Wonderful World of Handel for Flute and Piano-Arranged by: John SandsStages: Grade 3-5

Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra which later became English National Opera. His fondness for good tunes with which the G

Albert Roussel's Andante Et Scherzo Op.51 for Flute with Piano accompaniment. Includes seperate Flute part.

This Suite was originally written for Flute (or Recorder) and Strings: it is here arranged for Flute and Piano edited by Louis Moyse. It stands out amongst Telemann's work for its cosmopolitan sampling of the various styles of music known to the composer. It contains a pair of French Menuets two Passepieds from Brittany a Polish Polonaise and an Air à l'italienne. For good measure Telemann throws in two quasi-illustrative movements describing Les plaisirs and a Réjouissance respectively. The Overture is perhaps the best-known part of the work and is remarkable for its almost processional feel and itreappears as the Conclusion at the suite's end. This diversity of styles and means fits well the template of a suite but the unifying intelligence behind all of them is definitely that of Telemann.

Agrestide Op. 44 by Eugène Bozza (1905-1991) is a piece for Flute and Piano written for the Paris Conservatoire contest. Dedicated to Gaston Crunelle a professor at the Paris Conservatoire this piece is very difficult and was composed in 1942.Op. 44 is divided in 4 distinct parts: Moderato (like a Pastoral) Cadenza Andantino Anime and Piu Vivo. Agrestide Op. 44 is really melodic and would also be perfect for a contest or recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting andcomposition as well as the Grand Prix de Rome. He also composed several operas chamber works and ballets among others.

Series: Flex-Ability Series Category: Mixed Instruments - Flexible Instrumentation Format: Book Instrument: Flute Instrumentation: Flute The Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1/2-1 (only whole, half, dotted half, and quarter notes and rests). The arrangements are carefully crafted to be educationally sound. Optional octaves and cue notes are included to allow for range flexibility. The songs are: Jingle Bells * Santa Claus Is Comin' to Town * Have Yourself a Merry Little Christmas * (I'm Gettin') Nuttin' for Christmas * Frosty the Snowman * I'll Be Home for Christmas * Angels We Have Heard on High * Joy to the World * We Wish You a Merry Christmas * Auld Lang Syne * Chanukah Medley: Chanukah/I Have a Little Dreydl.

Johann Strauss' Train De Plaisir is a Polka arranged here for Flute and Piano accompaniment by Armando Ghidoni.

Facile et Moyenne - 'Les Classiques De la Flûte'-French composers Gaubert Moyse and Caratgé compile an essential addition to the Flute repertoire. Including pieces by Lully Campra Bach Handel Gluck Haydn Boccherini and Schumann Gaubert Moyse and Caratgé ensure that a range of famous works are accessible to beginner to intermediate flautists. In the second volume of this compilation Famous Pieces for Flute and Piano Gaubert Moyse and Caratgé arrange famous works by the great preceding composers for the Flute ensuring that necessary additions and edits are made. Pieces include movements from Lully's King'sBallets and a Boccherini Menuet. The changes by Gaubert Moyse and Caratgé include phrasing breath marks tempo marks dynamics and other performance directions. Famous Pieces for Flute and Piano provides excellent expansion to the repertoire of the beginner to intermediate flautist.

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead British Isles folk songs' is a collection of old favourites from all around the UK and Ireland. These simple, idiomatic arrangements give young players the opportunity to play well known tunes either as solo performances or as part of a group. With a choice of backing CD accompaniment or playing along with guitar or piano 'Take the Lead' offers both teacher and student ultimate flexibility.

For Flute And Piano-The composer has drawn from her Scottish background for inspiration in this piece. In the central section of Piper's Dream the music hints at real Scottish folk music. The outer sections are freer and players are encouraged to enjoy the spirit of improvisation. At times the flautist reflects the sound of the bagpipes imitating the instrument's characteristic 'fall' in the closing phrases of the piece. Near the end the music fades as if this Scottish fantasy were just a dream. he interplay between the flute and piano is beautiful the writing showing McDowall's understanding of the qualities of the instruments' Music Teacher MagazineGrade: 7

Reichert (1830 - 1880) performer composer and teacher is a household name with most flautists. He is known chiefly for his studies which integrate melody and harmony. This makes them more appealing to players and far easier to focus on than mere mechanical exercises. The majority of Reichert’s other compositions are less well known. Yet they are proof of his extraordinary virtuosity his imagination and his ability to express genuine emotion in his pieces. In order to cater for the rapidly growing interest in 19th-century flute music Schott has decided to re-publish these works for flute and piano.

Arranged and adapted by Andrea Cappellari. Easy duets. Each book included complet scores and solo part.

Gabriel Pierné (1863-1937) was a French composer conductor and organist. Despite being predominantly remembered as a conductor his Canzonetta arranged for Flute and Piano by André Petiot remains a recognised piece in the repertoire. Pierné studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series Concerts Colonne in 1910. He remained in the post until 1933 and during this time he notably conducted the world premiere of Igor Stravinsky's 'The Firebird'. Pierné composed for a variety of instruments. Canzonetta originally composer for Clarinet with Piano accompaniment is one of four solo works by the composer. This Pierné piece arranged for Flute contains many characteristics typical of the French style such as lyrical melodies a significant number of performance directions flourishes of semiquavers chromaticism and many changes in dynamics. Canzonetta is a varied piece essential to the repertoire of aspiring flautists.