Combinez les deux chanteurs à étudier et à réaliser ces duos exceptionnels sur des chants folkloriques traditionnels américains. Inclut une variété soigneusement sélectionnés en favoris familiers. / 2 Voix Et Piano

La partition 7 CHANSONS EN FORME DE DUOS SUR DES THEMES POPULAIRES a été composée pour Chant/Vocal/Choeur et plus particulièrement pour 2 Voix Et Piano. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Voix Et Piano / Partition

Par PARK OWAIN. 'My latest piece has a rather nice story attached to it. I was asked by my good friend Helen Charlston if I would set a poem she had written called ?18th April?. This date has special significance, as it was supposed to be her wedding day. Sadly, the wedding had to be postponed. During their time in isolation, Helen and fiancée Mike have been curating a wonderful series called #LiederRelay, in which they take turns at the piano to accompany each other singing songs from Brahms to Schubert. Helen surprised Mike with a copy of this piece on their ?wedding day that wasn?t quite?. In ?18th April?, they each take turns at the piano, swapping around during the course of the piece before joining each other at the end. Helen and Mike recorded a version of this piece from their home in April 2020. This published version is for mezzo, baritone and piano.' - Owain Park / Date parution : 2022-04-01/ Répertoire / Mezzo-Soprano, Baryton et Piano

A song cycle for Tenor Baritone and Piano four-hands.Commissioned by Dickinson College in 2008 for The Florestan Recital Project Musical Artists in ResidenceFirst performance March 4 2010 Dickinson College PAThis work is dedicated to Don and Marilyn Conlan ''The seventeen poems selected for this work span many centuries and languages and give very varied views on the subject of love. There is a mixture of solos and duets which also gives variety. Also there is a difference in the characterization ofthe two singers; the tenor is more romantic and? the baritone more realistic and cynical. In the penultimate poem by Tyutchev this? split is emphasized in the words ! / T ? . (O love of my last years you are both rapture and desperation).? However both singers recognize the power of love. The work should be sung? without a break between the songs and indeed several of the poems overlap. To? emphasize the continuity there are several recurring musical motives: in particular? the theme associated with the words from the Shakespeare poem in Twelfth Night? ?What is love?? Hopefully the songs can be sung in the original languages (except for the poem from the Haida) however ?singable? translations have been provided. I? want to thank the many friends and colleagues who offered much appreciated advice on fully understanding the poems and thus their translations: Henry Garrity ? Lilian Groag Gustavo Lopez Manzitti Veronica Mitina Alma Mora