POD Revised Version-Trio For Piano Oboe And Bassoon - Revised Version by Francis Poulenc. This new edition is based on a second manuscript by Poulenc dated 16th March 1928. Edited by Sandro Caldini in 2016. From the preface: The Trio pour piano hautbois et basson by Francis Poulenc (1899-1963) represents a milestone in the repertoire of music for double-reed instruments. It was written between March and April 1926 during a long stay in Côte d'Azur and it was immediately published by Edition Wilhelm Hansen AS Copenhagen in the same year. The composition was influenced by the composer's friendship with Igor Stravinskyand was dedicated to Manuel de Falla. I was lucky to locate a second manuscript (due to the courtesy of the American composer Ned Rorem and his niece Mary Marshall) on which this new edition is based. When I compared this manuscript with the first edition (WH19245) it became evident that there were many differences. The second manuscript is dated 16th March 1928 and clearly states Brouillon definitif (final copy)... Sandro Caldini 2016

Handel’s sonatas for one solo instrument and basso continuo are some of the finest examples found in the genre. The three oboe sonatas found in Barenreiter's edition are prime examples of this.The Urtext of the Halle Handel Complete Edition forms the basis for the new publication. As a scholarly critical edition it is concerned with the authentic sonatas written by Handel and not those often found in other collections which are either transcriptions of works originally composed for other instruments (e. g. the F major sonata which is often found in G major) or spurious compositions. All editorial additions are clearly indicated and as such players have a solidbasis for rendering performances true to the composer's intentions. The publication includes an informative historical as well as performance practice introduction by the noted Handel scholar Terence Best. It contains a score and two oboe/basso continuo parts.All of this adds up to a sure winner for oboists.- Authoritative edition based on the reliable Urtext of the Halle Handel Edition- Performance practice tips (English/German)- Score with two oboe/basso continuo parts- Introduction (English/German)

Par GEMINIANI FRANCESCO SAVERIO. / Répertoire / Hautbois ou Flûte Traversière et Violon et Basse C

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition DOUZE VARIATIONS SUR 'AH! VOUS DIRAI-JE MAMAN' (HTB,CL,BASSON) tout le talent de Mozart. Cette partition a été composée pour Trio D'Anches. C'est l'éditeur Billaudot qui a publiée cette oeuvre. / Trio D'Anches / Partition

Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Full set of parts for Carl Nielsen's Wind Quintet Op.43 (1922) for Flute Oboe Clarinet French Horn and BassoonScore available: WH30739

Arrgt: Vireton Eric. Par MOZART WOLFGANG AMADEUS. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 2/6 - Facile. Durée : '50'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : MOZART Wolfgang Amadeus. Arrangeur : VIRETON Eric / Niveau : Facile / Classique / Répertoire / Hautbois et Basson

Arrgt: Vireton Eric. Par SATIE ERIK. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 3/6 - Intermédiaire. Durée : '2' 05'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : SATIE Erik. Arrangeur : VIRETON Eric / Niveau : Intermédiaire / Classique / Répertoire / Hautbois et Basson

Arrgt: Vireton Eric. Par MOZART WOLFGANG AMADEUS. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 2/6 - Facile. Durée : '45'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : MOZART Wolfgang Amadeus. Arrangeur : VIRETON Eric / Niveau : Facile / Classique / Répertoire / Hautbois et Basson

L'oeuvre musicale qui a pour support une Partition a pour titre Quintetto. C'est une partition musicale composée par Di Domenico et qui est destinée aux joueurs de Musique de Chambre. Le détail de l'instrumentation Flûte, Hautbois, Clarinette, Cor Et Basson vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Flûte, Hautbois, Clarinette, Cor Et Basson / Partition

Arrgt: Eric Vireton. Par LATOUR JEAN. Formation : Musique de Chambre, Duo - Instrumentation : 1 Hautbois 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 0 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Jean LATOUR - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Hautbois et Basson