mais provient de la page de titre de la premi?re ?dition parue ? titre posthume. Mais qu?on ne se r?jouisse pas trop vite: Mozart lui-m?me la mentionne dans son catalogue d??uvres autographe comme ?une petite sonate pour piano pour d?butant?.

La communauté Songbook offre 100 chansons avec des mots, des cordes et des accompagnements piano. English songs, chansons écossais, irlandais chansons, chansons gallois, chants sacrés, chansons festives, chansons de plantation, chansons américains, comptines, tours et captures, chansons de mer et soldat chansons. Un livre essentiel ' poche ' récemment réédité./ Recueil / Voix

Vous êtes chanteur? Aucun doute cette partition vous satisfaira à 100%. Cataloguée sous la référence SL10410, cette partition de Cadée Jean-Louis a pour titre Douze pièces progressives pour piano jazz. A n'en pas douter, elle se classe logiquement dans la catégorie Classique. / Voix / Partition

Durey de cycle de mélodies (écrite pour violon et piano ou treize instruments) est composé de 25 chansons individuelles, chacune sur un texte de Guillaume Apollinaire et chacun très court. La plupart prennent juste une page ou deux de la musique, et contiennent seulement une ou deux lignes du verset. Le concept de l'ouvrage est presque identique à celle du carnaval de Camille Saint-Saëns des animaux: chaque chanson de Le Bestiare décrit un animal individuel. / Voix

High Voice Compiled by Joan Frey Boytim-Sacred Solos For All Ages for High Voice compiled by Joan Frey Boytim. Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacred genre with these collections which present traditional sacred solos for classical Voice and Piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print - span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service.

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

A new high edition of our popular vocal collection, this volume of best-loved folk songs for solo voice and piano contains fourteen memorable works arranged by three of Alfred Music's top writers: Jay Althouse, Mark Hayes, and Ruth Elaine Schram. / Voix

Jay Althouse has compiled an outstanding collection of eleven spirituals arranged for solo voice and piano by some of Alfred's finest composers and arrangers. Perfect for recitals, concerts and contests, this compilation includes songs such as 'Ezekial's Wheel,' 'Kum Ba Yah,' and more! / Voix

A new high edition of our popular vocal collection this volume of best-loved folk songs for solo voice and Piano contains fourteen memorable works arranged by three of Alfred Music's top writers: Jay Althouse Mark Hayes and Ruth Elaine Schram. Titles include All My Trials All Through the Night Camptown Races Cindy Fire Down Below Follow the Drinking Gourd Go 'Way from My Window He's Gone Away Old Dan Tucker Poor Boy Poor Wayfaring Stranger Shenandoah Simple Gifts and The Water Is Wide.

Developing the Adolescent Voice. Par ANDERSEN DAN. Emily Crocker writes: Forty years ago, most vocal methods were aimed at high school students and up. Dan Andersens\'s materials and methods remedy this situation and offer an excellent curriculum for the young voice, giving you the opportunity to reap the benefits of his forty years of successfully working with adolescent singers. There are 50 vocal warm up exercises and recorded piano accompaniments included with the purchase of the book.Chapters include 1) Building the Adolescent Voice--Why we Warm up; 2) Preparing the Adolescent Voice--How we warm up; 3) Knowing the Adolescent Voice--Girls Changing voice

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE