10 Sonate Vol. 1 (Rampal/Veyron/Lacroix)
A superb collection of 10 Sonatas for Flute with Piano accompaniment, by G.F. Handel, spread across 2 volumes. This first volume includes 5 sonatas, as edited by Jean-Pierre Rampal, with Continuo realisation byRobertVeyron-Lacroix.
The solo flute part is also included on a separate insert. / Partitions classique / Bois / Flûte traversière / IMC

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Ballads' features arrangements of popular ballads from the nineties including 'My Heart Will Go On' and 'The Wind Beneath My Wings' Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal for the end of term concert. Contents: Amazed; Get Here; I Don't Want To Miss A Thing; My Heart Will Go On; Swear It Again; The Rose; The Wind Beneath My Wings

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door

Vent was commissioned in 1990 by the American flautist Andrew Sterman and first performed in New York. It is scored for Flute and Piano. The Pulitzer Prize winning American composer David Lang was born in 1957. He is passionate prolific and complicated embodying the restless spirit of invention. Deeply versed in the classical tradition he is also committed to music that resists categorization constantly creating new forms.

KV 10 11 12 13 14 15-The Six Sonatas for Flute and Piano presented in this edition were written by Mozart when he was eight years old. They are dedicated to the Queen of England. Edited by Louis Moyse.

'A fragment of the main theme came to me one day during a visit to Switzerland in August 2004. I filed it away in my memory and developed it into a piece when I got home. The 'bluesy' harmony in the fourth bar of the theme suggested that the piece should be called Valse Bleue.' Angela Morley was born in Leeds Yorkshire England in 1924. She was a professional woodwind player in her teens and twenties and at twenty-six after studying harmony counterpoint and composition with Matyas Seiber and conducting with Walter Goehr gave up playing and embarked on a career as an arranger and composer.

French Music for Flute and Piano. This collection, compiled by Sonora Slocum, principal flutist of the Milwaukee Symphony, features some of the most popular flute repertoire by French composers. CONTENTS: BÜSSER: Prelude et Scherzo, Op. 35 · FAURÉ: Fantaisie, Op. 79 · GAUBERT: Nocturne et Allegro Scherzando · HÜE: Fantaisie · RAVEL: Pièce en forme de Habanera (transcription by Gaston Hamelin) · SAINT-SAËNS: Romance, Op. 37 · TAFFANEL: Andante pastoral et Scherzettino

Taoist Sacred Dance is a work by Philip Glass for Flute and Piano. Dedicated to Sat Hon and the Ancient Taoist Practice Society Inc the work received its premiere on November 19th 2003 at InterfaithCenter of New York by Philip Glass and Andrew Sterman. The work lasts around 30 minutes and is to be performed in 3 movements.

Instrument : Flute and Piano Nombre de Pages : 48 Content : No 1 in G (L'Henriette) - No 2 in D Minor (La Vibray) - No 3 in E Minor (La Dherouville)

French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer conductor teacher and organist. His compositions for a variety of instruments are exceptional Andalucia for Flute and Piano being no exception. As reflected in Andalucia which is named after the popular Spanish area of the same name Büsser's compositional style was sophisticated yet true to the 19th century French tradition. Elements of Andalucia include chromaticism exploitation of tonality complex rhythms and semiquaverflourishes amongst other aspects. For all advanced Flute players Büsser's Andalucia is essential to a varied repertoire.

M. A. Reichert (1830-1880) performer composer and teacher is a household name with most flautists. He is known chiefly for his studies which integrate melody and harmony. This makes them more appealing to players and far easier to focus on than more mechanical exercises. The majority of Reichert's other compositions are less well known. Yet they are proof of his extraordinary virtuosity his imagination and his ability to express genuine emotion in his pieces. In order to cater for the rapidly growing interest in 19th-century flute music Schott has decided to re-publish these works for flute and piano.

Two charming sight-reading pieces for Flute and Piano written for the examinations at the Paris Conservatoire by Paul Taffanel. Composed between 1883 and 1884 and once thought to be lost these were re-discovered in the Conservatoire library and reworked by the Taffanel scholar and BBC Proms producer Edward Blakeman. Part of the French Flute Encores Series and suitable for Grades 6 - 7.

Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.        Edward Gregson

Par STEENHUYSE-VANDEVELDE CHRISTA. Christa Steenhuyse-Vandevelde, born in Belgium, is a composer and piano teacher. Christa's composition style is tonal, harmonious and melodic - wonderfully expressed in this tender Romance for Alto Flute and Piano, reminiscent of the Romances by Schumann. The lyrical solo line floats over the rolling triplet accompaniment in the piano part. / Date parution : 2022-11-29/ Recueil / Flûte Alto et Piano